Showing posts with label Stewart. Show all posts
Showing posts with label Stewart. Show all posts
Composer: Link Starbureiy
Stewart℗ is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each
This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.
An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
As the prime directive of the jukebox, Mathilda™ is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string
To do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
opéra-ballet |
[development]
Stewart℗ is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)
/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. |
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
Keypad
# |
A |
B |
C |
D |
E | F |
G |
H |
I |
J |
K |
L |
M |
N | O |
P |
Q |
R |
S |
T |
U |
V |
W | X |
Y |
Z |
This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple. |
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open stringTo do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
Robot :== a short one act performance and composition by 🧑🏿Link Starbureiy debuting March 19, 1997. The play is a solo piece about a fictional cyborg (🧑🏿lnq) on Earth's🌍 moon🌚🌙 sometime in the near-distant future.
Significance
The ideation and drafting for Robot began in February 1997. This was his final creative arts assignment (complementing the technical piece) as a schoolboy, and was scheduled to be performed in a talent show the following month. Robot is 🧑🏿lnq's first thematic piece (no box office), and often credited as the beginning(s) of the proprietorship, Link Egglepple Starbureiy, as well as his foray into cyberpunk.
Significance
The ideation and drafting for Robot began in February 1997. This was his final creative arts assignment (complementing the technical piece) as a schoolboy, and was scheduled to be performed in a talent show the following month. Robot is 🧑🏿lnq's first thematic piece (no box office), and often credited as the beginning(s) of the proprietorship, Link Egglepple Starbureiy, as well as his foray into cyberpunk.
|
Stewperman🦸🏿♂️ :== lnq*\avatar🧑🏿.root.uid=0;
/// +The word is a play on the comic book character, Superman, except that Stewperman🦸🏿♂️ is not a hero; 'stewper-' ≡ 'brane cell /nativity' ≅ '\0'. Thus, I🧑🏿 am devoid of: external troubleshooting, debt, or operations outside of the Stewniverse.
+Cybernetically, Stewperman🦸🏿♂️ :== stewellis🧑🏿-hypervisor (ie. library embedded-neuron == most privileged version of my avatar+).
"All I aim to be is Stewperman🦸🏿♂️ (
hostuuelcoME). Equivalently, if I can't become Stewperman🦸🏿♂️, I don't want to 'be' at all. Solipsism is the absurd conclusion." - 🧑🏿lnq
My lifestream's ultimate (unlocked🔓) achievement and Black's penultimate position, 🦸🏿♂️this is 🧑🏿lnq's android mode, resultant of jailbreaking🪖🔓 stewellis🧑🏿.🏁 Stewperman🦸🏿♂️ reigns stewpreme. (see 🧑🏿lnq's Requiem🙏🏿, clone, Pajamas, stewperior, 🧑🏿lnq nomenclature)
Function map: Stewperman🦸🏿♂️ ⇐ lnq🧑🏿
The Stewpot :== linker from all 2,028 stews. Attainment[g] of the Stewpot is congruent to jailbreaking🪖🔓 stewellis🧑🏿.🏁 (see Q♭, stewpor)
$$ Each
/// 'Stewpot' is expressed both like a stew pot (pot of stew), and like jackpot (as in, "I hit the jackpot!"). The idea for the former is that
"Task: capture the Stewpot in one day (F/T overflow$)." - 🧑🏿lnq
$$ Each
stew has an intrinsic ¢ent🪙 value that is worth $676.00 and there are a total of 2,028 stews, so the grand total of the 'Stewpot' comes to $1,370,928. Size-wise, uuelcoME's qubits, on average, are weighted at 253.5 stews (2,028/8) per.
/// 'Stewpot' is expressed both like a stew pot (pot of stew), and like jackpot (as in, "I hit the jackpot!"). The idea for the former is that players are gathering stews during gameplay; in the case of the latter, such acquisition is a good sign that you are on the way to winning (the gameshow).
lnq🧑🏿 refers to 'the gym* linking his savefiles' as the Stewniverse :== kernelspace parametrizing all Q♯-runtime neural states.^ ** ie.
stewc field ^^ stewellis🧑🏿 matrix 
/// +"Stewniversal" is a catch-all for everything that has to do with 🧑🏿Link Starbureiy, Egglepple, UUe, uuelcoME (+licensure) [uue/:], stew choreography, and the like. +In a way, the Stewniverse is a conditional metaphor for my autism, as I persistently live in this world. It is an analogue for
virtuality. Colloquially, as its own unofficial openworld& 🪖wargaming league, the Stewniverse (SNV) complements streaming. && Meaning that
gameplay can happen anywhere. (see lnq🧑🏿, treble, k-mode, egghead (mask), 🧑🏿lnq's Galaxy, avatar, "Egglepple, everywhere!", Stewperman🦸🏿♂️)
Function map: stewc field ⊃ Egglepple ... > Sport Meadow > Mathtana > Mathfrica > ... > Stewniverse
As it pertains to stewcing, an opus [technically, "opus number", as some quotient (1/2028) of the Stewpot] or developus :== a finite stew choreographical instance resulting in a completed typeface mutation. Plainly, an opus is the computation (ie. encrypting STU on a discretized brane*, subjugating some thread) of some partition of Egglepple (ie. movement).** Cellular automata
Each new opus (an event [game]) will commence at the request [draw] of its ballet🩰, thereby instantiating a unique node (trunk) on Big-O Tree. Opus conclusion occurs when its 🧩puzzle is solved, and should validate a fibor, which is to be then readied for kernel registration.
