*ei*y

As a signal,

*™℗ (*

**The Origamic Symphony****Q♯**) is the normalizing (hyper/hypo = 1) of Egglepple's movements.

/// This represents the totality of

`keys`

in sequence, forming the basis of our `compute`

.Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable,

**Q♯**is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping EGP).

"There is this beautifulsymphonyplaying - everywhere, all the time."^{^}- 🧑🏿Link Starbureiy

^^Symphonicevidence is its subject (UUelcome).

The

**symphony**treats the entire portfolio as a (single loopstring*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils]) and derivation.** A continuous

`function`

. -- All walks are *integrated*in twistorspace, and output some stew

*derivative*. (see preimage/image,

*, Q♭, joey,*

**UUe**lcome*UUhistlegrass*, 🧑🏿lnq's Starting Five, Juke Lemma, cybernetic governance)

/// +

**The Origamic Symphony**is the subject of 🧑🏿lnq's recital. -- Egglepple can also be thought of as the

`signal`

relaying **Q♯**.

+Here "origami" specifies "

*p*-

`brane`

(`membrane`

/`frame`

) folding". Namely, it is the `twisting`

of `measures`

(length) between the Planck and nano `data`

.