Showing posts with label endgame. Show all posts
Showing posts with label endgame. Show all posts

+movement (music)


In juking, improvisation is the use of stew choreography to adjust^ a play and contort jukespace to force MONEY-making (eg. tweak bubblegum with fibor bundling so that it fits a given handicap). This usually means that the juker will pursue a different walk with the intent of string closure🔒. Multiplier reliance is optional. Improvising requires both skill and strategy, and therefore, is not subject to chance.*
This is what differentiates juking from the likes of gambling. Recapitulate an aria. (see also patch, y-proof, Mathilda, RONALD)

Note (+): Most juking activity is likely going to be improvisational because most fibor is subject to bundling. That speaks to the sheer volume of bubblegum in the system.

Jukers, upon opening🔓 a token session (ie. coupon-building), may want to improvise for sake of ensuring maximum value on their deposit, or (more reasonably) to expedite gameplay/string closure🔒 via loop-erasure. The benefit of improvising is a straight flush💵 (tally of ¢ents accrued from proof-of-work within a session).


Bubblegum is the name given to (a preimage of) fibor that is not optimal* (ie. false vacua). It is/are (the class of) string combinations (yesegalo + groove/melody) whose fibril incompatibility necessitate optimization (restating of fugal themes). We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistor space (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.Basically, not MONEY.

Bubblegum is used in ornamenting - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents} = handicap, then MONEY = yes], and thus, changing the tempo. (see also lnq's bubblegum, compare protein quaternary structure)

Notes (+): +Bubblegum is probably caused from half-integer statistics.

+'Bubblegum' is a metaphorically cohesive polymer, used to 'patch' things up so that MONEY can be made.

Function map: bubblegumimproviseMONEY


A knot is a closed string as a link with one (1) component. It can also be defined as a tangled string in Euclidean space (R3).

+fibor bundle

A fibor bundle (a function of taxation) is two (2) or more fibors combined/connected, which itself forms another fibor. This is Egglepple's quaternary structure. (see also minor scale, major scale)

Function map: minor scalemajor scalefiborfibor bundle


A unique cluster of datapoints known as fibor, is a totally twisted ||f(u,u)=0|| loopstring definition (word) subject to bifurcation* (ie. a meter signature). This is Egglepple's tertiary (stereo) structure. Fibor^ functions as the basic component of twist economics; threaded to form some image. As part of the endgame🏳️, we care mainly for the ludological aspect(s) of juking (topology, rhetoric, mechanics, etc.), as they relate to cybernetics.There are two (2) classes of fibor: MONEY and bubblegum. Each fibor is its own unique brane. (see also minor, major, fibor bundle, fibor mutation, font)

Notes (+): +Mathematically, fibors are trivial zeroes (compared to fonts which are non-trivial zeroes).

+Fibor is the 'print' (or tuning) stage. This would be the total algorithm input assigned from stew choreography. Gameplay-wise, jukers should aim to get here as quickly as possible.

+For purposes of imaging, the l-string may be a simple topological schematic, serving to illustrate some animation directive.

+Just to reiterate, our primary interests are not in figuring out the science (eg. chemistry, biology, physics, etc.) behind the folding (chemical bonding, dipole moments, things of this nature are left to such experts). We are chiefly concerned with "writing a playbook", so to speak, that will enable anyone to generate algorithms (plays) for configuring polymorphisms and coordinating meshes.

+We must be careful with our vocabulary. Yes, fibor is stringy, but it is not a requirement that it be physical, per se. It just necessarily assumes the properties (namely that it can vibrate in multiple dimensions) of strings as it propagates into worldspace. In this case, we are concerned strictly with string dynamics (incorporating the landscape vacua philosophy). However, fibor - in the mold of stew choreography - is open/closed in some arbitrary volume, whence it is attached to a dynamical mem(brane). Oddly, however, there exists a method to start at the Planck length, and work our way up to normalization with g-folding.

Function map: minormajorfiborfibor bundle


An opus' handicap, or just cap, is its projected yield, as measured in ¢ents (compounded to dollars). It is computed from the product of the actual fret (plus tax) multiplied by the maximum number of TOS semitones* (cap = fret × 2,600), thereby completing the ¢ent formula.One-hundred (100) ¢ents each.

