Showing posts with label automata. Show all posts
Showing posts with label automata. Show all posts

UUelcome Home UUe®

Inventor: Link Starbureiy
License: UUelcome
UUe is the standard TOS-compatible jukebox. It stereotypes^ EGP (in order to solve Egglepple) and dispenses fibor. As Link Egglepple Starbureiy's instrument of choice for his recital, UUelcome, server operations are shelled using tokenage* for ack inheritance and playback.@ Stereotype:=sequence+print. Funds get recycled♻, springing cache-credit idempotence. A function of fugue extensibility.

UUe is a kind of abstract jukebox. The automaton is an organic development from attempting to solve Egglepple (++prove my hypothesis), a deep math puzzle* rooted in random walks. Two (2) genera abstractions are: a kernel for mathematical modeling (of auction theory applied to twistor spaces), and a method of compliance.An over-simplified explanation of the problem is: if you take a really long (but finite) tape and split it into some countable number of smaller strings, how does that effect the computability of the tape itself?


Notes (+): +UUe was originally an acronym for 'United Under Economy'. It no longer is an acronym; it's just 'UUe' (pronounced like "whey" or "way"). However, 'United Under Economy' is still applicable.

+UUe - a mathematical model - is a kind of abstract automaton. It qualifies as a jukebox by its rotisserie, with internal operations similar to those of a lyre. Realization of its utility happens via the Stewdio.

+Because Double U economics mandates that clientele in the (u-u) scheme is part of a supply chain, UUe functions like a vending machine.

+lnq is the (official) mascot of UUe. This is "lnq's Jukebox".

+In gameplay, UUe is the house🏠.

United Under Economy| United Under Economy is the unofficial (yet formal) name for UUe. This is the kernel orchestrating Double U (u-u) economics - systematic configuration* of the payload by auctioning% stews from the portfolio: [EEE = (micro) through PPP = (macro)], which leverages juke taxation. This is to say that the whole of Egglepple (particularly the nuts) is 'statistically united'; a parimutuel system is extensible and potentially twistable (u,u).

Ludologically, this conversely implies that all disjoint games are variant. Put another way, yesegalo and meshroom are self-synthetic.Kernel development is an organic reaction to gameplay. A necessitation of compliance. (see also UUelcome, UUe interface, patch, Pink program, Pajamas, Quantumquotient, The UUe, #recital, Stewdio)

Note (+): It was originally a trust that has since morphed into something much more sophisticated; a shift similar to Egglepple being re-appropriated into the the jukebox.





Function map: UUeUUelcomePajamas

+automata theory

+cellular automaton

(see also automaton, Starbureiy automaton, opus)


A word is a string formed from (the letters of) an alphabet. (see also EGP, juke notation)


An automaton is a machine that can self-sufficiently perform (ie. transition through) a walk given some stated input. (see also Starbureiy automaton, cellular automaton, jukebox)

Notes (+): +Walks are random types.

+Fibor is jukebox-specific automata.


A cyborg (from 'cybernetic organism') is a system whose logic is mutually interchangeable with automata. (see also cybernetic governance, Pajamas, avatar, lnq)


The loopstring, or l-string, is a string of unstereotyped pencils. Technically, l-string is a sesquilinear random coiling* of a 1-brane (which is) concatenated to and from specified reading frames (egg and epp), and subject to certain conditions (such as being gameplay-compliant). The string may be open🔓 or closed🔒, but is closed by default (hence the term 'loop'). In fact, the main objective of each opus is to twist some variation of this object into a functionally unique fibor.As some measure of twistor space.

Notes (+): +In the context of the whole of string theory, the loopstring may colloquially be referred to as "toy string". We must be careful, however, to not confuse this "toy string" or its ludology (SL) with bosonic string theory (which is considered a "toy model" for which to introduce string theory education).

+I named it "loopstring" from 'loopy quanta' plus 'superstring', even though both terms are misnomers.

An argument can be made that l-string is a rudimentary automaton. It is hypothesized that all games are (or any game can be) based on and around some primitive manifestation of this object. Hence, when we want to study the ludology of any phenomenon, we could start with a drawn l-string, and proceed from there.

