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Showing posts with label lnq. Show all posts
Showing posts with label lnq. Show all posts
"I have a magic jukebox." - 🧑🏿lnq
Inventor: 🧑🏿Link Starbureiy | License: UUelcome
UUe® (aka 🧑🏿lnq's jukebox) :== client for stew choreography^. In streaming The Origamic Symphony🎶, it auctions + dispenses@ stews.~ ^^
Stereotype:=sequence+print. @@ A function of fugue extensibility. ~~ server actions
UUe is a kind of abstract cell. This [ |
/// +UUe was originally an acronym for 'United Under economy',later changed to 'united under Egglepple'. It no longer is an acronym; it's just 'UUe' (pronounced like "whee"). However, both 'United Under economy' and/or 'united under Egglepple' are still applicable.+UUe - a
mathematical model - qualifies as a jukebox by its rotisserie, with internal operations similar to those of a cell. Realization of its utility happens via the Stewdio.+Because u-u economics mandates that
clientele in the (u-u) scheme is part of a supply chain, UUe functions like a vending machine.+lnq is the (official) mascot of UUe. This is "
🧑🏿lnq's Jukebox".+In
gameplay, UUe is the house🏠.
united under Egglepple™|
united under Egglepple is the unofficial (yet formal) name for UUe. This is the kernel orchestrating u-u economics - systematic configuration* of the payload by auctioning% fibor(s) from the portfolio: [SSS = (micro) through UUU = (macro)], which leverages stewc taxation.%% A necessitation of compliance. This is to say that the whole of Egglepple (particularly the nuts) is 'statistically united'; a parimutuel system is extensible and potentially twistable (u,u).
Server operations are shelled using tokenage* for auctioning and gameplay.** Kernel development is an organic reaction to gameplay. Ludologically, this conversely implies that all disjoint games are variant. Put another way, yesegalo and 🍄meshroom are self-synthetic. (see UUelcome, u-u economics, .uue, UUe interface, Juke Lemma, patch, Pink program, braine🧠🗂, Quantumquotient, DUCC🦆, #recital, Stewdio)
/// It was originally a trust that has since morphed into something much more sophisticated; a shift similar to Egglepple being re-appropriated into the the jukebox.
Function map: UUe ↔ UUelcome → Pajamas
The Egglepple Company (or just Egglepple) is the pseudonym given to what is now known as Egglepple (kindergarten). It was an incorporated@ business entity in various states throughout the United States of America prior to its deprecation, reorganization, and later inclusion into 🧑🏿lnq.@@ Reference: Ohio Secretary of State's Office
Historically, Egglepple was the very first establishment to be a standalone/independent recreational mathematics+ enterprise (+:=contract-based, sometimes ghostwriting for academe from 10/2000 - 02/2001 (also of interest The Stewart Ellis Company - Gobotech, Link Starbury Network, #305)
/// pm:=pure mathematics, am:=applied mathematics. (see Funshine/Toonlight)
"Egglepple" is the middle name of 🧑🏿Link Egglepple Starbureiy, after whom the company is called, and by whom the entity was created. It spawned from the unincorporated/unorganized Egglepple portfolio (for toy [🧩puzzle] design, circa 1991).
/// Nowadays, the 'company' portion is assumed to be my roster (of characters/personalities +gallery) and the yots.
Historically, Egglepple was the very first establishment to be a standalone/independent recreational mathematics+ enterprise (+:=contract-based, sometimes ghostwriting for academe from 10/2000 - 02/2001 (also of interest The Stewart Ellis Company - Gobotech, Link Starbury Network, #305)
/// pm:=pure mathematics, am:=applied mathematics. (see Funshine/Toonlight)
"Egglepple" is the middle name of 🧑🏿Link Egglepple Starbureiy, after whom the company is called, and by whom the entity was created. It spawned from the unincorporated/unorganized Egglepple portfolio (for toy [🧩puzzle] design, circa 1991).
/// Nowadays, the 'company' portion is assumed to be my roster (of characters/personalities +gallery) and the yots.
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Robot :== a short one act performance and composition by 🧑🏿Link Starbureiy debuting March 19, 1997. The play is a solo piece about a fictional cyborg (🧑🏿lnq) on Earth's🌍 moon🌚🌙 sometime in the near-distant future.
