Strings@50🎂

Organizer: Link Starbureiy
When🕓: July 29, 2018

Where🗺: goo.gl/R0o1hk

Ready. Set. Takeoff!🚀
Join me for a walkthrough of some major advancements in String Theory from its first fifty (50) years, while unleashing the third revolution of innovation.

← 1968 - 2018

Hello🍪 →

[see also UUhistlegrass, Easter (opera)]

Egglepple®

Creator+Composer: Link Starbureiy

Egglepple [pronunciation 'egg-ul-epp-ul'] is lnq's portfolio* (a finite succession [ie. walk] of convertible stews) and the subject of his repertoire.^{^} Generically, it is the polymorphic tape (itself a bugger puzzle) of leaf definitions (literally "egg leaf ↔ epp leaf"), and the formal name of our 26-dimensional membrane (SMALL∪BIG ⊂ Stewniverse) [as a stand-alone lyre (when controlled by the Stewdio) connecting both ends of The Origamic Symphony]. Specifically, it describes/refers to the kindergarten aspects.As in porting stews from one side of the leaf (recto) to the other side (verso). On the basis of quoting, risk tolerance increases with each proof and is infinite when completely solved (/totally sequenced). Egglepple is what gets juked. (not to be confused with The Egglepple Company, see also Egglepple, everywhere!, 📓Egglepple: Unfolded, 🎞️Egglepple: The Mathemagical World, yoyo, UUelcome, Quantumquotient, EGP, UUe, lnq's Starting Five, lnq's walk, Starbureiy nomenclature, mathemusic)

Notes (+): +Joey Koala is the official mascot of Egglepple. +Egglepple was invented and coined by Link Starbureiy.🤓 The word is also part of his name.😉 (see Starbureiy nomenclature)

Function map: preimage ← Egglepple → image ⇒ UUelcome

+SMALL brane

As permutations of Egglepple, there are two (2) SMALL branes - a 0-brane and a 1-brane - comprising their own (lowest-level) class. (compare BIG brane)

Note (+): In terms of juking, the 0-brane is associated with some flageolet pencil.

+pink poem

Pink poems (not to be confused with 'pink sheets') or the Pink program*, are a class of algorithms for proving the Quantumquotient. A pink poem ('pink') optimizes juking ludology [ie. kernelized push movements (opening→middlegame→endgame)] for predicting Egglepple's imagery from its preimagery.++Each poem is its own complete verse leading to fibor closure🔒.Calls+declarations for string improvisation. (see also lnq's Starting Five, UUhistlegrass, touch-and-go, opera, patch, cassette, UUelcome, #orchestra)

Notes (+): +It is called a "pink poem" just because Link Starbureiy liked how that color [RGB:255,0,100] (I call it watermelon🍉) looked on the design of the UUelcome Matte (and for the matching letter p's😉). +The Pink program is the recital (concert) program, and a pink poem is essentially a program note. +Pinks share a common gameplay directive with lnq's bubblegum.

+brane

A brane is some mathematical generalization of a category to one (1) or more higher dimensions.

My portfolio is a twenty-six dimensional (26-dim) toy [puzzleware] with braneworld structure according to pitch class:
0-brane = particle
1-brane = string
2-brane = membrane/sheet/tape
.
.
.
25-brane
(see also Egglepple, mesh)

+minor scale

The minor scale hosts the primary structure [0-brane+yesegalo] of Egglepple. This is the raw state of EGP decryption*; where pencils are subject(ed) to coloring, but loopstring is yet to be value-assigned and/or taxed. Complexity: PMore like 'un-encrypted'. We only say "decrypted" because, technically, an encryption can in fact be decrypted/reversed. (see also fibor, fibor bundle, SMALL brane)

Function map: minor scale → major scale → ... groove → fibor → fibor bundle

+major scale

The major scale hosts* the secondary structure (EGP encryption on primary structure) of Egglepple. Complexity: E In addition to residually defining the tertiary and quarternary structures. (see also fibor, fibor bundle, meshroom, groove, melody)

Function map: minor scale → major scale → ... groove → fibor → fibor bundle

+link

A link is a non-intersecting collection of knots. (not to be confused with lnq, see also hyperlink)

Note (+): Likewise, we can describe a knot as a link with one (1) component.

+loopstring

The loopstring, or l-string, is a string of unstereotyped pencils. Technically, l-string is a sesquilinear random coiling* of a 1-brane (which is) concatenated to and from specified reading frames (egg and epp), and subject to certain conditions (such as being gameplay-compliant). The string may be open🔓 or closed🔒, but is closed by default (hence the term 'loop'). In fact, the main objective of each opus is to twist some variation of this object into a functionally unique fibor.As some measure of twistor space.

Notes (+): +In the context of the whole of string theory, the loopstring may colloquially be referred to as "toy string". We must be careful, however, to not confuse this "toy string" or its ludology (SL) with bosonic string theory (which is considered a "toy model" for which to introduce string theory education). +I named it "loopstring" from 'loopy quanta' plus 'superstring', even though both terms are misnomers.

An argument can be made that l-string is a rudimentary automaton. It is hypothesized that all games are (or any game can be) based on and around some primitive manifestation of this object. Hence, when we want to study the ludology of any phenomenon, we could start with a drawn l-string, and proceed from there.

+bubblegum

Bubblegum is the name given to (a preimage of) fibor that is not optimal* (ie. false vacua). It is/are (the class of) string combinations (yesegalo + groove/melody) whose fibril incompatibility necessitate optimization (restating of fugal themes). We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistor space (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.Basically, not MONEY.

