lnq 👨🏿‍🦱: juking
Showing posts with label juking. Show all posts
Showing posts with label juking. Show all posts


When🕓: 2020
Where🗺: online

Ready. Set. Takeoff!🚀
Join me for a walkthrough of some major advancements in String Theory from its first fifty (50) years, while unleashing the third revolution of innovation.

1970 - 2020

Hello🍪 →

(see also Venus Colloquia, 🥚Eggheads)

/ new slogan - "Get walking."

'Get walking.' is a new slogan for UUe. The 'walking' portion is indicative of random walks, the so-called (programming) language of juking.

/ UUe [automata]

UUelcome Home
"I have a magic jukebox." - 🧑🏿lnq

Inventor: 🧑🏿Link Starbureiy | License: UUelcome
UUe® (aka 🧑🏿lnq's jukebox) :== client for stew choreography^. In streaming The Origamic Symphony🎶, it auctions + dispenses@ stews.~ ^^ Stereotype:=sequence+print. @@ A function of fugue extensibility. ~~ server actions

UUe is a kind of abstract cell. This [26-brane] automaton is an organic development from attempting to prove Q♭, a deep math 🧩puzzle* rooted in random walks. Two (2) genera abstractions are: a kernel for mathematical modeling (of auction theory applied to twistorspaces), and a method of compliance.** An over-simplified explanation of the problem is: if you take a really long (but finite) tape and split it into some countable number of smaller branes, how does that effect the computability of the tape itself?

TOS /// +UUe was originally an acronym for 'United Under economy',later changed to 'united under Egglepple'. It no longer is an acronym; it's just 'UUe' (pronounced like "whee"). However, both 'United Under economy' and/or 'united under Egglepple' are still applicable.
+UUe - a mathematical model - qualifies as a jukebox by its rotisserie, with internal operations similar to those of a cell. Realization of its utility happens via the Stewdio.
+Because u-u economics mandates that clientele in the (u-u) scheme is part of a supply chain, UUe functions like a vending machine.
+lnq is the (official) mascot of UUe. This is "🧑🏿lnq's Jukebox".
+In gameplay, UUe is the house🏠.

united under Egglepple| united under Egglepple is the unofficial (yet formal) name for UUe. This is the kernel orchestrating u-u economics - systematic configuration* of the payload by auctioning% fibor(s) from the portfolio: [SSS = (micro) through UUU = (macro)], which leverages stewc taxation.%% A necessitation of compliance. This is to say that the whole of Egglepple (particularly the nuts) is 'statistically united'; a parimutuel system is extensible and potentially twistable (u,u).

Server operations are shelled using tokenage* for auctioning and gameplay.** Kernel development is an organic reaction to gameplay. Ludologically, this conversely implies that all disjoint games are variant. Put another way, yesegalo and 🍄meshroom are self-synthetic. (see UUelcome, u-u economics, .uue, UUe interface, Juke Lemma, patch, Pink program, braine🧠🗂, Quantumquotient, DUCC🦆, #recital, Stewdio)
/// It was originally a trust that has since morphed into something much more sophisticated; a shift similar to Egglepple being re-appropriated into the the jukebox.





Function map: UUeUUelcomePajamas

/ Stewart

Composer: Link Starbureiy



Stewart's logo Stewart is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)

/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus.

+Here, the word 'Stewart' signifies "the art of stew choreography". On an historical note, the opera was originally called Stewart's Opera. Technically, it should be classified as an opéra-ballet because each opus is its own ballet.

+We define 'fitness' as the ability to transfer currency across twistor space. Here, it implies a quotient normalization, particularly on the handicap.

This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.

An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.

So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.

These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.

Sample key combinatorics here:




























As the prime directive of the jukebox, Mathilda is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)

This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple.

Mathilda hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string

To do this, we progress through three (3) parts: the opening, middlegame, and endgame.

The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).

To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).

You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: MathildaStewartUUelcome

/ STU [machine code]

Inventor: 🧑🏿Link Starbureiy

LNQ :== The Origamic Symphony🎶's keynote, and the calculus* of Egglepple.** In the context of mathematical analysis, derivation and integration. Its entire sequence is called UUelcome. [EGP/fruut]
An invention {September 26, 1998} of 🧑🏿Link Starbureiy🤓, our cipher is such that kernelized handshakes are integral to loopstring➿ frequencies*.** STU is what gets encrypted on(to) algebraic curves in twistorspace. Lexically, this means that both yesegalo (flavor generation) and crypto fabrication (primary, secondary, tertiary, and quaternary structures) remain asynchronous as long as preimage-image contracts are kept (ie. the tonic will harmonize the brane to the point of closure🔒).
UUe /// +Keeping contracts is the basis of self-synthesis.
+Originally, "STU" was called "EGP" which stemmed from "egg (EG) , epp (EP) → EGP".