Significance
The ideation and drafting for Robot began in February 1997. This was his final creative arts assignment (complementing the technical piece) as a schoolboy, and was scheduled to be performed in a talent show the following month. Robot is 🧑🏿lnq's first thematic piece (no box office), and often credited as the beginning(s) of the proprietorship, Link Egglepple Starbureiy, as well as his foray into cyberpunk.
Significance
The ideation and drafting for Robot began in February 1997. This was his final creative arts assignment (complementing the technical piece) as a schoolboy, and was scheduled to be performed in a talent show the following month. Robot is 🧑🏿lnq's first thematic piece (no box office), and often credited as the beginning(s) of the proprietorship, Link Egglepple Starbureiy, as well as his foray into cyberpunk.
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Link Starbury Network (LSN) was the original name (circa February 28, 1997) of the proprietorship now known as 🧑🏿Link Egglepple Starbureiy (lnq).
It started out as his senior project, before branching into an umbrella of works (namely exploiting properties from the then-untitled Egglepple [puzzle🧩] portfolio carried over from his gradeschool years).
/// The project was a technical piece with a creative arts supplement to it [see Robot]. I elected to do something for
/// The name was later modified in the year 2000 to reflect the personal change in the founder's identity, which included the alphanumeric e and i in his surname. (see 🧑🏿lnq nomenclature)
It started out as his senior project, before branching into an umbrella of works (namely exploiting properties from the then-untitled Egglepple [puzzle🧩] portfolio carried over from his gradeschool years).
/// The project was a technical piece with a creative arts supplement to it [see Robot]. I elected to do something for
math class, and my idea was loosely about membranes and the faux physics of some made up object called the 'orbitron'. ← Ask me about it later.
LSN would morph into a mathemusical focus by 1998, after Starbureiy began working on the EGP Keynote. (also of interest The Egglepple Company)
/// The name was later modified in the year 2000 to reflect the personal change in the founder's identity, which included the alphanumeric e and i in his surname. (see 🧑🏿lnq nomenclature)
My ancestors were slaves, and there remains an intolerable level of disrespect towards and by people who share my phenotype. It boils down to the only two sides of the fence being 'win' or 'lose', and either is up to the individual. "Solipsisticabsurdism" is the thesis I'm personally trying to resolve. The musician, Prince, said in an interview that he viewed his contract to Warner Bros. as a sort of destination, where the endgame was emancipation. For me, besides my ideas {credits by and statistics🏅 (recognition) from}, I would not be interested in owning anything that I do not have access to. These things are why I place a premium on freedom, winning now, contumacy, mobility, simplicity, and pay-as-you-go; they contribute to my nature of non-attachment/anywhere-survival and staying independent of societal norms (eg. funemployment, DIY, name-switching), thus giving me an urge(ncy) to 'break free🔓' of restrictions, so to speak, and be the master of my own domain. Such behaviors usually manifest themselves in so-called '-punk subcultures[c][b][s]' [exploits & jailbreaks🔑🔓 & patchwork]. Go figure! Privilege escalation is akin to freedom ('self-determination'), therefore neural hypervision [vh] is what freedom is all about.
