+name-changing Stewart's Opera
+Stewart
opรฉra-ballet |
[development]

opus
is a ballet. Decrypted
and encrypted
. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures) 



Notes (+): +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. |


An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
Keypad
# |
A |
B |
C |
D |
E | F |
G |
H |
I |
J |
K |
L |
M |
N | O |
P |
Q |
R |
S |
T |
U |
V |
W | X |
Y |
Z |


This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple. |
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, ludeiy, and spots.
Here's how the ballet will flow in rotisserie mode:


To do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
+Robot (play)


Significance
The ideation and drafting for Robot began in February 1997. This was his final creative arts assignment as a schoolboy, and was scheduled to be performed in an annual talent show the following month. Robot is often credited as the beginning(s) of the proprietorship, Link Egglepple Starbureiy.
|
+developus





Function map: opus (ballet) ⊆ opera ⊆ ... recital
+goal


game
.
+stew

generator
property.
Each stew is a derivative monomer^ (ie. portfolio plot) of Egglepple.As a potential inflection point. Stews are the 'building blocks' measured from twenty-six (26) keys (A-Z) [hashed from EGP], which, when choreographed, construct a mesh.
(see also Stewart, residue, loopstring. Compare amino acid)








stereotypes
a preimage (some loopstring
configuration) to this image.Trivia
The stew is an invention/specification of ๐ง๐ฟLink Starbureiy to outline how to throughput Egglepple in relation to UUe. This class of UX machinery is the first of it's kind in (the) industry.
Function map: pencil → ฮณ-proof → stew
+3-rex
Thread
monetization The union of which implies an economic engine of sorts for juking. (see also treble, smb)


programming
. So, the triad is plainly math
, music, and money (MMM).
+bubblegum
Bubblegum is used in ornamenting - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents} = handicap, then MONEY = yes], and thus, changing the tempo. (see also ๐ง๐ฟlnq's bubblegum, swap. Compare protein quaternary structure)



+'Bubblegum' is a metaphorically cohesive polymer,
used
to 'patch
' things up so that MONEY can be made. (see also spread)
Function map: bubblegum → improvise → MONEY
+port
leaf sorting parametric
(ie. "in the key
of"...).

+opus
kernel
's logic
path or operation
(a walk involving non-impresarial decision-making).





developus
.
An opus is a method of cataloging a juke (much like with symphonies, operas, regular pieces, etc.). Publication assignment gives opus sets a maximum of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^, a work may be published as "Opus AB, Number 14" (written as Opus AB.14), where "Number 14" - is the fourteenth iteration of the ballet performed on the loopstring, "AB" (its port - the letters of the start and stop leaves, respectively).Default opus is #LS.35[64]. For all intents and purposes, opus titles say, "font size by font weight". Each iteration itself may also be nested (eg. "Opus AB, no.14c"). (see also toonage, mixtape)



font
count. In nesting, we let p stand for 'pencil', and f stand for 'font
'. The opus' title and number remain as is; they are established. The iteration only changes either the pencil or font
count. So, for example (purely meant to be hypothetical and unofficial), let Opus GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be Opus GU, No. 4f2885, where the pencil count (830) is unchanged and the font
count has been reduced to 2,885. Or, we could have Opus GU, No.4p910, where the font count (4,116) remains unchanged and the pencil count has increased to 910. Again, purely hypothetical.
+nut
nanoscale
, connected by Egglepple. As an arbitrary ordered pair [egg,epp], they are referred to as abscissa (toonlight) and ordinate (funshine).

objects
that only exist as placement functions
. There is no 'ball', so-to-speak, just a representation of an endpoint
(dot). However, in gameplay
, a ball can be a toy (eg. ctf flag๐, see zero-bubble
). Likewise, macroeconomically, a ball would be lyric (triangulated data point).
Mathematically, it's called a 'ball' (and sometimes 'dot') because as the string folds upon itself, the endpoints (a metric space) coordinate ("connecting the dots") into a loop, and the overall structure usually assumes a shape that is similar to some ovoid with boundary (cf., compact blob) in stereo. (see also ballet)
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