+cassette

Broadly, a cassette is a mobile encode element (module) invoking loading. More specifically, a cassette refers to a discrete batch* (of libraries) that, when ported, becomes streamable. Cassettes function as cybernetic buffers; they run prints for site-specific recombination.Ordered via toonage. (compare gene cassette, see also mixtape)
/// Each build will effectively be a comprehensive, updated, and ready-to-implement edition of the kernel.
Function map: cassette → UUhistlegrass

+fibor bundle

A fibor bundle (a function of taxation and/or identification) is two (2) or more fibors combined/connected, which itself forms another fibor. This is Egglepple's quaternary isoform. (see also bubblegum, hyperlink, minor scale, major scale)

Function map: minor scale → major scale → fibor → fibor bundle

+mathematics

Mathematics is an ambiguous way of proving ideal behaviors of objects.
/// An 'open story of counting', it must be said that mathematical methodology is a cumulative effort (ie. rigorously built atop previous checks).
As a library* for synthesizing functions, mathematicians use its models to formulate (computability) theories/theorems/identities. We acknowledge the so-called 'Big Five (5)' active areas in mathematics to be [1-5 labeled alphabetically]: algebra [1], analysis [2], arithmetic [3], geometry [4], and music [5]. As far as I am concerned, the basis of math is juking. (see also mathemusic, mathletics, recreational mathematics, mathematical model, Mathilda, 📓So, you want to be a mathematician?, The Mathemagician, Opus Solve, physics, information science, game, cryptosport)

"The essence of mathematics is not proof, but conjecture." - 🐨Link Starbureiy

/// +There are three (3) classes of mathematics: pure, applied, and recreational (pure,applied ∈ recreational). This definition covers all three (3), and may be referred to as polymathematics. A mathematician is someone who advances classical mathematics.
+In my line of work, I think of so-called 'recreational mathematics' as a type of (among other considerations) reverse engineering, where we are re-creating known structures/models for study and understanding. As an example, in 🧩puzzle solving, I may take a known and solved (from means other than juking) macromolecule (eg. protein), and juke that fibor so that it can identified+databased. (see also Pajamas)
+Mathematics is a type of low-technology, as well as being its own industry.

----------
#LEGEND
math.AG (algebraic geometry), math.AT (algebraic topology), math.AP (analysis of partial differential equations), math.CT (category theory), math.CA (classical analysis and ordinary differential equations), math.CO (combinatorics), math.AC (commutative algebra), math.CV (complex variables), math.DG (differential geometry), math.DS (dynamical systems), math.FA (functional analysis), math.GM (general mathematics), math.GN (general topology), math.GT (geometric topology), math.GR (group theory), math.HO (history and overview), math.IT (information theory), math.KT (k-theory and homology), math.LO (logic), math.MP (mathematical physics), math.MG (metic geometry), math.NT (number theory), math.NA (numerical analysis), math.OA (operator algebras), math.OC (optimization and control), math.PR (probability), math.QA (quantum algebra), math.RT (representation theory), math.RA (rings and algebras), math.SP (spectral theory), math.ST (statistics theory), math.SG (symplectic geometry)

+γ-proof

A yesegalo proof, or γ-proof (or just proof), is a juking algorithm mapping some preimage to its image. Proofing substantiates a fibor, thereby providing (its) identity clarification.^! Each proof involves patching two (2) genera in T: yesegalo↔meshroom.^{^}While also helping us draw up better heuristics. A framework for conduction: does a ballet groove with(in) the Symphony🎶?

γ-proofing tasks: determine the efficiency of an EGP encryption [ie. solve the given puzzle🧩; is the resulting fibor economical (fit within the handicap)_|(u,u)=0|?].

The proof itself is scored* as a stereotype (sequenced shapeframe) in some overall random walk. The end🏁 of a proof (solution) should result in the closing🔒 of a string (eg. fibor), ideally a zero-bubble. We endeavor to find the most secure🔐 proofs by improving upon the bounds on classes of twistors. Doing so aids our MONEY-making.Proofs of juke input are published (to the ledger) in juke notation. (see also juke notation, mathematical proof, proof.m)
/// As with the traditional printing press, the primary reason for proofing is to provide confirmation/verification that a job (done) is accurate. Doing so draws a consensus (from independent, third-party sources -- read: jukers) for the creation of a new standard. It is important to note that proofs are unique (ie. duplication is forbidden on the circuit). All proofs are published to the ledger.
Function map: loopstring → γ-proof → MONEY → Quantumquotient

+ludology

Ludology is the logic [(cassette+certificate+token)s] of games. As it is important to stereotyping, this would be strategy leading to proof [strategy→proof] in relation to some walk. A person who simulates and/or creates (models) games is called a ludologist (with certain restrictions applied, this same person may also be called a gamer). (also of interest ludeiy, gameplay, gameshow, game theory, opera ludo)

For ludological consideration, any game requires the interplay of three (3) things ("rules"): 1) a player, 2) string, and 3) rhetoric.
/// +A simplest definition would be "the charting of currency". Something more formal would be that our game logic is that of "sorting algorithms pertaining to twistorspace".
+Our game engine responds directly to calls (the "payload").
+The field is not the same as game theory, which moreso studies strategies in particular. Ludology, on the otherhand, encompasses all aspects of juking [especially game mechanics and (methods of) gamification].
+Ludology does not necessarily promote physics; it is possible that our games may not calibrate potential energy functions (such as force fields). In its stead, models and simulations are promoted with automation.