/// The Universe became absurd[d] to me the moment I learned that its geometry is flat, and that Minkowski spacetime is non-net positive (0). One can then deduce that energy🔋🔌 can be ported into a spacetime via quantum tunnelling. If/when this were actualized, then something can literally be created from 'nothing', hence the absurdity.In elementary school I would obsessively draw mazes all day just for fun. I think I invested so much time doing so in part because the trauma of enduring a lot of personal domestic stife mixed with my autism[smd] led me to wanting to spend all of my time in a world that I had created for myself. This resulted in me having stopped caring about school (or at least the academics) after my sixth grade year (my favorite as well as one of the most wonderful years of my life😊) with Mr. Michael Woodring (the greatest 🍎school teacher ever, and the person whom I consider my mentor -- also shoutsout to principals Joseph N. Rucker and Marvin Spratley (who 'graduated' me even though I had underperformed), as well as the 🧹custodian Mr. Whitney for similar appreciation), and so - to my parents chagrin - I became a poor pupil; my marks were terrible as I maintained an arrogantly bad habit of truancy and falling behind in homework. I did, however, ace standardized exams, and around this time had developed a reputation of being a 'Mr. Solve-It'.A natural loner [🐺], I came to accept that the school setting (ie. student body, administration) was not for me. For those reasons, I hadn't wanted nor was expecting to continue my education (ie. college -- I only had one scholarship offer coming out of school); my career path had been defined (but not yet refined) already. My future's uncertainty probably due my poor scholastic grades was yet another pressure point expediting me to go pro-am. /// My father was a serial entrepreneur who regularly designed white-label software systems, so I guess it's fair to say that he influenced me somewhat in those regards. That pivotal Winter, I was looking for a sophisticated 🧩puzzle to work on (so that I could realistically call myself a 'professional' and be able to self-support my dreams) or to at least pad my portfolio in case I opted to matriculate to an art institute (because I lacked sufficient training in the 'proper' methods of commercial animation + toy design🧸🎨). What eventually ended up happening was that I later stumbled upon Michio Kaku's book, Hyperspace - where he proposed string field theory, after it was recommended to me by a classmate in our final semester. That book, as well as the movies Men In Black and Contact[b], which premiered that Summer, solified my interest in pursuing aero research (particularly astronomy, even though my reason for studying cosmology was to see if there is anything more beautiful in the Cosmos than this girl that I had a ❤️crush on). From those, I became enamored with the concepts of causal modeling[🔋] and the holographic principle - which essentially state that information is locked🔒 in a loop➰ on a brane, the projection of which we perceive as the Universe. By the following year (1998), I had laid the groundwork for the STU keynote, which was somewhat inspired by the X-Files movie's concept of parasitic RNA spawning life. The year after that (1999), the movies The Matrix and The Thirteenth Floor further pointed me in the direction of the simulation hypothesis (ie. virtuality, aka informatic control over the 🧠nervous system), more precisely, treating the entire Universe as a computation (this theme came to me indirectly from André LaMothe's 📚tomes, Black Art of 3D Game Programming and Tricks of the 3D Game Programming Gurus: Advanced 3D Graphics and Rasterization, whereby I don't exactly think of the world as a videogame🎮, but certainly there exists evidence of it running on some sort of game engine). In fact, it was The Matrix's introduction of the red pill's complement, the blue pill, that led me to conclude that cyberpunk is the natural endgame to biological evolution. /// {in the same vein as what I was saying earlier} In computer science terms, with what I am doing (trying to brick a neuron), 'experience' :== persisent data structures recycled through closed strings, and by corrupting each of those files, 'existence' would be rendered null(0). As an aside, the approach I settled on when it came to letting my work (UUelcome) 'speak for itself' was slightly inspired by Ramanujan's Notebook. In it, he developed a great number of identities (with little to no proofs) that later found their way into physics. On my end, I anticipate that the fibors I synthesize might further industrial drug design/biosecurity, but I really am careless to stick around and see that to fruition. I don't base my career on application(s) (my toys, however, should find utility); I do what I do for myself only, because I want to. Back to Srinivasa, I'm intrigued how he - in surrendering to his illness - poured himself into his mathematical manuscripts, especially during the last few months of his life. ...I always assume the end is near. It's a terrible way to exist, but it gets results. This motivates me to put as much energy as I can into jailbreaking🪖🔓 lnq, which is the most challenging/fulfilling thing I've ever done, but would set me free + prove that I'm the best🥇.
---- Founded in February 1997, 🧑🏿Link Egglepple Starbureiy (lnq) is a sole proprietorship managing the career of its owner (namesake), and flagship, UUe®. The lnq philosophy is to utilize defensive disclosure, whereby intellectual property (IP) becomes prior art upon intentional forfeiture of patent applicationcode. lnq is replete with assets that are constantly used as penetration points.
