Showing posts with label pink. Show all posts
Showing posts with label pink. Show all posts

+Pink program


UUe.i is an artificially intelligent preimage-image compositor ["pic"] native to crowd computing. It is essentially an animation (the interpolation of frames over a finite period of time) program used to train (via machine learning algorithms) the jukebox, UUe. (not to be confused with UUe interface, Pink program)

+pink poem

Pink poems (not to be confused with 'pink sheets') or the Pink program*, are a class of algorithms for proving the Quantumquotient. A pink poem ('pink') optimizes juking ludology [ie. kernelized push movements (openingmiddlegameendgame)] for predicting Egglepple's imagery from its preimagery.++Each poem is its own complete verse leading to fibor closure🔒.Calls+declarations for string improvisation. (see also lnq's Starting Five, UUhistlegrass, touch-and-go, opera, patch, cassette, UUelcome, #orchestra)
Notes (+): +It is called a "pink poem" just because Link Starbureiy liked how that color [RGB:255,0,100] (I call it watermelon🍉) looked on the design of the UUelcome Matte (and for the matching letter p's😉).

+The Pink program is the recital (concert) program, and a pink poem is essentially a program note.

+Pinks share a common gameplay directive with lnq's bubblegum.


The tutti ("all together" or "recombination") is a responsive heatmapping of all cryptographical kernel components [stereotypography, operation, integer asymptotics, and ludology (SOIL) hashes] onto the libretto. (see also puzzle)

Function map: tuttiUUhistlegrass


In juking, improvisation is the use of stew choreography to adjust^ a play and contort jukespace to force MONEY-making (eg. tweak bubblegum with fibor bundling so that it fits a given handicap). This usually means that the juker will pursue a different walk with the intent of string closure🔒. Multiplier reliance is optional. Improvising requires both skill and strategy, and therefore, is not subject to chance.*
This is what differentiates juking from the likes of gambling. Recapitulate an aria. (see also patch, y-proof, Mathilda, RONALD)

Note (+): Most juking activity is likely going to be improvisational because most fibor is subject to bundling. That speaks to the sheer volume of bubblegum in the system.

Jukers, upon opening🔓 a token session (ie. coupon-building), may want to improvise for sake of ensuring maximum value on their deposit, or (more reasonably) to expedite gameplay/string closure🔒 via loop-erasure. The benefit of improvising is a straight flush💵 (tally of ¢ents accrued from proof-of-work within a session).

+juke notation

Juke notation (jn, rhetorically called a verse) is the instrument-agnostic, language-independent, easy-to-decipher verbalization of some juke assignment as meant for proof. In signing, the alphanumeric notation is essentially "play code"*; devised to instruct the jukebox on how, when, and what to type in stereo [stew choreography]. The Stewdio is the designated instrument for generating, reading, routing, and interpreting juke notation.Referred to as a track (for tracing some token). (see also hologram, touch-and-go)

Note (+): Juke notation was devised by Link Starbureiy.🤓


A coverage is the trigonometric posture (ie. formation) for surjectively graphing a [supersymmetric] zone on(to) some pitch.

As cryptographic shape schemes [puzzles], coverages are fundamentally mutable and dynamic; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see also #coverage, egg, epp, patchwork, cassette, Honne Bay)

+United Under Economy

United Under Economy is the unofficial (yet formal) name for the jukebox, UUe. (see also Fiduciary of Fun)


Author: Link Starbureiy
Copyright: ISSN 2165-6738

UUhistlegrass is the libretto@ [folio of looseleaf* postcards] feeding Link Starbureiy's repertoire. It is UUe's portable linktime: behaving as lnq's flowchart^ where his recital is scored+digested.A libretto is a thread compile of staging+music relating the preimage to the image. Transient holographs A conversation between the impresario and his muse. (see also UUelcome License)

Notes (+): +All jukebox activity outputs to the ledger, however, some entries - like miscellany (#miscellany) and blurb (#blurb) - may be excluded from archiving, which catalogues Link Starbureiy's compositions/signatures. Executables are filed under #libretto, articles (eg. 'papers') under #article.

+This libretto [essentially a cartridge of individual compiles (cassettes) that are organized by ephemera (hash)] corresponds to a logfile. To a degree, it may be likened to sheet music, or the dopesheet in traditional animation. (see also lnq's Starting Five)

+ The contents of these documents may meet basic disclosure/transparency requirements as codified by federal law and referential scholarship. Additionally, they fulfill specific accounting standards as promulgated by certain preservation ordinances.

UUhistlegrass has a permanent record with the Library of Congress in the United States of America, as through an issued International Standard Serial Number (ISSN).
//: ISSN 2165-6738
Furthermore, that same record is catalogued by WorldCat with the following catalog number: OCLC 774054633

+Juke Lemma

Theorist: Link Starbureiy
Lemma: All phenomena* is jukeable.Statistically-speaking, these are branes 0-25 simultaneously occupying the same quantum state of Egglepple.
The Lemma (as TOS logic) purports that the activity of juking (within the framework of a jukebox, namely UUe) is a most efficient attempt at satisfying the criterion for stereotyping EGP. Assuming scale-agnostic load modulation, it branches from the hypothesis that quantacommodization is root-authenticated/tolerated within jukespace [ring 0]. Being that juking is a non-terminating program, (shifting) kernel compliancy is sufficient Lemma resolution. (see also Quantumquotient, Egglepple, everywhere!, string ludology)

Note (+): Efficiency is determined from the time complexity of juking. Twistor space is curvilinear [sesquilinear], so it is implied that either approach (loop or string) will eventually arrive at the same result (loopstring).

Function map: QuantumquotientJuke LemmaPink programUUelcome


earl (from "encrypted algebraicly-rational leaf") is UUe's systolic array. It uses cellular automation to batch process ellis. This is the Pink program's cantata.

earl "mutates" based on the transposition (inclusion/exclusion) of cells on the circuit.

In the theme of simulacra, earl is cellular (cyto) so as to be continually re-purposed for stereotyping stews.

Notes (+): + In other words, represent the compute layer for EGP calculations.

+ 'Cellular automation' refers to the behavior of networked core processors designed as a systolic array.

+ earl complements ellis. This is the subject's sonata.


ellis (encrypted leaf-leaf integer statistic) is a class of genetic algorithms for performing random walks. ellis guides stew choreography. This is the Pink program's.

Notes (+): + In simplest terms, loop-erasure is a methodology for not repeating/replicating common walks (recorded as unique resource addresses); a most important checkpoint for obtaining a 0b. The sole purpose for loop-erasure is to ensure that stew choreography is as fast as possible. Needless to say, this intrinsically frees-up compute cycles, thereby increasing folding speeds.

+ To complete the program, ellis - together with earl - comprises the protocol.

+string ludology

String ludology (commonly abbreviated SL), or "l-string theory" is a formal attempt to game all possible twistor classes in mesh derivation per The Origamic Symphony (ie. extrapolate a playbook from superstring theory). Since y-proofing is our objective, SL can be simplified to 'how to make ¢ents'.

Note (+): Conceptually, it is heterotic; borrowing from polypeptide folding mechanics, as well as from the mathematics of so-called string theory.

SL assumes that the foundation of any game (and juking in general) is based on a randomly coiled curvilinear path [string] which is subject to specific ludological constraints; namely that it is lyrically bound. (compare string theory, see also tip)