Absolutely considered in the analysis are the concepts of integration (loopstring➿) and differentiation (stews). (see fruut, RONALD, Stewdio, juke notation)

/ quantumquotient

Theorist: 🧑🏿Link Starbureiy
The quantumquotient (Q♭/Q♯) [abbreviated→QQ], or, in the context of stewcing, "how to typeset", axiomatizes an algebraic curvature 🔓/rootkey - the quantum (Q♭) of The Origamic Symphony🎶 (Q♯) - for computing some ratio (hyper/hypo)^ of ¢ents🪙 with which it is idempotent (ie. establish a chargecryptocurrent).@@ The theorem (itself a macro ctf🏁) was first posed by 🧑🏿Link Starbureiy, who, in suggesting QQ is provable, conjectured that token-based automata is ideally both kernelized and fungible.🤓 ^^ May colloquially be refered to as '🧑🏿lnq's eyes' (see 🧑🏿lnq's motif).

"Statistically, you cannot generate data without using energy. Also, there is no such thing as non-virtual data generation. Corollary: all virtual data is generated statistically." - 🧑🏿lnq
/// Information occupies finite cells; in any data exchange, cryptocurrency is at play. So, objectively, desired is compressed data to yield maximal current.

A lemma of Q♭ seeks to exploit (with gameplay) the fitness of 🔋e:e statistics [a saturated load-balancing from twistor residues].### ∃ a transactor between preimaging and imaging. -- Problem: show that ¢ent🪙 homotopy is normalizable. Hint: classifying all fonts should suffice.
/// +The definition of quantum here = 'economically dyadic'.
+To control compliancy.
+The overall objective is to find (+exploit) the fonts. Coverages are used to 'trap' them, whilst classifying 0-bubbles qualifies as brute-force sorting. So, basically, it's fonts vs. foam.
+The hypothetical solution is to resolve the Juke Lemma (ie. fully sequence EGP). QQ can be proven (shown to be true) with identities.

"A QQ proof is like having the masterkey🔑 to the Universe. Someone armed with it can literally charge the world." - 🧑🏿lnq
/// Think of the proof as being like some sort of an engine that powers twistorspace.

The quantumquotient always assumes crypto abnormalcy~ (ie. hyper/hypo < 1, and PBQP).~~ statistical volatility Plainly, it is a query into how much (an estimate) of a given distribution of e:e statistics [hyper/hypo] is optimal (ie. MONEY)(?). In a parimutuel system, the hyper- numerator can remain (hypothetically) asymptotic* iff there exists a hash function (auction) that can bring about perpetual normalization.** This is because the set of fonts is infinitesimal compared to the total fibor count.

The aim is for a collapsible wave function: persistent/redundant cache-credit idempotence (global cryptocurrent), which [(hyper,hypo) ≅ crypto] would be theoretically achievable with a secure🔐 [sequenced == all 2,028 fonts identified] payload (courtesy of u-u economics). (See Juke Lemma, juke tax, string ludology, UUelcome, Starbureiy automaton, The Origamic Symphony🎶, 🧑🏿lnq's Requiem, +list. Compare fusion energy gain factor)
Function map: Q ... Juke Lemma → ... Pink Poemγ-proof

/ stew choreography [neuroinformatics]

The art of stew choreography :== the process of stereotyping* (brane-folding) STU using fruut to keyframe [sequence/map by hyperlinking] stews.** Print the portfolio as a sponge. This is our "proof-of-work"~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents🪙)], and should solve twistorspaces (via encryption).~~ And/Or 'proof-of-space'.

Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&& String command. (see juke notation, ballet, stewart, touch-and-go, 🧑🏿lnq's walk, joey)
/// +stew choreography is a type of animation (interpolation of frames).
+Such choreography is inferred by "the ballet of The Origamic Symphony🎶". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string".
+Any proof-of-work must be validated with a signature/handshake.
+Every single stew on a loopstring must be affected for a yield to be accurate.

Function map: random coilstew choreographyfibor