lnq 👨🏿‍🦱: ludology
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Showing posts with label ludology. Show all posts
Showing posts with label ludology. Show all posts

/ STU [machine code]

Inventor: 🧑🏿Link Starbureiy

LNQ :== The Origamic Symphony🎶's keynote, and the calculus* of Egglepple.** In the context of mathematical analysis, derivation and integration. Its entire sequence is called UUelcome. [EGP/fruut]
TOS
An invention {September 26, 1998} of 🧑🏿Link Starbureiy🤓, our cipher is such that kernelized handshakes are integral to loopstring➿ frequencies*.** STU is what gets encrypted on(to) algebraic curves in twistorspace. Lexically, this means that both yesegalo (flavor generation) and crypto fabrication (primary, secondary, tertiary, and quaternary structures) remain asynchronous as long as preimage-image contracts are kept (ie. the tonic will harmonize the brane to the point of closure🔒).
UUe /// +Keeping contracts is the basis of self-synthesis.
+Originally, "STU" was called "EGP" which stemmed from "egg (EG) , epp (EP) → EGP".


Absolutely considered in the analysis are the concepts of integration (loopstring➿) and differentiation (stews). (see fruut, RONALD, Stewdio, juke notation)

/ UUelcome™ [(8-qubit/1-byte) n-fs exploit]

Impresario: 🧑🏿lnq | © ISSN 2165-6738

UUelcome :== STU-sequence
/// +This one big string of code includes all fibor [fugue = stews, MONEY, bubblegum] - itself an address space superset, outputted as a cassette (toy), and bootloaded by lnq🧑🏿.
+Sequencing something (iterative consecution) inductively means that it gets streamed [:== framework (+runtime) implementing system calls], which inherently implies achievement unlocking🔓.

(see UUe, quantumquotient [conductor], Stewniverse, stewart, steWAR🪖🎮-🏳,Stewpot, 🧑🏿lnq, Funshine/Toonlight (song), The Origamic Symphony🎶, Ellis🦠, UUhistlegrass, touch-and-go, "Egglepple, everywhere!", "UUelcome, anywhere :)", cassette🧱, Juke Lemma)
/// +(vocabulary) To a large respect, the word is a portmanteau of 'UUe' and the suffix '-ome' [totality of expressed dynamics, function, and structural information - in this case, stews]. Systematically, the word 'uuelcome' has artificial/manufactured congruence to 'genome' (gene + chromosome). The top-level domain [uuelco.ME] is, in part, indicative of this being my thing (about 'me' :== my stream), so, that's why I named it that way.🙂
+As part of neuromorphic machinery (ie. biological abstraction), UUe would be the cell, and UUelcome the cassette🧱 that auctions/orchestrates its contents. In terms of computing, UUelcome :== master boot record embedded into every cell.
+With all fonts classified👍, any mesh becomes stereotypable (ie. polymers can be modeled for print), exploiting a composite image of Egglepple.

Trivia: Before I settled on the name 'UUelcome', I had contemplated calling it 'fun:musicbook'. My vision was that it was always going to be an album of some sort of music (in this case, mathemusic). The 'fun' bit had/has to do with the FUN Formula.
///end trivia

My pro-am start was as a ctf🏁 gamer. This parlayed into what amounted to taking on group puzzles🧩[h], which led me to managing teams of participants. This is the reason I doubled-down on creating my own stream - because I figured that it would be more economical to devise a platform where anybody + everybody could access low-entry 🏁CTFs at will.

The jukebox runs an auction, but supplementing monetization of the proof (pure mathematics is darn near impossible to make money from without sponsorship -- aside: yesteryear, I had a girlfriend whom I once told I was going to 'sell' math for a living, she dumped me the next day😂) is the basic reason gamification exists here in the first place.

The actual stream itself succeeded an earlier attempt of mine in television production - a show called Egglepple: The Mathemagical World. This was me trying to be technical and lamely/gnarly impress the academics of a small college town (resulting in me learning more than I actually output), and I never truly found my audience (note: that program aired on public access television, a narrowcast market).

Production-wise (especially the Funshine🌞 episodes), I was influenced heavily by the arcade machines I was around during my time spent squatting in local Missoula 🎲casinos🎰. Another inspiration came from the dual-formatted game master series, Video Power, as well as scenes from the 1989 film, The Wizard - especially the Super Mario Bros. 3 tournament showcase where the kids/contestants play the game for the very first time anywhere, even before consumers.

