/ stewc notation

Stewc notation (sn, rhetorically called a verse) :== the instrument-agnostic, language-independent, easy-to-decipher verbalization of some stewc assignment as meant for proof. In signing, the alphanumeric notation is essentially low-level symbolic "play code"*; an algorithm devised to instruct the jukebox on how, when, and what to type in stereo [stew choreography].** Referred to as a track (for tracing some token).

The Stewdio is the designated instrument for generating, reading, routing, and interpreting stewc notation. (See hologram, c@$#tag, touch-and-go, γ-proof, thread, stewc field. Compare genetic code, musical notation)
/// Stewc notation was devised by 🧑🏿Link Starbureiy.🤓

/ thread

In flowchart material, some thread :== the diff count as a string of its hash arrangement. These are the most minimal sequence of instructions that can be managed independently by a scheduler.

As table data, threads are extremally counted up to* the handicap (with a $676.00 maximum) of their pertinent opus. If there is no opus base (opus base = void) - as would be the case with, say, an unmetered coupon - then there would be no datum count ceiling (per that thread).** This threshold will prompt an organic thread relative (eg. fork). (see thread handle, u-u economics, postcard, tip, juke notation, hyperlink, toonage, carrot🥕, patch)
/// Threads are used in the study of walks to generate juke notation.
Function map: thread → juke notation → stream

/ sticker🃏📑

In flowchart material, a sticker is some functional 'adhesive' metadata* that can be added to a cell, post or post object, creating texture - usually to enhance said cell, post or post object without (further) verbalization.** A motion or still/static picture illustration in most cases. (see hologram, stamp, postcard, patch, hyperlink, carrots🥕+peach🍑)
/// I may use stickers as tolls for my stream's traffic. In the wider context of juking, players may use stickers as game beacons.

/ touch-and-go

Touch-and-go [H#H] refers to my toccata [style of cheironomy] which utilizes: [touch*](holography) plus [go](#hash) for juking Egglepple++jukebox tuning.** Emphasizing both the concept of "touch on/over" a topic/subject and haptics.

// In composing The Origamic Symphony🎶, gameplay is used: patchwork (orchestrating subiteratives, such as prepatches) are contracted (pu$h/pull → deploy) to solve a 🧩puzzle; configs require signatures on stables. (see joey, krayon, k-mode, gameplay)
/// +Conduction is responsive in juke field.
+I adopted this style because I am/was notoriousy weak in mathematical symbology (eg. Latin/Roman scripts, etc.). So, it's just easiest for me to design and manipulate shapes in truespace, and direct (coordinate) them with if-then-else statements.

/ postcard

In flowchart material, postcard (or just card) is a finite*-accessible page (the 'post'~) or sheet/interface containing information that may also be marked.** individual ~~ Do not confuse with post (route).

Each postcard threaded on UUhistlegrass - as uuhistlegrass - features, at a minimum, the following identifiers: a title (header), body [illustrated (with text, stamps, holograms, and/or stickers) or void], and a date/postmark (metadata). (See stamp, sticker, thread, hologram. Compare stew, residue)

/ UUhistlegrass

UUhistlegrass©™ (or grass) :== Q♯ libretti^@ [ie. paper roll of flowchart^{^} objects (eg. postcards, stamps, stickers, etc.)].@@ A libretto is a scored+digested thread compile of staging+music relating the preimagery to the image. ^^ stream (see 🧑🏿lnq's Starting Five, UUelcome License)
/// +All proof-of-work outputs to the ledger, however, some entries - like miscellany (#miscellany) and blurb (#blurb) - may be excluded from archiving, which catalogues 🧑🏿Link Starbureiy's compositions/signatures. Executables are filed under #libretto, articles (eg. 'papers') under #article.
+This libretto [essentially a cartridge of individual compiles (cassettes) that are organized by ephemera (hash)] corresponds to a logfile. To a degree, it may be likened to sheet music, or the dopesheet in traditional animation.

+ The contents of these documents may meet basic disclosure/transparency requirements as codified by federal law and referential scholarship. Additionally, they fulfill specific accounting standards as promulgated by certain preservation ordinances. Identification UUhistlegrass has a permanent record with the Library of Congress in the United States of America, as through an issued International Standard Serial Number (ISSN). //: ISSN 2165-6738 Furthermore, that same record is catalogued by WorldCat with the following catalog number: OCLC 774054633

/ stamp

(see postcard, sticker)

/ patch

In terms of security🔐, a patch :== an arbitrary morphism between separate categories that induces a categorical limit on their vulnerability. Put another way, a patch [non-residue] initiates some recompute (resulting in a change of topology at an inflection point) of a walk.

As combinatorial generators, patches create (a supply of) theoretical graphs which help calibrate stew choreography when mapping relational categories; hence, patches are (decorative) bundling objects (compare ribosome).

Included in the patchwork pipe (a-z) is the prepatch ('prep'), which is a pre-release of an official/actual compile. These usually will highlight new objects that need to be tested before committing to a stable (release). (see bug, toonage, bubblegum, coverage, improvise, γ-proof, cassette, signature, sticker)

/ hologram

(see sticker, stamp, mesh, touch-and-go, juke notation, fibor, hash, mathematical model)

/ hash

A hash (#) :== some declarable datum (eg. weighted in ¢ents🪙), plus an operator* on that datum, mapped to an arbitrary function space.** Each index is a specific hash. The act of hashing would be congruent to bifurcation at some limit. (see patch, flageolet pencil✏️, thread, UUhistlegrass, crypto, twistorspace, hash opera, c@$#tag, juke notation)