**SMALL branes**- a 0-brane and a 1-brane - comprising their own (lowest-level) class. (compare BIG brane)

Note (+): In terms of |

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+SMALL brane

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+residue

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+minor scale

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+preimage

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+Stewniverse

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+stew

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+yesegalo

**Yesegalo** are the flavors and their generational assignment to flageolet pencils. Mathemusically, it is a "textural arpeggio". This is a game's __barebone__ *opening* (its __initial__ move, used cybernetically to control coiling).

**Yesegalo** is quanta of an EGP chromascheme* that is non-migrant to Egglepple. Each set is subject to encryption (*y*-proofing). This is the prime part of a game's *opening* [minor scale].Yellow, blue, and green.

Flavors

Function map:**yesegalo** → *y*-proof → stew
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+flageolet pencil

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+leaf

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+krayon

Showing posts with label **flageoletpencil**. Show all posts

Showing posts with label **flageoletpencil**. Show all posts

As permutations of Egglepple, there are two (2) **SMALL branes** - a 0-brane and a 1-brane - comprising their own (lowest-level) class. (compare BIG brane)

Note (+): In terms of |

Post-image-mapping (as evident from a closed🔒 string), **residue** is loose ¢ents (as a function of hashing) applicable to some stew as supra-hyperlinkable property that may affect the flavor/color of its attached string. (see also juke tax, tip)

The **minor scale** hosts the *primary* structure [0-brane+yesegalo] of Egglepple. This is the raw state of EGP decryption*; where pencils are subject(ed) to coloring, but loopstring is yet to be value-assigned and/or taxed. Complexity: **P**More like '

Function map:**minor scale** → major scale → ... groove → fibor → fibor bundle

`un-encrypted`

'. We only say "`decrypted`

" because, technically, an `encryption`

can in fact be `decrypted`

/reversed. (see also fibor, fibor bundle, SMALL brane)Function map:

In signal processing, the **preimage** ("before the fold"/recto) function of a loopstring configuration, is the sequence of pencils (ie. set of intermediate states - to include SMALL branes and yesegalo) that are framed prior to the determination of an object's *image*). The **preimage** is the inverse of an image. (see also opera)

Note (+): The preimage |

We refer to 'anywhere* you can draw with a flageolet pencil' as the **Stewniverse**. It is taken to be a virtual world.ie.

Function map: jukespace ⊃ Egglepple ... > Sport Meadow > Mathtana > Mathfrica > ... >**Stewniverse**

`jukespace`

. (see also k-mode)
"In theStewniverse, I play." - lnq

Note (+): When mentioning the "Stewniverse", we are generally including everything that has to do with Link Starbureiy, Egglepple, UUe, |

Function map: jukespace ⊃ Egglepple ... > Sport Meadow > Mathtana > Mathfrica > ... >

A **stew** is some leaf-wise combinatorially (flageolet plus fruut) ornamented* pencil.
Each **stew** is a derivative monomer^{^} of Egglepple (ie. portfolio plot). **Stews** are measured from twenty-six (26) keys (A-Z) [hashed from EGP], which, when choreographed, construct a mesh.With color/flavor, a *Stewart*, tip, residue)

Trivia

The**stew** is an invention/specification of Link Starbur*ei*y to outline how to throughput Egglepple in relation to **UUe**. This class of UX machinery is the first of it's kind in (the) industry.

Function map: pencil →*y*-proof → **stew**

`generator`

property.
As a potential inflection point. (see also
Note (+): The |

Trivia

The

Function map: pencil →

Note (+): |

Flavors

Function map:

Inventor: Link Starbur*ei*y

A**flageolet pencil** (or just **pencil**, or krayon) is a finite *n*-dimensional cell^{~} that is subject to rhetorical arrangement (ie. variation). Thus, a **pencil** is quantum by proxy*. It is a generator (musically: metronome or counter); equivalent in most instances to a hash, stew, residue, or brane declension (eg. 0-brane). Normally, **flageolet pencils** are not colored.Which can propagate like a cellular automaton. **pencil** is a toy; **pencil** would be an

**Flageolet pencils** lay the foundation of stew choreography; they are intonation points in cheironomy, and can be used to draw tape and/or establish melodies+grooves. **Pencils** may concatenate or split among themselves (this is called *interaction*).

**Flageolet pencils** are the motifs of string (à la "integration-by-parts"). There are twenty-six (26) different varieties of **pencil(s)**. When measured, each **pencil** is worth some integer [1-26] multiple of one-hundred (100) ¢ents.

Function map:**pencil** ↔ RONALD

A

`Ludologically`

, a `mathematically`

, a `element`

on the number line. (see also colored pencil)
Note (+): The twenty-six varieties stem from the fact that |

Function map:

A **leaf** is the intonation of a flageolet pencil.

Consider a sequence of pencils {F_{p}}. F_{p} will have two (2) endpoints, called nuts. A **leaf**, then, is any pencil conjoined on the chain [branched from the trunk of a tree]. For such a sequence, there are at most two **leaves** [one (1) each] representing the frames sequence:start (initiation) and sequence:stop (termination), which themselves can occupy the nuts. The **leaf sequence** parametric defines an opus. (also of interest Leaf🍃 Blue [*yot*])

Consider a sequence of pencils {F

The complete foldset is internally ramified, and termed 'bamboo'. Dissonance is respectively named after the plant's main consumers: ( |

The **krayon** is a colloquy (for any number of) lnq's personal choice of flageolet pencil (conductional in jukespace).

The**krayon** hosts a complete copy^{@} of **UUe**lcome, and is, defaultly, an artificially-styled membrane utensil covering lnq's yoyo finger, as his jointed *digitus medius** [with an end serving as the ornamenter]. When called, it undocks/unwraps from the hand. lnq may (characteristically) also choose to wear the (dislodged) **krayon** held behind an ear.__only__ to me, the impresario. Any finger (usually aside from the pollex) should suffice. (see also yoyo, Stewdio, **UUe**lcome Matte, Koala Krayon, lnq's bubblegum, cassette, k-mode)

Note (+): The spelling with a 'k' is of my recipe. It's actually (or would be) 'crayon🖍' (like the wax-based stylus), a favorite tool of mine |

The

`Coded`

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