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Economist: 🧑🏿Link Starbureiy
u-u economics* :== identifying stews with their parimutuelly Rubik [54-face]^ scrambles. ^^
Because in twistorspace everything is symmetrical and dyadic (u,u), our parimutuel system (ie. a cryptocurrent between links), is reliant on 🔋e:e statistics (the interplay between hypercurrency and hypocurrency). So, structurally, the whole industry of Egglepple [portfolio: recto (EEE) ↔ verso (PPP)] implies that stewcing leads to the creation of ¢ents🪙 (generator), thereby securing🔐 [via crypto] its circuitry. (see quantumquotient, 🧑🏿lnq's walk, crypto compliance, c@$#tag, zero-bubble)
/// By
+¢ents get recycled♻.
+We have an economy/economic system precisely because we are
Mechanics
Gameplay: (1) an asset (fibor) gets auctioned off until it becomes frictionless, (2) resultant cryptocurrency (links) is moved via c@$#tags.
In this economy (:= flow of transactions), the house (UUe) will 'purse' (and not 'bank') parimutuelly; transactions happen in curvilinear time (T).
Function map: fibor ⇒ UUelcome ← twist economics → quantumquotient
u-u economics* :== identifying stews with their parimutuelly Rubik [54-face]^ scrambles. ^^ Minimax of moves per solve. ** ie. forms a qubit. "In a scenario where your energy🔋 needs are growing, an 🔋energy budget is obliterated via tax rebate." - 🧑🏿lnq
/// Not having (or removing) an energy🔋 budget is the fastest way toscaleKardashev.
Because in twistorspace everything is symmetrical and dyadic (u,u), our parimutuel system (ie. a cryptocurrent between links), is reliant on 🔋e:e statistics (the interplay between hypercurrency and hypocurrency). So, structurally, the whole industry of Egglepple [portfolio: recto (EEE) ↔ verso (PPP)] implies that stewcing leads to the creation of ¢ents🪙 (generator), thereby securing🔐 [via crypto] its circuitry. (see quantumquotient, 🧑🏿lnq's walk, crypto compliance, c@$#tag, zero-bubble)
/// By definition, a currency is valuable whence weight can be assigned to its proof-of-work.+¢ents get recycled♻.
+We have an economy/economic system precisely because we are
using a jukebox. Like with any vending machine, you can have whatever you want [demand] (as long as it is available [supply]), you just have to pay for it.
Mechanics
Gameplay: (1) an asset (fibor) gets auctioned off until it becomes frictionless, (2) resultant cryptocurrency (links) is moved via c@$#tags.
In this economy (:= flow of transactions), the house (UUe) will 'purse' (and not 'bank') parimutuelly; transactions happen in curvilinear time (T).
Function map: fibor ⇒ UUelcome ← twist economics → quantumquotient
Stewperman🦸🏿♂️ :== lnq*\avatar🧑🏿.root.uid=0;
/// +The word is a play on the comic book character, Superman, except that Stewperman🦸🏿♂️ is not a hero; 'stewper-' ≡ 'brane cell /nativity' ≅ '\0'. Thus, I🧑🏿 am devoid of: external troubleshooting, debt, or operations outside of the Stewniverse.
+Cybernetically, Stewperman🦸🏿♂️ :== stewellis🧑🏿-hypervisor (ie. library embedded-neuron == most privileged version of my avatar+).
