lnq 👨🏿‍🦱: gameplay
👨🏿‍🦱
Showing posts with label gameplay. Show all posts
Showing posts with label gameplay. Show all posts

/ avatar [emulator]

avatar :== (neural)-user


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Kinky-haired, very dark-skinned B1, and pajamas-clad, lnq🧑🏿 is depicted chewing bubblegum^ while using his joey🐨🪀 for cheironomy. ^^ An everlasting piece (as a perpetual stream) of bubblegum. (see yots, k-mode, Stewsday, clone, 🧑🏿lnq nomenclature)
/// +He is ageless because he exists in a steady state (Stewsday).
+There are no alternative versions of the avatar, though lnq🧑🏿 does alter/partition his ego at will.

/ UUe interface

The UUe [jukebox (+active kernel)] interface is a virtual project-ion/or (streams of bytes as a file descriptor abstracted over the virtual filesystem namespace layer*) of the Stewdio as well as other intuitive components for juking and feedback/playback.** kernel-provided

Per some vision system, it maps a graphical user interface on surfaces (where metaphors can be used), a natural user interface in juke field (à la with augmentation gear like goggles), and an i nterface, otherwise.
/// The ".i" is for 'intelligence', as in an artificial intelligence or (thanks to me😊) "animation intelligence". It generally falls under 'openscience'.
This driver's runtime (taking into consideration that the jukebox can still be put to use without computability) serves as an artificially intelligent preimage-image compositor ["pic"] native to crowd computing (technically a feeder of genetic algorithms to the client). (see lnq🧑🏿, joey, Stewniverse, k-mode, Pink Poem, toonage, Easter, Egglepple, everywhere!, #skin)

/ Stewdio (shell)

Designer: 🧑🏿Link Starbureiy
The Stewdio (stew+digital+i/o) is an informatic behaving as UUe's native driver+shell for stewcing.
/// More accurately, for choreographing stews.

A multi-user domain (MUD), its virtual methodology comes standard (fixed) with the following quadriptych: Mathilda [keyframing/phrasing = pencils✏️ (generation/metronome) + STU (sequencer/coloring) + RONALD (phrasing)], along with the home button that reveals a horizontal/vertical side panel of various metaphors.

The Stewdio (as a control console) consists of spacetime complexity controls that are used, more or less, to derive e:e statistics; it can synthesize (grooves+melodies), edit walks, run cassettes🧱, and perform other file-system management. The compositor provides jukers with an ideal environment ( gameboard🎮🎹) for gameplay (ie. improvising strategies in bounded-error quantum polynomial time). Typical Stewdio usage is for a stewcer/player to draw up a play in 🧩puzzle-solving [ie. middlegame]. (see stewc notation, touch-and-go, krayon, yoyo, joey)
/// Layered over the interface are the fugue buttons and 🧑🏿lnq's bubblegum as the default ballet🩰.

Abstractly, if a brane could be synced across the Stewdio, it then would function like zero rng.
/// The Stewdio is an invention of 🧑🏿Link Starbureiy.🤓
Function map: EggleppleballetStewdio

/ stew choreography [neuroplasticity]

The art of stew choreography :== the process of stereotyping* (brane-folding) STU using fruut to keyframe [sequence/map by hyperlinking] stews.** Print the portfolio as a sponge. This is our "proof-of-work"~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents🪙)], and should solve twistorspaces (via encryption).~~ And/Or 'proof-of-space'.

Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&& String command. (see juke notation, ballet, stewart, touch-and-go, 🧑🏿lnq's walk, joey)
/// +stew choreography is a type of animation (interpolation of frames).
+Such choreography is inferred by "the ballet of The Origamic Symphony🎶". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string".
+Any proof-of-work must be validated with a signature/handshake.
+Every single stew on a loopstring must be affected for a yield to be accurate.

Function map: random coilstew choreographyfibor

/ stewcing [neuroplasticity]

Ludologically, (the sport of) stewcing (formally stew choreography) :== the demonstration, control, and/or improvising of a particular stewc [ie. the hash exercise of securing🔒 twistorspace by probing its acoustic bounds (with error detection/correction)].

The appliance for doing such is a jukebox. Someone who does so is called a stewcer. Pertaining to UUe, stewcing - a form of cryptography - is of bugger (ctf🏁-style) 'cryptosport'* logic.** see mathletics Complexity-wise, token duration is between P and E, with proofing orchestrated in curvilinear space (T).
UUe /// I like to say that stewcing is brute force mathematics as 'an exercise in optimization from auction theory'.