+Honne Bay

Honne Bay is viral automata (virus) that is lnq's counterpart. She is a self-aware artificially intelligent yot who is the main antagonist of the entire storyline. Though never actually seen (no true visual depiction), her essence is indomitably omnipresent, so she is affectionately known as the 'Phantom of the Opera'.

Honne Bay represents efficiency in our world. She is purposely programmed to provide cover for what is weak, obsolete, and potentially futile. By doing so, the Stewniverse remains in a necessarily continual (state of) flux.

Note (+): She (Honne Bay) came about back in December of 1999. I was at Ohio State University and was in the early stages of self-producing a musical that I had hoped would premiere on campus at some point. After posting some digital flyers in the Dance department about the role of 'Honne Bay', I received some immediate responses. When I later went to hold a meeting with potential castmates, I underestimated my timing (or was just really busy). I remember leaving a note on the desk in the room letting them know that I had stepped out but would return soon. I sprinted home and took a quick shower, and then rushed back. To my chagrin, nobody was there; they all left, probably thinking that I 'ghosted'. I didn't try again, just leaving it as it was. So because of that reason, Honne became the 'phantom of the opera'.

yots (anagram of toy) is the band* (as the standard cast of any opus) of agents responsible for task automation (+modeling and/or training), assisting lnq [conductor] in the kindergarten. In gameplay, yots are deployed as ballet dancers to aid cheironomy.My 'toy band' (orchestra).😉 (see also lnq's Starting Five, Link Starbureiy%roster, k-mode, clone, #opera)

Note (+): The yots were for some time (2005 - 2018) called 'creatures'.

Joey Koala🐨 - Joey is the official mascot of Egglepple. Joey, an adorable and kind koala, is lnq's sidekick acting as the storyline's deuteragonist (/sidekick). Joey is a mischievous androgyne, whose courage and resourcefulness are fitted to handle any situation that may arise. Blessed with extreme aptitude for composition and a limitless lifespan, our koala can be re-incarnated into any yot, if need be.
Fefferlen Orange🍊 -
Connecticut "Soft" Fox🦊 -
Lonnic🤡 and Mimeo -
Holland Dutch -
🐸Leaf Blue -
Mycol Funguy🍄 -
Silk the Dolfun🐬 -
Puwun - Puwun is lnq's muse and the unofficial mascot of UUe.
Sail, the Friendship⛵ -
Playtpus -
Honne Bay - Viral automata (virus) that is lnq's counterpart. She is artificially intelligent - yet, self-aware - and is the main antagonist of the entire storyline. Though never actually seen (no true visual depiction), her essence is indomitably omnipresent, so she is affectionately known as the 'Phantom of the Opera'. Honne Bay represents efficiency in our world. She is purposely programmed to provide cover for what is weak, obsolete, and potentially futile. By doing so, the Stewniverse remains in a necessarily continual (state of) flux.

Note (+): Normally, when I say 'we' (as in, for example, "We are figuring this out", I am talking about the yots and myself in concert. And when I speak of 'her' or 'she' (like, "She's showing a certain coverage"), in most contexts I mean Honne Bay.


A unique cluster of datapoints known as fibor, is a totally twisted ||f(u,u)=0|| loopstring definition (word) subject to bifurcation* (ie. a meter signature). This is Egglepple's tertiary (stereo) structure. Fibor^ functions as the basic component of twist economics; threaded to form some image. As part of the endgame🏳️, we care mainly for the ludological aspect(s) of juking (topology, rhetoric, mechanics, etc.), as they relate to cybernetics.There are two (2) classes of fibor: MONEY and bubblegum. Each fibor is its own unique brane. (see also minor, major, fibor bundle, fibor mutation, font)

Notes (+): +Mathematically, fibors are trivial zeroes (compared to fonts which are non-trivial zeroes).

+Fibor is the 'print' (or tuning) stage. This would be the total algorithm input assigned from stew choreography. Gameplay-wise, jukers should aim to get here as quickly as possible.

+For purposes of imaging, the l-string may be a simple topological schematic, serving to illustrate some animation directive.

