/name-changing Stewart's Opera
opéra-ballet |
[development]

opus
is a ballet. Decrypted
and encrypted
. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures) 



/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. |


An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
Keypad
# |
A |
B |
C |
D |
E | F |
G |
H |
I |
J |
K |
L |
M |
N | O |
P |
Q |
R |
S |
T |
U |
V |
W | X |
Y |
Z |


This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple. |
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:


To do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome


Significance
The ideation and drafting for Robot began in February 1997. This was his final creative arts assignment (complementing the technical piece) as a schoolboy, and was scheduled to be performed in a talent show the following month. Robot is 🧑🏿lnq's first musical piece (no box office), and often credited as the beginning(s) of the proprietorship, Link Egglepple Starbureiy.
|




players
are gathering fonts
during gameplay
; in the case of the latter, such acquisition is a good sign that you are on the way to winning (ie. 🏁beating the game
).
/stew

generator
property.
Each stew ['brane cell'] is a derivative monomer^ (ie. portfolio plot) of Egglepple [e:e statistics].^^ As a potential inflection point. Stews - which, concatenated, determine the size of a string - are the 'building blocks' measured📐 from twenty-six (26) keys (A-Z) [hashed from EGP], which, when choreographed, construct a mesh. (see stewart, Stewniverse, residue, loopstring➿, link. Compare amino acid)








stereotypes
a preimage (some loopstring
configuration) to this image.Trivia
The stew is an invention/specification of 🧑🏿Link Starbureiy to outline how to throughput Egglepple in relation to UUe. This class of UX machinery is the first of it's kind in (the) industry.
Function map: pencil✏️ → γ-proof → stew
UUelcome™ :== EGP-sequence [Q♯-runtime]
/// +This one big
string
of code
includes all fibor [fugue = fonts
, MONEY, bubblegum], itself outputted
as a cassette🧱
(toy).+Sequencing something (iterative consecution) inductively means that it gets
streamed
[:== framework (+runtime) implementing system calls
], which inherently implies achievement unlocking🔓. (see UUe, quantumquotient [conductor], Stewniverse, stewart, Stewpot, 🧑🏿lnq, Funshine/Toonlight (song), The Origamic Symphony🎶, 🧠braine, UUhistlegrass, touch-and-go, "Egglepple, everywhere!", "UUelcome, anywhere :)", cassette🧱, Juke Lemma)









function
, and structural information - in this case, Egglepple🧩 material]. Systematically, the word 'uuelcome' has artificial/manufactured congruence to 'genome'. So, that's why I named it that way.🙂+As part of broader machinery (ie. biological abstraction), UUe would be the cell, and UUelcome the
cassette🧱
that auctions/orchestrates
its contents. In terms of computing
, UUe := client , UUelcome := server
.+With all
fonts classified
(jukebox
tuned
)👍, any mesh
becomes stereotypable
(ie. polymers can be modeled
for print
), exploiting
a composite image of Egglepple🧠.
|
"Is there anyone else in the game?!" - 🧑🏿lnq
It^ is a ctf* hashing& 🧑🏿lnq's walk.^^ This so-called '
jukebox
recital' and the formulation of contemporary mathemusic
are inventions of 🧑🏿Link Starbureiy.🤓 ** Featuring a bid-ask spread in a greedy auction where threads
are maximized [flag = thread(max)]
(ie. exhaustion of all 676 ports
before a new cycle🔄 of the runtime
). && abi threading
Flags🏁 are identified as 0-bubbles. (see Juke Lemma, UUelcome License, opera ludo, krayon, 🧑🏿lnq's Requiem, Pink Poem, KOALA🐨, toonage, Funday, treble, vendor, merchant, Black and White, cryptic compliance, juke notation)




op(erate)
a jukebox
"; UUelcome is lnq's logic
/instinct and signature
.+Performance-wise, UUelcome is an
opera ludo
. When I stream
it solitaire, it's a recital . When shared for playalong (orchestra), it aims to be a sport
.
Function map: quantumquotient ← stewart ← UUelcome → cassette🧱 ⇔ 🧠braine → cell
house [:== host (currency generation entity with fiducial duties of merchant-vendor transaction)]
and impresario are the same. ** Comparable to piece progression in chess. By default, Black moves first (ie. makes the initial move [keyframe]), and White moves next (ie. begins the inbetweening). Black, having accepted some bid, follows this with a new move or strategy, as they both compete against the handicap🏁. Either color's terminal position is called "ellis". The notion(s) may also refer to which end of the string a juker (a random walker) chooses to draw: Black takes one endpoint, and White takes the other (merchant or vendor).
In tournament mode (juker versus juker), 🧑🏿lnq is Black [@] (OFFENSE A/DEFENSE B) and Honne Bay is White (DEFENSE A/OFFENSE B) [the positions can be switched, but this is usually - almost always - done by a player other than 🧑🏿lnq in scenarios where the impresario is included]. (see playoff)




move
belongs to 🧑🏿lnq because he controls
the house
, which itself is complexity-agnostic). So, all other jukers
(aside from the impresario) are White movers (White, being the 'complement', requires a signature
on all plays). This is all to say that I am juking
just about every opus/game
, as well.+As would be the case in turned-based
games
, moves
are inductive: n, n + 1, et cetera. Even though our games
are multiplayer
, they are of the two-gamer
type because 🧑🏿lnq is always at least one (1) of the jukers
, leaving the other juker
as a unit (comprised of either a singlet or a team). Obviously, 🧑🏿lnq plays as both Black and White in solitaire.