Egglepple®

Creator+Composer: Link Starbureiy

Egglepple [pronunciation 'egg-ul-epp-ul'] is lnq's portfolio* (a finite succession [ie. walk] of convertible stews) and the subject of his repertoire.^{^} Generically, it is the polymorphic tape (itself a bugger puzzle) of leaf definitions (literally "egg leaf ↔ epp leaf"), and the formal name of our 26-dimensional membrane (SMALL∪BIG ⊂ Stewniverse) [as a stand-alone lyre (when controlled by the Stewdio) connecting both ends of The Origamic Symphony]. Specifically, it describes/refers to the kindergarten aspects.As in porting stews from one side of the leaf (recto) to the other side (verso). On the basis of quoting, risk tolerance increases with each proof and is infinite when completely solved (/totally sequenced). Egglepple is what gets juked. (not to be confused with The Egglepple Company, see also Egglepple, everywhere!, 📓Egglepple: Unfolded, 🎞️Egglepple: The Mathemagical World, yoyo, UUelcome, Quantumquotient, EGP, UUe, lnq's Starting Five, lnq's walk, Starbureiy nomenclature, mathemusic)

Notes (+): +Joey Koala is the official mascot of Egglepple. +Egglepple was invented and coined by Link Starbureiy.🤓 The word is also part of his name.😉 (see Starbureiy nomenclature)

Function map: preimage ← Egglepple → image ⇒ UUelcome

+Puzzled. Solved.

by Link Starbureiy

+Puzzle Prince

(see also +list, Starbureiy nomenclature)

+mathematics

Mathematics is the design language for proving ideal behaviors of the (so-called) abstract.

Note (+): An 'open story of counting', it must be said that mathematical methodology is a cumulative effort (ie. built atop previous checks).

As a toolset for manipulating+synthesizing variables, mathematicians use its subfields* and models to solve puzzles+formulate theories/theorems/identities.We acknowledge the so-called 'Big Five (5)' active areas in mathematics to be: algebra, analysis, arithmetic, geometry, and music. As far as I am concerned, the basis of math is juking. (see also mathemusic, mathletics, recreational mathematics, mathematical model, Mathilda, 📓So, you want to be a mathematician?, The Mathemagician, Solve, physics, information science, cryptosport)

"The essence of mathematics is not proof, but conjecture." - Link Starbureiy

Notes (+): +There are three (3) classes of mathematics: pure, applied, and recreational (pure,applied ∈ recreational). This definition covers all three (3), and may be referred to as polymathematics. Someone who advances the field can be called a mathematician. +In my line of work, I think of so-called 'recreational mathematics' as a type of (among other considerations) reverse engineering, where we I am re-creating known structures/models for study and understanding. As an example, in puzzle solving, I may take a known and solved (from means other than juking) macromolecule (eg. protein), and juke that fibor so that it can databased. (see also Pajamas) +Mathematics is a type of low-technology, as well as being its own industry.

+lnq's bubblegum

lnq's bubblegum is a colloquy applied to the default ballet on UUe's rotisserie. As our entrée [part of the standard opening for encryption], it is a self-contained piece which is assumed to be infeasible (but manageable).

That opus number is:
LS.35[64]*
with respective tablature/handicap readings: (6¢/^$154.88)
Read/spoken🗣: "LS dot thirty-five, brackets sixty-four"

Note (+): The letters 'L' and 'S' are the initials of 'Link Starbureiy'. The leaf, 'L', has weight 12, and the leaf, 'S', has weight 19, for a total of 31 (12 + 19 = 31). The pencil count/number 35 represents March 5 (third month, fifth day), Link's birthday. So, 35 - 2 = 33 remaining pencils at weight = 1 each, and with two (2) of those pencils totaling 31 in weight, the grand weight of the opus/font equals 31 + 33 = 64.

+coverage

A coverage is the trigonometric posture (ie. formation) for surjectively graphing a [supersymmetric] zone on(to) some pitch.

As cryptographic shape schemes [puzzles], coverages are fundamentally mutable and dynamic; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see also #coverage, egg, epp, patchwork, cassette, Honne Bay)

+cybernetic governance

Cybernetic governance (cygov or CG) is an automated auction (courtesy of an automaton*) that relies on its own autonomy to specifically solve organic puzzles. It is suggested that this be done within a system where energy costs are paid for exclusively with ¢ents from juke taxation. CG is the answer (ie. putting the demands of government on a string, then juking that string) to how to run games (itself being a game) efficiently (ie. fairly compliant with their own reward functions).Centrally, a jukebox. (see also non-cybernetic government, The UUe, cyborg, Pajamas, sport, Double U economics)

Function map: parimutuel ⊂ quotient load-normalization ↔ UUelcome → Pajamas ↔ cybernetic governance

+puzzle

A puzzle is a combinatorial event or toy lending itself to ludological inference [preimage→image] (ie. all puzzles beg to be solved*).Decrypted and/or encrypted.
Juking-wise, our puzzles are asymmetric rondos in a three (3)-act continuum: arithmetic+algebra(curvature)+analysis(logarithm).