Historians note this as a huge moment in cinematic history, where a movie basically served as a longform commercial for a single product/event - the release of a video game🎮 (and the planted germ of e-sports). I present my 🧩puzzling (ctf🏁) in a similar albeit mobile📱 fashion (ie., via demonstrative elements), thus leading me to view the whole world as a gameshow.

The main purpose for designing the stream to be openworld is so that there can exist an unintrusive way to acquire as large as possible clientele on the network, thereby creating the game engine@ to train our model, which aids in QQ exploitation and ultimately neuronal🧑🏿🦠 dev. Although UUelcome is traditionally a recital (demonstrative by default), itself being a contract incentivizes outside participants with a reward function.@@ Parimiutuelity helps to build the distributed superomputer, whose node-to-node proximity is an alternative to the cloud.

My view of 💲money is somewhat skewed; I think a person should make it to the end of their life completely (or near completely) exhausted of energy (ie. money = energy). Since I don't actually sell anything, per se (the jukebox runs an auction on its native cryptocurrency), but serve as the house when it comes to transactions, giveaways as prizes along with other decorations, makes the nature of a gameshow the perfect fit.


"Is there anyone else in the game?!" - 🧑🏿lnq


It^ is a ctf* hashing& 🧑🏿lnq's walk.^^ This so-called 'jukebox recital' and the formulation of contemporary mathemusic are inventions of 🧑🏿Link Starbureiy.🤓 ** Featuring a bid-ask spread in a greedy auction where threads are maximized [flag = thread(max)] (ie. exhaustion of all 676 ports before a new cycle🔄 of the runtime). && abi threading Flags🏁 are identified as 0-bubbles. (see Stewc Lemma, UUelcome License, opera ludo, krayon, 🧑🏿lnq's Requiem, Pink Poem, KOALA🐨, toonage, Funday, treble, vendor, merchant, Black and White, crypto compliance, stewc notation)
/// +For all intents and purposes, this is what I mean when I say that "I op(erate) a jukebox"; UUelcome is 🧑🏿lnq's logic/instinct and signature.
+Performance-wise, UUelcome is an opera ludo. When I stream it solitaire, it's a recital . When shared for playalong (orchestra), it aims to be a sport.

Function map: quantumquotientstewcingUUelcomecassette🧱lnq🦠cell

/ γ-proof

A yesegalo proof, or γ-proof (or just proof), :== a >stewcing algorithm mapping some preimage to its image. Proofing substantiates a fibor, thereby providing (its) identity clarification.!!! While also helping us draw up better heuristics. The opposite of a proof is an error. Each proof involves patching two (2) genera in T: yesegalo↔🍄meshroom.^^^ A framework for conduction: does a ballet groove with(in) the Symphony🎶?

γ-proofing tasks: determine the efficiency of an EGP encryption [ie. solve the given puzzle🧩; is the resulting fibor economical (fit within the handicap)|(u,u)=0|?].

The proof itself is scored* as a stereotype (sequenced shapeframe) in some overall random walk.** Proofs of stewc input are published (to the ledger) in stewc notation.

The end🏁 of a proof (solution) should result in the closing🔒 of a string (eg. 0b), ideally a fibor. We endeavor to find the most secure🔐 proofs by improving upon the bounds on classes of twistors. Doing so aids our MONEY-making. (see stewc notation, crypto, mathematical proof, proof.m)
/// As with the traditional printing press, the primary reason for proofing is to provide confirmation/verification that a job (done) is accurate. Doing so draws a consensus (from independent, third-party sources -- read: stewcers) for the creation of a new standard. It is important to note that proofs are unique (ie. duplication is forbidden on the circuit). All proofs are published to the ledger.
Function map: loopstring➿γ-proofMONEYquantumquotient

/ toy

A toy :== an object subject to gameplay. Technically, it is a functor* that a player can use to induce a payoff or proof. ** Some loadable or printable kernel module in the context of UUe. (see Starbureiy Toy, game, play, yots, puzzle🧩, cassette🧱, lnq🧑🏿)
/// +I personally like to say that toys are jukebox add-ons/extensions for playback.
+My hobby/habbit is to create and assume the identity of a toy to advance character play in some game(s). These identities (as alter egos - or rather, altered states of my singular ego, which in certain cases populate the phantom orchestra) are usually (more often than not) ephemeral.

