**juking**(formally stewart

^{^}) :== the demonstration, control, and/or improvising of a particular

**[ie. the hash exercise of securing🔒 twistorspace by probing its acoustic bounds (with error detection/correction)].^^ The art of**

*juke*`stew choreography`

. The appliance for doing such is a

**. Someone who does so is called a**

*jukebox***. Pertaining to**

*juker***UUe**,

**juking**- a form of cryptography - is of bugger (ctf🏁-style) 'cryptosport'* logic.** see

`mathletics`

Complexity-wise, token duration is between **P**and

**E**, with proofing orchestrated in

*curvilinear space*(

**T**).

/// I like to say that

**juking**

is brute force `mathematics`

as 'an exercise in optimization from `auction theory`

'.
To

**juke**is to summon a redeemable option (the coupon) on a

*continuous*event that is predetermined [to at least one (1) party]. In this case,

**jukes**are proxies for the statistical variance of the tablature complexity, and serve to hedge some handicap.

**Jukes**themselves generate cachecredit (provided from seigniorage on coupons); being synonymous with 🪙coin insertion [deposit] for traditional

**jukebox**activation and dispensing.

**Juking**was invented by 🧑🏿Link Starbur

*ei*y.🤓👌🏿

According to string ludology,

**juking**is reflexive to u-u economics; making the optimization of the electrolyte🔋 the foundation of our pursuit. The overall intent behind

**juking**is to image Egglepple (ie.

**juking**is the preferred method for sequencing EGP).

/// +Because

**juking**is injective, the

`juker`

absolutely keeps what is earned (minus any fees).+

`Fibor`

classification requires `twistorspace`

manipulation, which is the basis of `stew choreography`

.
The process of stereotyping is done by encrypting/encoding EGP onto a brane (

**juke**= pencil ↔ glyph). This is accomplished using stew choreography.

**Juking**is considered to be economically

*fair*(ie. games are randomized and thus no one has an advantage), that is, risk:payoff ≪ payoff:risk. (see Pink Poem, mathemusic, touch-and-go, j-surface)

/// Sans pure 'penny' frets, the

`value`

of a **juke**

is always rounded up to the next integer (unless the **juke**

itself is an integer). Example: a tablature divisor of 0.054... becomes a 6 ¢ent fret. This seigniorage ensures the `house`

always stays afloat.