Bubblegum is used in ornamenting - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents} = handicap, then MONEY = yes], and thus, changing the tempo. (see also lnq's bubblegum, compare protein quaternary structure)

Notes (+): +Bubblegum is probably caused from half-integer statistics. +'Bubblegum' is a metaphorically cohesive polymer, used to 'patch' things up so that MONEY can be made.

Function map: bubblegum → improvise → MONEY

+knot

A knot is a closed string as a link with one (1) component. It can also be defined as a tangled string in Euclidean space (R³).

+endzone

An endzone is one (1) of two (2) domains/zones in which an endpoint of string (called a nut) can rest.

Note (+): This is how the term finite is defined in juking.

In terms of Egglepple, the endzones of the lyre are the Planck scale, and the nanoscale. Loopstring-wise, the endzones represent either a start or stop leaf.

+meshroom

To meshroom (v.) is to coordinate The Origamic Symphony within jukespace [TOS↦j]. It dictates that, because Egglepple is (ludologically) a p-brane* connecting the vector scale extrema, the notion of cell space algebras being conflated epimorphically within a curvilinear framework is important for defining variation (groove∪melody).In this case, 'p' stands for (my) 'portfolio'.😇

Meshrooming advances genetic algorithms [: fold measured (partite) monomers in order to deduce a mesh] for twistors by considering (visualizing) them as embedded datapoints on a neural network (ie. flavor⇒sequence→mesh). (also of interest: loopstring, Pink program)

Note (+): Compositing is hypothesized to be accomplished under a single preimage.

Function map: j → pm [...eventual self-synthesis]

+fibor

A unique cluster of datapoints known as fibor, is a totally twisted ||f(u,u)=0|| loopstring definition (word) subject to bifurcation* (ie. a meter signature). This is Egglepple's tertiary (stereo) structure. Fibor^{^} functions as the basic component of twist economics; threaded to form some image. As part of the endgame🏁, we care mainly for the ludological aspect(s) of juking (topology, rhetoric, mechanics, etc.), as they relate to cybernetics.There are two (2) classes of fibor: MONEY and bubblegum. Each fibor is its own unique brane. (see also minor, major, fibor bundle, fibor mutation, font)

Notes (+): +Mathematically, fibors are trivial zeroes (compared to fonts which are non-trivial zeroes). +Fibor is the 'print' (or tuning) stage. This would be the total algorithm input assigned from stew choreography. Gameplay-wise, jukers should aim to get here as quickly as possible. +For purposes of imaging, the l-string may be a simple topological schematic, serving to illustrate some animation directive. +Just to reiterate, our primary interests are not in figuring out the science (eg. chemistry, biology, physics, etc.) behind the folding (chemical bonding, dipole moments, things of this nature are left to such experts). We are chiefly concerned with "writing a playbook", so to speak, that will enable anyone to generate algorithms (plays) for configuring polymorphisms and coordinating meshes. +We must be careful with our vocabulary. Yes, fibor is stringy, but it is not a requirement that it be physical, per se. It just necessarily assumes the properties (namely that it can vibrate in multiple dimensions) of strings as it propagates into worldspace. In this case, we are concerned strictly with string dynamics (incorporating the landscape vacua philosophy). However, fibor - in the mold of stew choreography - is open/closed in some arbitrary volume, whence it is attached to a dynamical mem(brane). Oddly, however, there exists a method to start at the Planck length, and work our way up to normalization with g-folding.

Function map: minor → major → fibor → fibor bundle

+font

It is conjectured that the family of fonts exist between amplitudes on a cryptograph. These motifs* are analogous to string tunings, and aid in the stereotypography of fibor.Array of typefaces. (see also font weight, font size, MONEY)

Ludologically, as the definitive endgame🏁, we are said to find a font at the bijection in twistor space where a dyad is an identity; that is, when an opus' measurable and permutable extrema commute (ie. idempotent yield deviation = 0^{^}). Monetarily, a font is the transactor between the supremum (hypercurrency) and the infimum (hypocurrency) of hashes on the ledger (ie. where hyper/hypo is optimal/most secure🔐 -- transaction with no tax). That is, fret = 26¢ WITH handicap = ^$676.00. (see also foam)
According to jukebox operation (rotisserie), the complete count* of fonts (f) is simply ballet coordination in sesquilinear form, so f=1,352 [from encrypted (676) plus decrypted (676) classes] × 1.5 = 2,028.Each opus leaf set contains three (3) fonts as a statistical mean.

Note (+): A full sequencing of the payload (UUelcome) should reveal all motifs.

Function map: subchemistry → font → chemistry || open string → font → knot || font ⊆ MONEY

+fold

Folding is the name given to differential steps in the process of a brane's animation (ie. symmetry-breaking) as it assumes its final topology. Attainment of this (solution) - the closed🔒 string [yesegalo⊕meshroom] - should result in a 0-bubble twistor.

For the most part, "to fold" an object is to bend, compress, twist, or otherwise permute it so that it becomes self-integrated according to its calculus. By-and-large, we accomplish this using fruut as part of stew choreography.

A fold would be an intermediate state within the walk process (preimage→image). Essential to stereotyping, our interest in folds and folding*, in general, is so that we can (more easily) synthesize middlegame makeup.An act of hyperlinking (see also The Origamic Symphony, Gallivan fold, hyperlink, tip, knot)

Note (+): An inbetween will not always qualify for being one of these states.