/ UUe interface

The UUe [jukebox (+active kernel)] interface is a virtual project-ion/or (streams of bytes as a file descriptor abstracted over the virtual filesystem namespace layer*) of the Stewdio as well as other intuitive components for juking and feedback/playback.** kernel-provided

Per some vision system, it maps a graphical user interface on surfaces (where metaphors can be used), a natural user interface in juke field (à la with augmentation gear like goggles), and an i nterface, otherwise.
/// The ".i" is for 'intelligence', as in an artificial intelligence or (thanks to me😊) "animation intelligence". It generally falls under 'openscience'.
This driver's runtime (taking into consideration that the jukebox can still be put to use without computability) serves as an artificially intelligent preimage-image compositor ["pic"] native to crowd computing (technically a feeder of genetic algorithms to the client). (see lnq🧑🏿, joey, Stewniverse, k-mode, Pink Poem, toonage, Easter, Egglepple, everywhere!, #skin)

/ The Origamic Symphony🎶 [computation]

Composer: 🧑🏿Link Starbureiy
As a signal, The Origamic Symphony™℗ (Q) :== runtime normalizing (hyper/hypo = 1) lnq🧑🏿's movements. It is improvised/composed for solo joey🐨🪀.
/// This represents the totality of keys in sequence, forming the basis of our runtime system.

Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable, Q♯ is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping STU).

"There is this beautiful symphony playing - everywhere, all the time."^ - 🧑🏿lnq


The symphony treats the entire portfolio as a (single loopstring➿*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils✏️]) and derivation.** A continuous function. -- All walks are integrated in twistorspace, and output some stew derivative. (see mathemusic, preimage/image, UUelcome, Q♭, joey🎻, UUhistlegrass, 🧑🏿lnq's Starting Five, Juke Lemma, crypto compliance)
/// +The Origamic Symphony is the subject of 🧑🏿lnq's recital. -- Egglepple can also be thought of as the signal relay.
+Here "origami" specifies "p-brane (membrane/frame) folding". Namely, it is the twisting of measures (length) between the Planck and nano data.

/ stewcing [neuroplasticity]

Ludologically, (the sport of) stewcing (formally stew choreography) :== the demonstration, control, and/or improvising of a particular stewc [ie. the hash exercise of securing🔒 twistorspace by probing its acoustic bounds (with error detection/correction)].

The appliance for doing such is a jukebox. Someone who does so is called a stewcer. Pertaining to UUe, stewcing - a form of cryptography - is of bugger (ctf🏁-style) 'cryptosport'* logic.** see mathletics Complexity-wise, token duration is between P and E, with proofing orchestrated in curvilinear space (T).
UUe /// I like to say that stewcing is brute force mathematics as 'an exercise in optimization from auction theory'.

To stewc is to summon a redeemable option (the coupon) on a continuous event that is predetermined [to at least one (1) party]. In this case, stewcs are proxies for the statistical variance of the tablature complexity, and serve to hedge some handicap. Stewcs themselves generate cachecredit (provided from seigniorage on coupons); being synonymous with 🪙coin insertion [deposit] for traditional jukebox activation and dispensing.
Juking was invented by 🧑🏿Link Starbureiy.🤓👌🏿

According to string ludology, stewcing is reflexive to u-u economics; making the optimization of the electrolyte🔋 the foundation of our pursuit. The overall intent behind stewcing is to image Egglepple (ie. juking is the preferred method for sequencing STU).
/// +Because stewcing is injective, the stewcer absolutely keeps what is earned (minus any fees).
+Fibor classification requires twistorspace manipulation, which is the basis of stew choreography.


The process of stereotyping is done by encrypting/encoding STU onto a brane (stewc = pencil✏️glyph). This is accomplished using stew choreography. stewcing is considered to be economically fair (ie. games are randomized and thus no one has an advantage), that is, risk:payoff ≪ payoff:risk. (see Pink Poem, mathemusic, touch-and-go, j-surface)
/// Sans pure 'penny' frets, the value of a stewc is always rounded up to the next integer (unless the stewc itself is an integer). Example: a tablature divisor of 0.054... becomes a 6 ¢ent fret. This seigniorage ensures the house always stays afloat.