"All I aim to be is Stewperman🦸🏿♂️ (
hostuuelcoME). Equivalently, if I can't become Stewperman🦸🏿♂️, I don't want to 'be' at all. Solipsism is the absurd conclusion." - 🧑🏿lnq
My lifestream's ultimate (unlocked🔓) achievement and Black's penultimate position, 🦸🏿♂️this is 🧑🏿lnq's android mode, resultant of jailbreaking🪖🔓 stewellis🧑🏿.🏁 Stewperman🦸🏿♂️ reigns stewpreme. (see 🧑🏿lnq's Requiem🙏🏿, clone, Pajamas, stewperior, 🧑🏿lnq nomenclature)
Function map: Stewperman🦸🏿♂️ ⇐ lnq🧑🏿
Impresario: 🧑🏿lnq | © ISSN 2165-6738
/// +This one big
+Sequencing something (iterative consecution) inductively means that it gets
(see UUe, quantumquotient [conductor], Stewniverse, steWAR🪖🎮-🏳,Stewpot, 🧑🏿lnq, Funshine/Toonlight (song), The Origamic Symphony🎶, stewellis, UUhistlegrass, touch-and-go, "Egglepple, everywhere!", "uuelco.ME, anywhere :)", cassette🧱, Stewc Lemma)
/// +(vocabulary) To a large respect, the word is a portmanteau of 'UUe' and the suffix '-ome' [totality of expressed dynamics,
+As part of neuromorphic machinery (ie. biological abstraction), UUe would be the cell, and uuelco.ME the
+With all
It^ is a ctf* hashing& 🧑🏿lnq's walk.^^ This so-called '
/// +For all intents and purposes, this is what I mean when I say that "I
+Performance-wise, uuelco.ME is an
/// +This one big
string of bytecode includes all fibor [fugue = stews, MONEY, bubblegum] - itself an address space superset, outputted as a cassette (toy), and bootloaded by lnq🧑🏿.+Sequencing something (iterative consecution) inductively means that it gets
streamed [:== framework (+runtime) implementing system calls], which inherently implies achievement unlocking🔓. (see UUe, quantumquotient [conductor], Stewniverse, steWAR🪖🎮-🏳,Stewpot, 🧑🏿lnq, Funshine/Toonlight (song), The Origamic Symphony🎶, stewellis, UUhistlegrass, touch-and-go, "Egglepple, everywhere!", "uuelco.ME, anywhere :)", cassette🧱, Stewc Lemma)
/// +(vocabulary) To a large respect, the word is a portmanteau of 'UUe' and the suffix '-ome' [totality of expressed dynamics, function, and structural information - in this case, stews]. Systematically, the word 'uuelcome' has artificial/manufactured congruence to 'genome' (gene + chromosome). The top-level domain [@uuelco.ME] is, in part, indicative of this being my thing (about 'me' :== my stream), so, that's why I named it that way.🙂+As part of neuromorphic machinery (ie. biological abstraction), UUe would be the cell, and uuelco.ME the
cassette🧱 that auctions/orchestrates its contents. In terms of computing, uuelco.ME :== master boot record embedded into every cell.+With all
fonts classified👍, any mesh becomes stereotypable (ie. polymers can be modeled for print), exploiting a composite image of Egglepple.
served as a longform commercial for a single product/event - the release of a video game🎮 (and the planted germ of e-sports). I present my opera (ctf🏁) in a similar albeit mobile📱 fashion (ie., via demonstrative elements), thus leading me to view the whole world as a gameshow. The main purpose for designing the stream to be openworld is so that there can exist an unintrusive way to acquire as large as possible clientele on the network, thereby creating the game engine@ to train our model, which aids in QQ exploitation and ultimately neuronal🧑🏿🦠 dev. Although uuelco.ME is traditionally a recital (demonstrative by default), itself being a contract incentivizes outside participants with a reward function.@@ Parimiutuelity helps to build the distributed superomputer, whose node-to-node proximity is an alternative to the cloud.My view of 💲money is somewhat skewed; I think a person should make it to the end of their life completely (or near completely) exhausted of energy (ie. money = energy). Since I don't actually sell anything, per se (the jukebox runs an auction on its native cryptocurrency), but serve as the house when it comes to transactions, giveaways as prizes along with other decorations, makes the nature of a gameshow the perfect fit.
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"Is there anyone else in the game?!" - 🧑🏿lnq
It^ is a ctf* hashing& 🧑🏿lnq's walk.^^ This so-called '
jukebox recital' and the formulation of contemporary mathemusic are inventions of 🧑🏿Link Starbureiy.🤓 ** Featuring a bid-ask spread in a greedy auction where threads are maximized [flag = thread(max)] (ie. exhaustion of all 676 ports before a new cycle🔄 of the runtime). && abi threading Flags🏁 are identified as 0-bubbles. (see Stewc Lemma, uuelco.ME License, opera ludo, krayon, 🧑🏿lnq's Requiem, Pink Poem, KOALA🐨, toonage, Funday, treble, vendor, merchant, Black and White, crypto compliance, stewc notation)
/// +For all intents and purposes, this is what I mean when I say that "I op(erate) a jukebox"; uuelco.ME is 🧑🏿lnq's logic/instinct and signature.+Performance-wise, uuelco.ME is an
opera ludo. When I stream it solitaire, it's a recital . When shared for playalong (orchestra), it aims to be a sport.