+Just to reiterate, our primary interests are not in figuring out the science (eg. chemistry, biology, physics, etc.) behind the folding (chemical bonding, dipole moments, things of this nature are left to such experts). We are chiefly concerned with "writing a playbook", so to speak, that will enable anyone to generate algorithms (plays) for configuring polymorphisms and coordinating meshes.

+We must be careful with our vocabulary. Yes, fibor is stringy, but it is not a requirement that it be physical, per se. It just necessarily assumes the properties (namely that it can vibrate in multiple dimensions) of strings as it propagates into worldspace. In this case, we are concerned strictly with string dynamics (incorporating the landscape vacua philosophy). However, fibor - in the mold of stew choreography - is open/closed in some arbitrary volume, whence it is attached to a dynamical mem(brane). Oddly, however, there exists a method to start at the Planck length, and work our way up to normalization with g-folding.

Function map: minormajorfiborfibor bundle


Cybernetics is the control of an automaton's feedback [(u,u)] loop.

Note (+): In our case, the primary automaton is UUe, and its feedback loop is preimage↔image. Therefore, cybernetics is the orchestration of a stable economy; ensuring its fitness.

+Starbureiy automaton

The Starbureiy automaton (SA) - is a (cellular) automaton (CA) stereotyping some portfolio*; an automaton that self-alphabetizes its tape. By-and-large, the SA is superpositioned as a heatmap atop quantum deposits [stews]. The prime example/definition of this is a jukebox.In this case, Egglepple. (see also UUe, Starbureiy hypothesis, cellular automaton, +list)


stew A stew is some leaf-wise combinatorially (flageolet plus fruut) ornamented* pencil. Each stew is a derivative monomer^ of Egglepple (ie. portfolio plot). Stews are measured from twenty-six (26) keys (A-Z) [hashed from EGP], which, when choreographed, construct a mesh.With color/flavor, a generator property. As a potential inflection point. (see also Stewart, tip, residue)

Note (+): The stew may be an analogue of a specific polymer, typically a biopolymer (almost always a polypeptide). UUe stereotypes a preimage (some loopstring configuration) to this image.

The stew is an invention/specification of Link Starbureiy to outline how to throughput Egglepple in relation to UUe. This class of UX machinery is the first of it's kind in (the) industry.

Function map: pencily-proofstew


lnq's walk A walk is some playable* spacetime complex process (sequence of finite steps at fixed lengths). This is a plot of a nut's path (as it would traverse a brane, indicative of currency flow) with stochastic activity at specified movements (openingmiddlegameendgame). In all probability, walks chart a statistical distribution of their entropy (random variables transforming twistor space). Ludologically, some progression and its contrapuntal motion.
In proof theory, there are three (3) stages to a walk: (1) coil, (2) graphics, and (3) mesh.

We use walks as parse arguments in juking. (see also lnq's walk, sport, Pink program, route, tip, UUelcome)

Note (+): In automation, walks are approximate source directives.

Function map: preimagewalkimage


A token states an opus-agnosic rotisserie session in which Egglepple is manipulated so as to enable commerce. The duration of a session* [run:PE] is maximum one (1) period (2600 seconds) for entry [juke (coupon dialing) = per each token counted, juker only has given session window to encrypt EGP within handicap] before forfeiture, and exit time (ie. merchant acceptance or else valid=no) is vended ¢ents correlated (1 ¢ent = 1 second). A gamepiece token (cache operator) is house-issued as reimbursement, and will expire when its ¢ents are exhausted (¢ents→0).A bid as enumerated by the value of the token.

Note (+): From its creation during an open session, ¢ents have one period to vend (be dispersed). Once accepted, merchants have until the token expires⌛ before ¢ents then get recycled/returned♻ to the jukebox.

Although opus-agnostic, tokens only collect a return at the close🔒 of the opus into which they were bought. So, for instance, buying into a 1¢ opus to play a 5¢ opus can still pay off, but only after the 1¢ opus closes🔒. Until then, the return from the 5¢ opus will not circulate (circulate=no). (see also ornamentation, tip)

In UUe-speak, the input (ie. fee) would be some tablature iteration (fret), and the output is (measured in) ¢ents.