+stew choreography

Stew choreography is the process of stereotyping* (brane-folding) EGP using fruut to keyframe [sequence/map by hyperlinking] stews. This is our "proof-of-work"^~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents)], and should solve twistorspaces (via encryption). Per gameplay, stew choreography (or dribbling [endpoint control]^&) forms a loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.Print the portfolio as a sponge. Or, 'cost-of-work'. String command. (see also juke notation, ballet, Stewart, touch-and-go, 🐨lnq's walk, joey)
/// +Such choreography is inferred by "the ballet of Stewart". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string".
+Any proof-of-work must be validated with a signature/handshake.
+Every single stew on a loopstring must be affected for a yield to be accurate.
Function map: random coil → stew choreography → fibor

+signature

A signature is a server-side authentication/or as a source of access-level trust.
[Do not confuse with key signature, time signature.]

Because each opus/fibor has an injective ¢ent value associated with its image, only a finite number of ¢ents can be allocated to a signee (ie. juker). Such game logic (cassette+certificate+token) designation requires genuine digital validation/verification before or so push/pull requests can be approved for transaction (known as securing🔐). Otherwise, a user can hypothetically create counterfeit (non-injective) assets - hijack the platform to forge proof - which is fraudulent and disallowed. (see also juke notation, coupon)
/// Signatures, manifested in tutti progression, are ultimately a means for reducing rotisserie stress.
As a further integrity measure, this data is defaulted to the ledger (as public information).
Function map: patch → γ-proof → cassette → signature → UUelcome

+Quantumquotient

Theorist: 🐨Link Starbureiy
The Egglepple^@ axiom [abbreviated as the Quantumquotient (QQ^{^}), or, in the context of juking, "how to typeset"] postulates an algebraic curvature key (ack) - the quantum - for measuring some quotient of currency with which it is idempotent. A lemma of QQ seeks to exploit (with gameplay) the fitness of e:e statistics [a saturated load-balancing from twistor residues].^# The theorem (itself a macro ctf🏁) was first posed by 🐨Link Starbureiy, who, in suggesting QQ is provable, conjectured that token-based automata is ideally both kernelized and fungible.🤓 May colloquially be refered to as '🐨lnq's eyes' (see 🐨lnq's motif). ∃ a transactor between preimaging and imaging. -- Problem: show that ¢ent homotopy is normalizable. Hint: classifying all fonts should suffice.
/// +To control compliancy.
+The hypothetical solution is to resolve the Juke Lemma (ie. fully sequence EGP). QQ can be proven (shown to be true) with identities.

Overview
The Quantumquotient always assumes current abnormalcy^~ (ie. hyper/hypo ≠ 1, and P ≅ BQP). Plainly, it is a query into how much (an estimate) of a given hyper/hypo is optimal (ie. MONEY)(?). In a parimutuel system, the hyper- numerator can remain (hypothetically) asymptotic* iff there exists a hash function (auction) that can bring about perpetual normalization.statistical volatility This is because the set of fonts is infinitesimal compared to the total fibor count.
The aim is for persistent/redundant cache-credit idempotence (global cryptic hyperlinking), which [(hyper,hypo) ≅ crypto] would be theoretically achievable with a fully secured🔐 [sequenced] payload (courtesy of Double-U economics). (see also Juke Lemma, juke tax, string ludology, UUelcome, Starbureiy automaton, The Origamic Symphony🎶, +list)

Function map: Q ... Juke Lemma → ... Pink program → γ-proof

+hologram

(see also sticker, stamp, touch-and-go, juke notation, fibor, hash)

+pink poem

Pink poems (not to be confused with 'pink sheets') or the Pink program*, are a class of algorithms for proving the Juke Lemma. A pink poem ('pink') optimizes juking ludology [ie. kernelized push movements (opening→middlegame→endgame)] for predicting Egglepple's imagery from its preimagery.++Each poem (a genetic algorithm / genetic algebra) is its own complete verse leading to fibor closure🔒.Calls+declarations for string improvisation. (see also 🐨lnq's Starting Five, UUhistlegrass, touch-and-go, opera, patch, cassette, UUelcome, #orchestra)
/// +It is called a "pink poem" just because Link Starbureiy liked how that color [RGB:255,0,100] (I call it watermelon🍉) looked on the design of the UUelcome Matte (and for the matching letter p's😉).
+The Pink program is the recital (concert) program, and a pink poem is essentially a program note.
+Pinks share a common gameplay directive with 🐨lnq's bubblegum.

+juke notation

Juke notation (jn, rhetorically called a verse) is the instrument-agnostic, language-independent, easy-to-decipher verbalization of some juke assignment as meant for proof. In signing, the alphanumeric notation is essentially low-level symbolic "play code"*; an algorithm devised to instruct the jukebox on how, when, and what to type in stereo [stew choreography]. The Stewdio is the designated instrument for generating, reading, routing, and interpreting juke notation.Referred to as a track (for tracing some token). (see also hologram, touch-and-go, γ-proof, thread, jukespace. Compare genetic code)
/// Juke notation was devised by 🐨Link Starbureiy.🤓

+touch-and-go

Touch-and-go [H#H] refers to my toccata [style of cheironomy] which utilizes threading: [touch*](holography) plus [go](#hashtag) for juking Egglepple++as well as jukebox tuning. // In composing The Origamic Symphony🎶, gameplay is used: patchwork (orchestrating subiteratives, such as prepatches) are contracted (pu$h/pull → deploy) to solve a 🧩puzzle; configs require signatures on stables.Emphasis more on "touch on/over" a topic/subject rather than haptics. (see also krayon, k-mode, gameplay)
/// Conduction is responsive in jukespace.