+name-changing Stewart's Opera
+Stewart
opéra-ballet |
[development]
opus
is a ballet. Decrypted
and encrypted
. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)
/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. |
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.
An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
Keypad
# |
A |
B |
C |
D |
E | F |
G |
H |
I |
J |
K |
L |
M |
N | O |
P |
Q |
R |
S |
T |
U |
V |
W | X |
Y |
Z |
This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple. |
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, ludeiy, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string
To do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
+Robot (play)
Significance
The ideation and drafting for Robot began in February 1997. This was his final creative arts assignment (complementing the technical piece) as a schoolboy, and was scheduled to be performed in an annual talent show the following month. Robot is often credited as the beginning(s) of the proprietorship, Link Egglepple Starbureiy.
Robot was part of an annual school-wide talent show that I took part in. The previous year, I had done a Michael Jackson impersonation |
+lnq's bubblegum
/// The letters 'L' and 'S' are the initials of '🧑🏿Link Starbureiy'. The
leaf
, 'L', has weight 12, and the leaf
, 'S', has weight 19, for a total of 31 (12 + 19 = 31). The pencil count/number 35 represents March 5 (third month, fifth day), Link's birthday. So, 35 - 2 = 33 remaining pencils at weight = 1 each, and with two (2) of those pencils totaling 31 in weight, the grand weight of the opus/font
equals 31 + 33 = 64.That opus number is:
LS.35[64]*
with respective tablature/handicap readings: (6¢/^{$}154.88)
** Read/spoken🗣: "LS dot thirty-five, brackets sixty-four"
+Stewniverse
jukespace
. Colloquially, whomever makes 🧑🏿lnq's audience (ie. the crowd/orchestra) bears witness to it; it is taken to be a virtual world. (see k-mode, 🧑🏿lnq's Galaxy, Link Starbury Network)
"In the Stewniverse, I play." - 🧑🏿lnq
/// +When mentioning the "Stewniverse", we are generally including everything that has to do with 🧑🏿Link Starbureiy, Egglepple, UUe, UUelcome (+licensure) [
uue/:
], stew choreography
, juking
, and the like.+In a way, the Stewniverse is a conditional metaphor for my autism, as I persistently live in this world.
Function map: jukespace ⊃ Egglepple ... > Sport Meadow > Mathtana > Mathfrica > ... > Stewniverse
+toonage
stereotyping
on paper. We tune^ the jukebox (UUe) by threading kernel libraries (+patchwork) for fugue damping.^^ Training comes from redundant
server
-side proofs🔒
of random walks, courtesy of games/gameplay
, which lead to better Q♯🎶 compatibility. Toons themselves are individually/inductively ordered (n + 1), but because it is feasible for two (2) or more to be confluent, offered is a finitary
Naming convention
Toonage is marked using the following standard alphanumeric:
Toonxx.nn[]# - where "xx" identifies the port, nn is the pencil count, the brackets [] carry the weight, and the addendum, #, is the episode (as an integer).
/// Toons (n+1 induction) exist because the
time complexity
of each proof
requires a relatively large compute
per. In other words, there is extreme likelihood that a game/opus
will not be completely solved
on the first attempt. (see EGP, meshroom🍄, opus, cassette, cybernetic governance, #recital, Funshine/Toonlight)
/// Principally validating
file
hierarchy.
+nut
Egglepple-wise, each nut is either a start or stop identifier (leaf).*** The two nuts of TOS are Planck
data
and the nanoscale
, connected by Egglepple. As an arbitrary ordered pair [egg,epp], they are referred to as abscissa (toonlight) and ordinate (funshine)./// Balls are pseudo-theoretical (abstract)
objects
that only exist as placement functions
. There is no 'ball', so-to-speak, just a representation of an endpoint
(dot). However, in gameplay
, a ball can be a toy (eg. ctf flag🏁, see zero-bubble
). Likewise, macroeconomically, a ball would be lyric (triangulated data point).
Mathematically, it's called a 'ball' (and sometimes 'dot') because as the string folds upon itself, the endpoints (a metric space) coordinate ("connecting the dots") into a loop, and the overall structure usually assumes a shape that is similar to some ovoid with boundary (cf., compact blob) in stereo. (see ballet, Funshine/Toonlight)
+major scale
defining
the tertiary and quarternary structures. (see fibor, fibor bundle, meshroom, groove, melody)
Function map: minor scale → major scale → ... groove → fibor → fibor bundle
+minor scale
un-encrypted
'. We only say "decrypted
" because, technically, an encryption
can in fact be decrypted
/reversed. (see fibor, fibor bundle, SMALL brane)Function map: minor scale → major scale → ... groove → fibor → fibor bundle
+3-rex
Thread
monetization The union of which implies an economic engine of sorts for juking. (see treble, smb)
/// Sport is essentially random walk
programming
. So, the triad is plainly math
, music, and money (MMM).
+ballet 🩰
stew choreography
, and the band of dancers is yots. ~~ What I refer to as 'walking the string
'.Each ballet is a frame arrangement [lyrically, the bundling of two (2) or more fibors (either by encryption or decryption) into gameplay]. (see Starbureiy ballet, groove (scheme), opera, #opéra-ballet, #libretto)
/// We may consider ballet to be the transition from
opening
to endgame
. I prefer to think of a ballet as an opera's
lemma.
Function map: ballet ⊆ opera
+opus
Each new opus (an event [game]) will commence at the request [draw] of its ballet, thereby instantiating a unique node on Big-O Tree. Opus conclusion occurs when its 🧩puzzle is solved, and should validate a fibor, which is to be then readied for kernel registration.
Depending on its texture, an opus may be referred to as an opera^{@}, operetta (diminutive), or opéra-ballet (ob).@@ Which is technically a
kernel
's logic
path or operation
(a walk involving non-impresarial decision-making)./// Actually, an opus may overlap with, but is of a different genus than a
developus
.
An opus is a method of cataloging a juke (much like with symphonies, operas, regular pieces, etc.). Publication assignment gives opus sets a maximum of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^{^}, a work may be published as "Opus AB, Number 14" (written as Opus AB.14), where "Number 14" - is the fourteenth iteration of the ballet performed on the loopstring, "AB" (its port - the letters of the start and stop leaves, respectively).^^ Default opus is #LS.35[64].
For all intents and purposes, opus titles say, "font size by font weight". Each iteration itself may also be nested (eg. "Opus AB, no.14c"). (see toonage, mixtape)
/// Iterations are basically variations of pencil quantities, and by necessity,
font
count. In nesting, we let p stand for 'pencil', and f stand for 'font
'. The opus' title and number remain as is; they are established. The iteration only changes either the pencil or font
count. So, for example (purely meant to be hypothetical and unofficial), let Opus GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be Opus GU, No. 4f2885, where the pencil count (830) is unchanged and the font
count has been reduced to 2,885. Or, we could have Opus GU, No.4p910, where the font count (4,116) remains unchanged and the pencil count has increased to 910. Again, purely hypothetical.
+bubblegum
We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistorspace (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.
Bubblegum is used in encryption - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents} = handicap, then MONEY = yes], and thus, changing the tempo. (see 🧑🏿lnq's bubblegum, fibor bundle, swap. Compare protein quaternary structure)
/// +Bubblegum is probabilistically caused from half-integer statistics.
+'Bubblegum' is a metaphorically cohesive polymer,
used
to 'patch
' things up so that MONEY can be made. (see spread)
Function map: bubblegum → improvise → MONEY