To stewc is to summon a redeemable option (the coupon) on a continuous event that is predetermined [to at least one (1) party]. In this case, stewcs are proxies for the statistical variance of the tablature complexity, and serve to hedge some handicap. Stewcs themselves generate cachecredit (provided from seigniorage on coupons); being synonymous with 🪙coin insertion [deposit] for traditional jukebox activation and dispensing.
Juking was invented by 🧑🏿Link Starbureiy.🤓👌🏿

According to string ludology, stewcing is reflexive to u-u economics; making the optimization of the electrolyte🔋 the foundation of our pursuit. The overall intent behind stewcing is to image Egglepple (ie. juking is the preferred method for sequencing STU).
/// +Because stewcing is injective, the stewcer absolutely keeps what is earned (minus any fees).
+Fibor classification requires twistorspace manipulation, which is the basis of stew choreography.


The process of stereotyping is done by encrypting/encoding STU onto a brane (stewc = pencil✏️glyph). This is accomplished using stew choreography. stewcing is considered to be economically fair (ie. games are randomized and thus no one has an advantage), that is, risk:payoff ≪ payoff:risk. (see Pink Poem, mathemusic, touch-and-go, j-surface)
/// Sans pure 'penny' frets, the value of a stewc is always rounded up to the next integer (unless the stewc itself is an integer). Example: a tablature divisor of 0.054... becomes a 6 ¢ent fret. This seigniorage ensures the house always stays afloat.

/ stewcer [client-server]

A stewcer^ (from 'stewc server' [server]*) acts as the coordinator in folding loopstring➿ (among other types of braneware).** A runtime node. ^^ aka stew choreographer.

Essentially, a stewcer is a resource ("trainer") which uses a jukebox [client] for iterative transactions (ie. inbetweens).++Its role (jukeboxing) is to assist in proofing QQ. Generally-speaking, the stewcer is a clone or surjective clientele whose privilege supersedes that of player but not the impresario within stewcing ludology. Note, however, that the impresario itself may also be a stewcer (as would be the case in tournament mode).
/// Stewcers - as contractors - are considered the 'orchestra' to The Origamic Symphony🎶.

In UUe-talk, the stewcer (a type of puzzler🧩)'s objective is to devise and/or apply patches, thereby directly contributing to the fitness of the kernelspace. This means that a juker's role lies in the generation of walks (pitch establishment) as it pertains to sourcing their own tokens. Jukers are rewarded according to rules set forth by the UUelcome License. (see Black and White, clone, KOALA🐨, 🥚Egghead, stewcer's ruin)
UUe

/ stewc

A stewc - a mathemusical measure - :== an iterated perturbation* (sesquilinear transform) to some group of stews.** ie. ultrametric calculus To stewc is to proof some twistorspace with (an) STU encryption [more accurately, to encode STU onto a brane (tape)].

Stewcing will summon a redeemable option (the coupon) on a continuous event that is predetermined. In this case, stewcs are proxies for the statistical variance of tablature complexity, and serve to hedge some handicap. Stewcs themselves generate UUe's cryptohash (provided from seigniorage on coupons); being synonymous with coin insertion [deposit] for traditional jukebox activation and dispensing.
UUe /// It may be the case that the leaves SSS and UUU can/should be replaced by SST and UUT, respectively. This is because SSS and UUU actually are loop➰ markers (marking initiation and termination) in a sequence. Adjacent leaves cannot be coupled due to the fact that a chord (three leaves or more) is required for folding.

Within the context of stew choreography, a stewc is a play that is symmetry-breaking (to some walk) but not an endgame move, which means that it does not include: (1) the coupling of adjacent leaves, or (2) the leaves SSS and UUU [(namely (SSS,UUU) / (UUU,SSS)] in coordination. Failing to adhere to this rule would result in dissonance.

Out of the total twenty-six (26), only twenty-four (24) of them allow legal stewcs. This stems from the fact that a composition cannot lack harmony, which is to say that a loop (connected endpoints), nor adjacencies (any side-by-side coordinates) are permissible. (see Stewc Lemma, stewc tax, stewc notation, stewc button, jukepot, stewc field)
/// The sequence of leaves in a stewc is immune to start/stop identification. Meaning that it is not illegal to have an opus be of identical lettering (eg. "Opus LL").