Depending on its texture, an opus may be referred to as an opera@, operetta (diminutive), or opéra-ballet🩰 (ob).@@ Which is technically a
/// Actually, an opus may overlap with, but is of a different genus than a
An opus is a method of cataloging a stewc (much like with symphonies, operas, regular pieces, etc.). Publication assignment gives opus sets a maximum of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^, a work may be published as "Opus AB, Number 14" (written as Opus AB.14), where "Number 14" - is the fourteenth iteration of the ballet🩰 performed on the loopstring➿, "AB" (its port - the letters of the start and stop leaves, respectively).^^ Default opus is #LS.35[64].
For all intents and purposes, opus titles say, "font size by font weight". Each iteration itself may also be nested (eg. "Opus AB, no.14c"). (see toonage, mixtape)
/// Iterations are basically variations of pencil✏️ quantities, and by necessity,
Each new opus (an event [game]) will commence at the request [draw] of its ballet🩰, thereby instantiating a unique node (trunk) on Big-O Tree. Opus conclusion occurs when its 🧩puzzle is solved, and should validate a fibor, which is to be then readied for kernel registration.
Depending on its texture, an opus may be referred to as an opera@, operetta (diminutive), or opéra-ballet🩰 (ob).@@ Which is technically a
kernel's logic path or operation (a walk involving non-impresarial decision-making).
/// Actually, an opus may overlap with, but is of a different genus than a developus.
An opus is a method of cataloging a stewc (much like with symphonies, operas, regular pieces, etc.). Publication assignment gives opus sets a maximum of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^, a work may be published as "Opus AB, Number 14" (written as Opus AB.14), where "Number 14" - is the fourteenth iteration of the ballet🩰 performed on the loopstring➿, "AB" (its port - the letters of the start and stop leaves, respectively).^^ Default opus is #LS.35[64].
For all intents and purposes, opus titles say, "font size by font weight". Each iteration itself may also be nested (eg. "Opus AB, no.14c"). (see toonage, mixtape)
/// Iterations are basically variations of pencil✏️ quantities, and by necessity, stew count. In nesting, we let p stand for 'pencil✏️', and s stand for 'stew'. The opus' title and number remain as is; they are established. The iteration only changes either the pencil✏️ or stew count. So, for example (purely meant to be hypothetical and unofficial), let Opus GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be Opus GU, No. 4s2885, where the pencil✏️ count (830) is unchanged and the stew count has been reduced to 2,885. Or, we could have Opus GU, No.4p910, where the stew count (4,116) remains unchanged and the pencil✏️ count has increased to 910. Again, purely hypothetical.
leaf :== the intonation of a flageolet pencil✏️.
Consider a sequence of pencils✏️ {Fp}. Fp will have two (2) endpoints, called nuts. A leaf, then, is any pencil✏️ conjoined on the chain [branched from the trunk of a tree].
For such a sequence, there are at most two leaves [one (1) each] representing the frames sequence:start (initiation) and sequence:stop (termination), which themselves can occupy the nuts. The leaf sequence parametric defines an opus. (See Egglepple. Also of interest Leaf🍃 Plue [yot])
/// The complete foldset is internally ramified, and termed 'bamboo'. Dissonance is respectively named after the plant's main consumers: (gorilla🦍, lemur🐒, panda🐼)
Consider a sequence of pencils✏️ {Fp}. Fp will have two (2) endpoints, called nuts. A leaf, then, is any pencil✏️ conjoined on the chain [branched from the trunk of a tree].
For such a sequence, there are at most two leaves [one (1) each] representing the frames sequence:start (initiation) and sequence:stop (termination), which themselves can occupy the nuts. The leaf sequence parametric defines an opus. (See Egglepple. Also of interest Leaf🍃 Plue [yot])
/// The complete foldset is internally ramified, and termed 'bamboo'. Dissonance is respectively named after the plant's main consumers: (gorilla🦍, lemur🐒, panda🐼)
Inventor: 🧑🏿Link Starbureiy
flageolet pencil✏️ (or just pencil✏️, or krayon) :== a finite n-dimensional cell~ that is subject to rhetorical arrangement (ie. variation).~~ Which can propagate like a
/// The twenty-six varieties stem from the fact that The Origamic Symphony🎶 spans 26
Flageolet pencils✏️ lay the foundation of stew choreography; they are intonation points in cheironomy, and can be used to draw tape and/or establish melodies+grooves. Pencils✏️ may concatenate or split among themselves (this is called interaction).
Flageolet pencils✏️ are the motifs of string (à la "integration-by-parts"). There are twenty-six (26) different varieties of pencil(s)✏️. When measured, each pencil is worth some integer [1-26] multiple of one-hundred (100) ¢ents🪙.
Function map: pencil✏️ ↔ RONALD (Mathilda)
flageolet pencil✏️ (or just pencil✏️, or krayon) :== a finite n-dimensional cell~ that is subject to rhetorical arrangement (ie. variation).~~ Which can propagate like a cellular automaton. Thus, a pencil✏️ is quantum by proxy*.** Ludologically, a pencil✏️ is a toy; mathematically, a pencil✏️ would be an element on the number line. It is a metric generator (musically: metronome or counter); equivalent in most instances to a hash, stew, residue, or brane declension (eg. 0-brane). Normally, flageolet pencils✏️ are not colored. (see colored pencil✏️, leaf, Stewniverse)
/// The twenty-six varieties stem from the fact that The Origamic Symphony🎶 spans 26 measures in relation to STU.
Flageolet pencils✏️ lay the foundation of stew choreography; they are intonation points in cheironomy, and can be used to draw tape and/or establish melodies+grooves. Pencils✏️ may concatenate or split among themselves (this is called interaction).
Flageolet pencils✏️ are the motifs of string (à la "integration-by-parts"). There are twenty-six (26) different varieties of pencil(s)✏️. When measured, each pencil is worth some integer [1-26] multiple of one-hundred (100) ¢ents🪙.
Function map: pencil✏️ ↔ RONALD (Mathilda)