It is conjectured that the family of fonts exist between amplitudes on a cryptograph. These motifs* are analogous to string tunings, and aid in the stereotypography of fibor.Array of typefaces. (see also font weight, font size, MONEY)

Ludologically, as the definitive endgame🏁, we are said to find a font at the bijection in twistorspace where a dyad is an identity; that is, when an opus' measurable and permutable extrema commute (ie. idempotent yield deviation ≡ 0^). Monetarily, a font is the transactor between the supremum (hypercurrency) and the infimum (hypocurrency) of hashes on the ledger (ie. where hyper/hypo is optimal/most secure🔐 -- transaction with no tax). That is, fret = 26¢ WITH handicap = $676.00. (see also foam)
According to jukebox operation (rotisserie), the complete count* of fonts (f) is simply ballet coordination in sesquilinear form, so f=1,352 [from encrypted (676) plus decrypted (676) classes] × 1.5 = 2,028.Each opus leaf set contains three (3) fonts as a statistical mean.

Note (+): A full sequencing of the payload (UUelcome) should reveal all motifs.

Function map: subchemistryfontchemistry || open stringfontknot || fontMONEY


$1 /carrot🥕

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