A
stewc - a
mathemusical measure -
:== an
iterated perturbation* (
sesquilinear transform) to some group of
stews.
** ie. ultrametric calculus
To
stewc is to
proof some
twistorspace with (an)
STU encryption [more accurately, to
encode STU onto a
brane (
tape)].
Stewcing will summon a redeemable option (the
coupon) on a
continuous event that is
predetermined. In this case,
stewcs are proxies for the
statistical variance of
tablature complexity, and
serve to
hedge some
handicap.
Stewcs themselves
generate UUe's
cryptohash (provided from
seigniorage on
coupons); being synonymous with
coin insertion [
deposit] for traditional
jukebox activation and
dispensing.
/// It may be the case that the leaves
SSS and UUU can/should be replaced by SST and UUT, respectively. This is because SSS and UUU actually are loop➰ markers (marking initiation and termination) in a sequence. Adjacent leaves
cannot be coupled due to the fact that a chord (three leaves
or more) is required for folding.
Within the context of
stew choreography, a
stewc is a
play that is
symmetry-breaking (to some
walk) but not an
endgame move, which means that it does not include: (
1) the coupling of adjacent
leaves, or (
2) the
leaves SSS and UUU [(namely (SSS,UUU) / (UUU,SSS)] in coordination.
Failing to adhere to this rule would result in
dissonance.
Out of the total twenty-six (
26), only twenty-four (
24) of them allow legal
stewcs. This stems from the fact that a
composition cannot lack
harmony, which is to say that a
loop (connected
endpoints), nor adjacencies (any side-by-side coordinates) are permissible. (see
Stewc Lemma,
stewc tax,
stewc notation,
stewc button,
jukepot,
stewc field)
/// The sequence of leaves
in a stewc is immune to start/stop identification. Meaning that it is not illegal to have an opus
be of identical lettering (eg. "Opus LL
").