/Egglepple [directory]

Creator: 🧑🏿Link Starbureiy

[pronunciation "/url/"]

Egglepple® :== 🧑🏿lnq's portfolio^* and middle name. ** As in porting from one directory of the 🍃leaf (recto) to the other directory (verso) of some function space. On the basis of quoting, fault tolerance increases with each proof and is infinite when completely solved (/totally sequenced).

Statistically, it is the animorphic (ie. to STU^{^n}) tape of leaf🍃 definitions (literally "🥚egg leaf🍃 ↔ epp leaf🍃"), and subjectively^{^} the cellspace (SMALL∪BIG ⊂ Stewniverse) spooling both ends of any generic 26-measure signal; but, mathemusically, the minor and major scales. ^^ Egglepple is what we are imaging (by stewcing/vending its calculus, STU, via gameplay. To make a Humpty Dumpty allusion, we break up the brane into finite pieces, only to put it back together again continuously.).

In terms of cell structure [:= 🔋polarized membrane] - Egglepple represents automata (ie. totality of circuitry between the cell membrane), itself an automaton (UUelcome). Ludologically, its kindergarten describes aspects of the braneworld.

"Egglepple is the ultimate puzzle🧩. It's like playing 26-dimensional ♟️chess in a spreadsheet." - 🧑🏿lnq
/// Egglepple is a portfolio of puzzles🏁, itself a puzzle🧩.

(Not to be confused with The Egglepple Company. See The Origamic Symphony🎶, koala8, "Egglepple, everywhere!", 📓Egglepple: Unfolded, 🎞️Egglepple: The Mathemagical World, Joey Koala🐨, Puwun, Stewniverse, yoyo, UUelcome, 🔋e:e statistics, quantumquotient, UUhistlegrass, stewc, STU, united under Egglepple, UUe, 🧑🏿lnq's Starting Five, 🧑🏿lnq's walk, 🧑🏿lnq's motif, 🧑🏿lnq nomenclature, mathemusic, Egghead/🥚Eggheads, #Egglepple@30)
/// +Joey Koala is the official mascot and Puwun the unofficial mascot of Egglepple.
+"Egglepple" was invented and coined by 🧑🏿Link Starbureiy.🤓 The word is also part of his name (...he wanted a name history would remember when he "had created the greatest portfolio of all-time").😉 (see 🧑🏿lnq nomenclature)
+To phonetically distinguish it from the name itself, the kindergarten/portfolio aspect of Egglepple is pronounced like 'egg·ul·epp·ul' (cf. the old 'Peggy from Margaret' conundrum).
+For those wondering why Egglepple has such a juvenile presentation, it's because the portfolio was founded/created when I was a little kid, and I intentionally never bothered maturing it in that regard (hence, the kindergarten). It was at this founding point that I pretty much committed to living full-time in my own world.
+The color scheme for the 'E-g-g-l-e-p-p-l-e' logo is a nod to the original team colors for the Miami Dolphins 🐬 🏈football franchise of the National Football League (NFL). The Miami Dolpins are the only team with aquatic (cf. Pisces♓) representation.

I kickstarted this on my twelfth birthday. Having somebody who believes in you can take you farther, and there's no convincing me otherwise. As the story goes, my sixth grade teacher, Mr. Woodring (without a doubt the best school teacher🍎 ever), picked me up from my house on my birthday and showed me around Washington, D.C. that evening. On the way home, he encouraged me to save my work (some of my doddles) in hopes of one day having something to present to the world that I could be proud of. That is the gist of how the portfolio came to be. Back in my elementary school days, I took a keen interest in puzzling🧩 (generally solving them, along with maze designs of my own imagination), which likely stemmed from both being an avid 🎮video gamer and personal mathematical curiosities. Each activity helped me to get 'lost' (a personality thing of mine, and something every kid needs in their development). Pronounced "earl", the word/name "Egglepple" itself didn't come about (I made it up) until the end of the century, although most of the other elements of the portfolio were already in place by then.

Function map: preimage ← Egglepple → image ⇔ UUelcome

/The Origamic Symphony🎶 [computation]

Composer: 🧑🏿Link Starbureiy
As a signal, The Origamic Symphony™℗ (Q♯) :== runtime normalizing (hyper/hypo = 0) lnq🧑🏿's movements. It is improvised/composed for solo joey🐨🪀.
/// This represents the totality of keys in sequence, forming the basis of our playback.

Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable, Q♯ is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping STU).

"There is this beautiful symphony playing - everywhere, all the time."^{^} - 🧑🏿lnq

The symphony treats the entire portfolio as a (single loopstring➿*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils✏️]) and derivation.** A continuous function. -- All walks are integrated in twistorspace, and output some stew derivative. (see mathemusic, preimage/image, UUelcome, Q♭, joey🎻, UUhistlegrass, 🧑🏿lnq's Starting Five, Juke Lemma, crypto compliance)
/// +The Origamic Symphony is the subject of 🧑🏿lnq's recital. -- Egglepple can also be thought of as the signal relay.
+Here "origami" specifies "p-brane (membrane/frame) folding". Namely, it is the twisting of measures (length) between the Planck and nano data.