Note (+): Mathemusical translation: intonation, melody, and measure.

+strategy

Within the context of gameplay, a strategy is an algorithm/heuristic* for solving a puzzle [ie. patch versus cover] and identifying (walk) patterns from said potential solutions.decryption↦heuristic, algorithm↦encryption (see also touch-and-go, improvise)

Note (+): Strategies are typically non-brute force, and not runtime-dependent.

+game

A game is an incentivized path (combinatorial event as a series of plays within a lab) to optimization. Games adhere to the rules of gameplay. The intent of each and every one of our games is to derive a yesegalo proof (ie. a zero bubble), in the style of capture the flag🚩. Ludologically*, games are finite-state puzzles whose sessions last for the duration^& of an opus, and conclude with a closed🔒 string, giving them congruence to sequenced images [mesh].A game is 'played' when an opus is juked. Games can have one (1) or more players. (see Black and White) Any game will have at least an opening and an end. (compare gene, see also sport, player, gameshow, game theory, toy)

"Anything can be gamed." - Link Starbureiy

Theoretically, games are economic phenomena purposed to optimize some effect, and any game can be reduced to just a path (random coil/partition of Egglepple) needing securing🔐.

Notes (+): +The reason we play games (or game) is to optimize an/some effect. +A game must generate its own statistics.

+opus

As it pertains to juking, an opus [technically, "opus number", as some quotient (1/676) of Stewart] or developus is a finite stew choreographical instance resulting in a completed typeface mutation. Plainly, an opus is the computation of some partition of Egglepple (ie. encrypting EGP on a discretized brane*, subjugating some lyric). Each new opus (an event [game]) will commence at the request [draw] of its ballet, thereby instantiating a unique node on Big-O Tree. Opus conclusion occurs when its puzzle is solved, and should validate a fibor, which is to be then readied for kernel registration. Depending on its texture, an opus may be called an opera^@, operetta (diminutive), or opéra-ballet (ob).Cellular automata Which is technically a kernel's logic path or operation (a walk involving non-impresarial decision-making).

Note (+): Actually, an opus may overlap with, but is of a different genus than a developus.

An opus (of UUelcome) is a method of cataloging a juke (much like with symphonies, operas, regular pieces, etc.). Publication assignment gives opus sets a maximum of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^{^}, a work may be published as "Opus AB, Number 14" (written as Opus AB.14), where "Number 14" - is the fourteenth iteration of the ballet performed on the loopstring, "AB" (its port - the letters of the start and stop leaves, respectively). For all intents and purposes, opus titles say, "font size by font weight". Each iteration itself may also be nested (eg. "Opus AB, no.14c").Default opus is #LS.35[64]. (see also mixtape)

Note (+): Iterations are basically variations of pencil quantities, and by necessity, font count. In nesting, we let p stand for 'pencil', and f stand for 'font'. The opus' title and number remain as is; they are established. The iteration only changes either the pencil or font count. So, for example (purely meant to be hypothetical and unofficial), let Opus GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be Opus GU, No. 4f2885, where the pencil count (830) is unchanged and the font count has been reduced to 2,885. Or, we could have Opus GU, No.4p910, where the font count (4,116) remains unchanged and the pencil count has increased to 910. Again, purely hypothetical.

+juker

A juker (from 'juke server' [server]*) acts as the coordinator in folding loopstring (among other types of braneware). Essentially, a juker is a resource ("trainer") which uses a jukebox [client] for iterative transactions.++Its role is to assist in proofing Egglepple. Generally-speaking, the juker is a clone whose privilege supersedes that of player but not the impresario within juking ludology.A runtime node.

Note (+): Jukers are considered the 'orchestra' to The Origamic Symphony.

In UUe-talk, the juker (a puzzler)'s objective is to devise and/or apply patches, thereby directly contributing to the fitness of the jukebox. This means that a juker's role lies in the generation of walks (pitch establishment) as it pertains to sourcing their own tokens. Jukers are rewarded according to rules set forth by the UUelcome License. (see also Black and White, clone)

The Origamic Symphony™℗

Composer: Link Starbureiy
The Origamic Symphony (TOS) is a mathemusical simulacrum whose algorithmic composition lies generically between any 26-measure scale; but, architecturally, the Planck and nano scales [domains] (known as subchemistry, C_s). Specifically, it is the totality of Egglepple movements.

Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable, TOS is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping EGP).

"There is this beautiful symphony playing - everywhere, all the time."^{^} - Link Starbureiy

The symphony treats the entire portfolio as a (single loopstring*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils]) and derivation. All walks are integrated in twistor space, and output some stew derivative.Symphonic evidence is its subject (Egglepple). A continuous function. (see also UUelcome, lnq's Starting Five)

Notes (+): +The Origamic Symphony is the score of UUelcome. +Here "origami" specifies "p-brane (membrane/frame) folding". Namely, it is the twisting of measures (length) between the Planck and nano scales.