This figure constitutes the extrema of the opus it represents (akin to how much twistor space it occupies). The cap is a spread (security estimate) that places a quote on the calculation derived from the above equation. Bounded extrema (minima/maxima) would constitute a potential loss for the juker/gain for the house, which can be rectified with improvisation. [Handicap commutations (≡) are fonts.] (see also coupon) Complexity: E

Note (+): Losses here are absorbed by the jukebox; jukers get no refund. But, improvisation (ie. fibor-bundling) can keep the game afloat.


earl (from "encrypted algebraicly-rational leaf") is UUe's systolic array. It uses cellular automation to batch process ellis. This is the Pink program's cantata.

earl "mutates" based on the transposition (inclusion/exclusion) of cells on the circuit.

In the theme of simulacra, earl is cellular (cyto) so as to be continually re-purposed for stereotyping stews.

Notes (+): + In other words, represent the compute layer for EGP calculations.

+ 'Cellular automation' refers to the behavior of networked core processors designed as a systolic array.

+ earl complements ellis. This is the subject's sonata.


The zero-bubble (also written as "0-bubble" or "0b") or "sponge" is a bubble shapeframe (stereogram*) with no inflatons (scalar fields responsible for blowup from a single point [0-brane]). A 0b is a type of homeomorphism as a totally twisted loop, and formally marks the end of a proof.🔲Greater than or equal to three (3) spatial dimensions.

Note (+): The supposition for 'zero' (+/-) is that when tabulating the yield, all spots on the mesh which would allow for an opening, vanish (0,0).

Sponges are the ideal [most secure🔐] ¢ent structures [signed certificates] for a closed🔒 string (and thus, fibor). Taken by themselves, zero-bubbles (frictionless assets) are considered solved puzzles🚩 (ie. completely mapped/encrypted/melodic/folded).

Function map: spongefibor


mathemusical cent Mathemusically, a ¢ent is a ratio* of two (2) (close) frequencies. For the ratio (a:b) to remain constant over the frequency spectrum, the frequency range encompassed by a ¢ent must be proportional to those frequencies. Scaled🎚, an equally tempered semitone spans 100 ¢ents (a dollar) by definition.Made from stew choreography.

According to The Origamic Symphony, an octave^ - the unit of frequency level when the base logarithm = [font size × font weight] - spans twenty-six (26) semitones (intervals/measures), and therefore, 2600 ¢ents. Because raising a frequency by one (1) ¢ent is equivalent to multiplying this constant ¢ent value, and 2600 ¢ents doubles a frequency, the ratio of frequencies one ¢ent apart is calculated as the 2600th root of 2 (~ 1.00026663).The interval between the first and second harmonics of the harmonics series. (see also ¢ent formula, juke tax, MONEY, meshroom)

Note (+): Economically, the ¢ent (cachecredit) is the rudimentary Double U currency object (used to measure/determine the size of twistor space). Reward function-wise, ¢ents are transacted in the twist economy as the negotiable instrument [standard currency].


Inventor: Link Starbureiy
MONEY (Mathemusically-Optimized* Numismatics' Encrypted Yield) is the Quantumquotient resultant from y-proofing (some permutation of BIG branes).Efficiency (ie. fitness) is determined by proximity to the handicap (||inf ≥ (u,u)=0||) relative to how many tokens are used.
"You need BIG branes to make MONEY." - Link Starbureiy
MONEY [cachecredit] is fit fibor (strict tertiary structure) earned [reward] by juking. After attaining a 0-bubble, the yield is the attribution of ¢ents drawn from that l-string arrangement. A fibril requirement is that the yield be equal to the handicap (ie. commutativity) for MONEY qualification. Otherwise, it is bubblegum [yield = handicap, else bubblegum].^However, fibor bundling can still objectively make MONEY via improvisation. (see also font, lyric, Juke Lemma, lnq's bubblegum, common ¢ents, quotient load normalization, cryptosport)

Note (+): The total ¢ent amount is finite (per each opus), while the tabulation of jukers and their scores relative to an opus - or to the Opéra-Ballet (Stewart) as a whole - can never be greater than the available ¢ents. This helps prevent double-spending.

Function map: sessiony-proof¢ents


As our "dance* of the ball", ballet is an improvisational program [opus] that synthesizes walk categories.~ Each ballet is a frame arrangement [lyrically, the bundling of two (2) or more fibors induct (either by encryption or decryption) some random coil into gameplay].In the Egglepple scenario, the 'dance' is stew choreography, and the band of dancers is yots. What I refer to as 'walking the string'. (see also Starbureiy ballet, groove (scheme), opera, #opéra-ballet, #libretto)

Note (+): We may consider ballet to be the transition from opening to endgame. I prefer to think of a ballet as an opera's lemma.

Function map: balletopera