/opus

As it pertains to stewcing, an opus [technically, "opus number", as some quotient (1/2028) of the Stewpot] or developus :== a finite stew choreographical instance resulting in a completed typeface mutation. Plainly, an opus is the computation (ie. encrypting STU on a discretized brane*, subjugating some thread) of some partition of Egglepple (ie. movement).** Cellular automata

Each new opus (an event [game]) will commence at the request [draw] of its ballet🩰, thereby instantiating a unique node (trunk) on Big-O Tree. Opus conclusion occurs when its 🧩puzzle is solved, and should validate a fibor, which is to be then readied for kernel registration.

Depending on its texture, an opus may be referred to as an opera^@, operetta (diminutive), or opéra-ballet🩰 (ob).@@ Which is technically a kernel's logic path or operation (a walk involving non-impresarial decision-making).
/// Actually, an opus may overlap with, but is of a different genus than a developus.

An opus is a method of cataloging a stewc (much like with symphonies, operas, regular pieces, etc.). Publication assignment gives opus sets a maximum of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^{^}, a work may be published as "Opus AB, Number 14" (written as Opus AB.14), where "Number 14" - is the fourteenth iteration of the ballet🩰 performed on the loopstring➿, "AB" (its port - the letters of the start and stop leaves, respectively).^^ Default opus is #LS.35[64].

For all intents and purposes, opus titles say, "font size by font weight". Each iteration itself may also be nested (eg. "Opus AB, no.14c"). (see toonage, mixtape)
/// Iterations are basically variations of pencil✏️ quantities, and by necessity, stew count. In nesting, we let p stand for 'pencil✏️', and s stand for 'stew'. The opus' title and number remain as is; they are established. The iteration only changes either the pencil✏️ or stew count. So, for example (purely meant to be hypothetical and unofficial), let Opus GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be Opus GU, No. 4s2885, where the pencil✏️ count (830) is unchanged and the stew count has been reduced to 2,885. Or, we could have Opus GU, No.4p910, where the stew count (4,116) remains unchanged and the pencil✏️ count has increased to 910. Again, purely hypothetical.

/zero-bubble

zero-bubble (also written as "0-bubble" or "0b_$") or "lock" :== a bubble shapeframe (stereogram*) with no inflatons (scalar fields responsible for blowup from a single point [0-brane]).** Greater than or equal to three (3) spatial dimensions.

A 0b is a type of homeomorphism [map reduction] as a totally twisted loop➰ (ie. integration in twistorspace down to one ¢ent🪙), and formally marks the end of a proof.🔲→🎯 (see goal, open string, identity, stew, crypto, MONEY)
/// The supposition for 'zero' (+/-) is that when tabulating the yield, all spots on the mesh which would allow for an opening, vanish (0,0).

Locks are the ideal [most secure🔐] ¢ent🪙 structures [signed certificates] for a closed🔒 string, as measured by absolute compliance to its handicap. Ludologically, they are part of the endgame [statistical inference to egg(+) or epp(-)]. Taken by themselves as 'flags'🏁, zero-bubbles (frictionless assets = spread(0)) are considered solved puzzles🧩 (ie. completely mapped/encrypted/melodic/folded) when it comes to stewcing. {input = output, /return = [0]}
Function map: open string → stew choreography → lock → fibor

/stewcer [client-server]

A stewcer^{^} (from 'stewc server' [server]*) acts as the coordinator in folding loopstring➿ (among other types of braneware).** A runtime node. ^^ aka stew choreographer.

Essentially, a stewcer (or quber) :== a resource ("trainer") which uses a jukebox [client] for iterative transactions (ie. inbetweens).++Its role (jukeboxing) is to assist in proofing QQ. Generally-speaking, the stewcer is a clone or surjective clientele whose privilege supersedes that of player but not the impresario within stewcing ludology. Note, however, that the impresario itself may also be a stewcer (as would be the case in tournament mode).
/// Stewcers - as contractors - are considered the 'orchestra' to The Origamic Symphony🎶.

In UUe-talk, the stewcer (a type of puzzler🧩)'s objective is to devise and/or apply patches, thereby directly contributing to the fitness of the kernelspace. This means that a juker's role lies in the generation of walks (pitch establishment) as it pertains to sourcing their own tokens. Jukers are rewarded according to rules set forth by the UUelcome License. (see Black and White, clone, KOALA🐨, 🥚Egghead, stewcer's ruin)

/game

game :== an objective path to optimization subject to a reward function [games adhere to the rules (genetic algorithms) of gameplay]. Mathematically, games are used to train some object [mo].

The intent of each and every one of our games is to derive a yesegalo proof (ie. a zero bubble), in the style of capture the flag🏁.

Ludologically*, games are finite-state puzzles🧩 (ie. combinatorial event within itself) whose sessions last for the duration^& of an opus, and conclude with a closed🔒 brane, giving them congruence to sequenced images [mesh].** A game is 'played' when an opus is juked. Games can have one (1) or more players. (see Black and White) && Any game will have at least an opening and an end. (compare gene, see sport, player, gamification, gameshow, game theory, toy, puzzle🧩)

"Anything can be gamed." - lnq🧑🏿

Theoretically, games are economic phenomena purposed to optimize some thing, and any game can be reduced to just a path (random coil/partition of Egglepple) needing securing🔐.
/// +A requisite to meet the definition is that objectives must be met before advancing (which is why the reward function exists).
+A game must generate its own statistics.