UUe

UUelcome™ is the sequence of EGP.
/// +This one big string of code includes all fibor [fugue = fonts, MONEY, bubblegum], itself outputted as a cassette🧱 (toy).
+Sequencing something necessarily means that it gets streamed, anyway, = the genesis of UUelcome being a gameshow (gs).
(see UUe, quantumquotient [conductor], Stewniverse, stewart, Stewpot, 🧑🏿lnq, Funshine/Toonlight (song), The Origamic Symphony🎶, 🧠braine, UUhistlegrass, touch-and-go, "Egglepple, everywhere!", "UUelcome, anywhere :)", cassette🧱, Juke Lemma)

/// +(vocabulary) To a large respect, the word is a portmanteau of 'UUe' and the suffix '-ome' [totality of expressed dynamics, function, and structural information - in this case, Egglepple🧩 material]. Systematically, the word 'uuelcome' has artificial/manufactured congruence to 'genome'. So, that's why I named it that way.🙂
+As part of broader machinery (ie. biological abstraction), UUe would be the cell, and UUelcome the cassette🧱 that automates/orchestrates its contents. In terms of computing, UUe := client , UUelcome := server.
+With the jukebox fully tuned (all fonts are classified), any mesh becomes stereotypable (ie. any polymer can be modeled and is printable). I then have my jailbreak🔑🔓: an image of Egglepple🧠 which yields persistent -/root access to the kernel.👍

Trivia: Before I settled on the name 'UUelcome', I had contemplated calling it 'fun:musicbook'. My vision was that it was always going to be an album of some sort of music (in this case, mathemusic). The 'fun' bit had/has to do with the FUN Formula.
///end trivia

My pro-am start was as a ctf🏁 gamer. This parlayed into what amounted to taking on group puzzles🧩^[h], which led me to managing teams of participants. This is the reason I doubled-down on creating my own gameshow - because I figured that it would be more economical to devise a platform where anybody + everybody could play low-entry 🏁CTFs at will.

The jukebox runs an auction, but supplementing monetization of the proof (pure mathematics is darn near impossible to make money from without sponsorship) is the basic reason gamification exists here in the first place.

The actual stream itself succeeded an earlier attempt of mine in television production - a show called Egglepple: The Mathemagical World. This was me trying to be technical and lamely impress the academics of a small college town (resulting in me learning more than I actually output), and I never truly found my audience (note: that program aired on public access television, a narrowcast market).

Production-wise (especially the Funshine🌞 episodes), I had been inspired by the dual-formatted game master series, Video Power, as well as scenes from the 1989 film, The Wizard - especially the Super Mario Bros. 3 tournament showcase where the kids/contestants play the game for the very first time anywhere, even before consumers.

Historians note this as a huge moment in cinematic history, where a movie basically served as a longform commercial for a single product/event - the release of a video game🎮 (and the planted germ of e-sports). I present my 🧩puzzling (ctf🏁) in a similar albeit mobile📱 fashion (ie., via demonstrative elements), thus leading me to view the whole world as a gameshow.

The main purpose for designing the stream to be openworld is so that there can exist an unintrusive way to acquire as large as possible clientele ('people juking') on the network, thereby creating the game engine^@ to train our model, which aids in QQ exploitation and ultimately 🧠braine dev. Although UUelcome is traditionally a recital (demonstrative by default), itself being a contract incentivizes outside participants with a reward function.@@ Parimiutuelity helps to build the distributed superomputer, whose node-to-node proximity is an alternative to the cloud.

My view of 💲money is somewhat skewed; I think a person should make it to the end of their life completely (or near completely) exhausted of energy (ie. money = energy). Since I don't actually sell anything, per se (the jukebox runs an auction on its native cryptocurrency), but serve as the house when it comes to transactions, giveaways as prizes along with other decorations, makes the nature of a gameshow the perfect fit.

"Is there anyone else in the game?!" - 🧑🏿lnq

It^ is a ctf* hashing^& 🧑🏿lnq's walk.^^ This so-called 'jukebox recital' and the formulation of contemporary mathemusic are inventions of 🧑🏿Link Starbureiy.🤓 ** Featuring a bid-ask spread in a greedy auction where threads are maximized [flag = thread(max)] (ie. exhaustion of all 676 ports before a new cycle🔄 of the runtime). && abi threading Flags🏁 are identified as 0-bubbles. (see Juke Lemma, UUelcome License, opera ludo, krayon, 🧑🏿lnq's Requiem, Pink program, toonage, Funday, treble, vendor, merchant, Black and White, cybernetic compliance, juke notation)

/// +For all intents and purposes, this is what I mean when I say that "I op(erate) a jukebox"; UUelcome is lnq's logic/instinct and signature.
+Performance-wise, UUelcome is an opera ludo. When I stream it solitaire, it's a recital . When shared for playalong (orchestra), it aims to be a sport.

Function map: quantumquotient ← stewart ← UUelcome → cassette🧱 ⇔ 🧠braine → cell