+patch

In flowchart material, a patch is an arbitrary morphism between separate categories that induces a categorical limit on fruut. Put another way, a patch [non-residue] initiates some recompute (resulting in a change of topology at an inflection point) of a walk.

As combinatorial generators, patches create (a supply of) theoretical graphs which help calibrate stew choreography when mapping relational categories; hence, patches are (decorative) bundling objects (compare ribosome).

Included in the patchwork pipe (a-z) is the prepatch ('prep'), which is a pre-release of an official/actual compile. These usually will highlight new objects that need to be tested before committing to a stable (release). (see toonage, bubblegum, coverage, improvise, γ-proof, cassette, signature, sticker)

+cassette

Broadly, a cassette is a mobile encode element (module) invoking loading. More specifically, a cassette refers to a discrete batch* (of libraries) that, when ported, becomes streamable.** Ordered via toonage.

Cassettes function as cybernetic buffers; they run prints for site-specific recombination. (compare gene cassette, see also mixtape)
/// Each build will effectively be a comprehensive, updated, and ready-to-implement edition of the proof.
Function map: cassette → 🧠brainbrane

+pink poem

The Pink program* is a class of algorithms for proving the quantumquotient.** Calls+declarations for string improvisation.

A pink poem ('pink') optimizes juking ludology [ie. kernelized push movements (opening→middlegame→endgame)] for predicting Egglepple's imagery from its preimagery.++Each poem (a genetic algorithm / genetic algebra) is its own complete verse leading to fibor closure🔒. (see 🧑🏿lnq's Starting Five, UUhistlegrass, touch-and-go, opera, patch, cassette, UUelcome, QQ)
/// +It is called a "pink poem" just because Link Starbureiy liked how that color [RGB:255,0,100] (I call it watermelon🍉) looked on the design of the UUelcome Matte (and for the matching letter p's😉).
+The Pink program is the recital (concert) program, and a pink poem is essentially a program note.
+Pinks share a common gameplay directive with 🧑🏿lnq's bubblegum.

+bubblegum

Bubblegum is the name given to (a preimage of) fibor that is not optimal* (ie. false vacua).** Basically, not MONEY. It is/are (the class of) string combinations (yesegalo + groove/melody) whose fibril incompatibility necessitate optimization (ornamenting of fugal themes).

We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistorspace (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.

Bubblegum is used in encryption - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents} = handicap, then MONEY = yes], and thus, changing the tempo. (see 🧑🏿lnq's bubblegum, fibor bundle, swap. Compare protein quaternary structure)
/// +Bubblegum is probabilistically caused from half-integer statistics.
+'Bubblegum' is a metaphorically cohesive polymer, used to 'patch' things up so that MONEY can be made. (see spread)
Function map: bubblegum → improvise → MONEY

+touch-and-go

Touch-and-go [H#H] refers to my toccata [style of cheironomy] which utilizes threading: [touch*](holography) plus [go](#hashtag) for juking Egglepple++as well as jukebox tuning.** Emphasis more on "touch on/over" a topic/subject rather than haptics, but the latter is applicable, too.

// In composing The Origamic Symphony🎶, gameplay is used: patchwork (orchestrating subiteratives, such as prepatches) are contracted (pu$h/pull → deploy) to solve a 🧩puzzle; configs require signatures on stables. (see joey, krayon, k-mode, gameplay)
/// Conduction is responsive in jukespace.

+patch.z

+patch.y

+patch.x

+patch.w

+patch.v

+patch.u

+patch.t

+patch.s

+patch.r

+patch.q

+patch.p

+patch.o

+patch.n

+patch.m

+patch.l