I'm unsure of how to verbalize cash-in or cash-out; meaning that the amount of MONEY earned over time is mature enough for a coupon. I'd use cash-in/out as a catch-all, but that's tacky. So I'm going with i/o for '-in/out', reducing that to 'io', and with the 'cash' addendum, this becomes 'cashio'.
There, I just invented a new word.
Showing posts with label glossary. Show all posts
Showing posts with label glossary. Show all posts
Composer: Link Starbureiy
Stewart℗ is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each
This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.
An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
As the prime directive of the jukebox, Mathilda™ is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string
To do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
opéra-ballet |
[development]
Stewart℗ is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)
/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. |
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
Keypad
# |
A |
B |
C |
D |
E | F |
G |
H |
I |
J |
K |
L |
M |
N | O |
P |
Q |
R |
S |
T |
U |
V |
W | X |
Y |
Z |
This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple. |
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open stringTo do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
Inventor: 🧑🏿Link Starbureiy
An invention {September 26, 1998} of 🧑🏿Link Starbureiy🤓, our cipher is such that kernelized handshakes are integral to loopstring➿ frequencies*.** STU is what gets
/// +Keeping
+Originally, "STU" was
Absolutely considered in the analysis are the concepts of integration (loopstring➿) and differentiation (stews). (see fruut, RONALD, Stewdio, juke notation)
mathematical analysis, derivation and integration. Its entire sequence is called UUelcome. [EGP/fruut]An invention {September 26, 1998} of 🧑🏿Link Starbureiy🤓, our cipher is such that kernelized handshakes are integral to loopstring➿ frequencies*.** STU is what gets
encrypted on(to) algebraic curves in twistorspace. Lexically, this means that both yesegalo (flavor generation) and crypto fabrication (primary, secondary, tertiary, and quaternary structures) remain asynchronous as long as preimage-image contracts are kept (ie. the tonic will harmonize the brane to the point of closure🔒).
/// +Keeping contracts is the basis of self-synthesis.+Originally, "STU" was
called "EGP" which stemmed from "egg (EG) , epp (EP) → EGP".
Absolutely considered in the analysis are the concepts of integration (loopstring➿) and differentiation (stews). (see fruut, RONALD, Stewdio, juke notation)
link :== coupler of two or more objects. Topologically, a link is a non-intersecting collection of knots🪢. A link is also a single element comprising a chain. -- Additionally, it refers to a discrete brane 'hyperlinked' to other branes in some cellular automata scheme.
/// Likewise, we can describe a knot as a link with one (1) component.
As 💱spreadable@ crypto🧩, a link (Q♭) :== minima fibor as a control [fret = 0.000384615385¢~ (≈ ≤ $1.00 cap)] in trades. @@ ie. strategies get extrapolated to other
/// Likewise, we can describe a knot as a link with one (1) component.--------
Metrically, a link* (symbol: L) :== the standardized cent🪙-to-calorie conversion -- our derived cryptocurrent unit^ in stewcing expressed as bytes. ** Named after 🧑🏿Link Starbureiy. ^^ Links can be conjoined🔗 (get it?) to yield anenergy🔋 signature. As 💱spreadable@ crypto🧩, a link (Q♭) :== minima fibor as a control [fret = 0.000384615385¢~ (≈ ≤ $1.00 cap)] in trades. @@ ie. strategies get extrapolated to other
fibors. ~~ ie. 1/26 of initial penny fret to get $1.00. This is our Q♯🎶 entrée [part of the standard opening for encryption], which acts as the default (however interchangeable) ballet on UUe's rotisserie.
(see +list, QQ, 🧑🏿lnq, stew, juke tax, residue, token, MONEY, penny fret, toy, font, c@$#tag, 🧑🏿lnq's bubblegum)
Theorist: 🧑🏿Link Starbureiy
The quantumquotient (Q♭/Q♯) [abbreviated→QQ], or, in the context of stewcing, "how to typeset", axiomatizes an algebraic curvature 🔓/rootkey - the quantum (Q♭) of The Origamic Symphony🎶 (Q♯) - for computing some ratio (hyper/hypo)^ of ¢ents🪙 with which it is idempotent (ie. establish a charge → cryptocurrent).@@ The
A lemma of Q♭ seeks to exploit (with gameplay) the fitness of 🔋e:e statistics [a saturated load-balancing from twistor residues].### ∃ a
/// +The definition of quantum here = 'economically dyadic'.
+To
+The overall objective is to find (+
+The hypothetical
Overview
The quantumquotient always assumes crypto abnormalcy~ (ie. hyper/hypo < 1, and P ≅ BQP).~~ statistical volatility Plainly, it is a query into how much (an estimate) of a given distribution of e:e statistics [hyper/hypo] is optimal (ie. MONEY)(?). In a parimutuel system, the hyper- numerator can remain (hypothetically) asymptotic* iff there exists a hash function (auction) that can bring about perpetual normalization.** This is because the set of
The aim is for a collapsible wave function: persistent/redundant cache-credit idempotence (global cryptocurrent), which [(hyper,hypo) ≅ crypto] would be theoretically achievable with a secure🔐 [sequenced == all 2,028 fonts identified] payload (courtesy of u-u economics). (See Juke Lemma, juke tax, string ludology, UUelcome, Starbureiy automaton, The Origamic Symphony🎶, 🧑🏿lnq's Requiem, +list. Compare fusion energy gain factor)
Function map: Q ... Juke Lemma → ... Pink Poem → γ-proof
The quantumquotient (Q♭/Q♯) [abbreviated→QQ], or, in the context of stewcing, "how to typeset", axiomatizes an algebraic curvature 🔓/rootkey - the quantum (Q♭) of The Origamic Symphony🎶 (Q♯) - for computing some ratio (hyper/hypo)^ of ¢ents🪙 with which it is idempotent (ie. establish a charge → cryptocurrent).@@ The
theorem (itself a macro ctf🏁) was first posed by 🧑🏿Link Starbureiy, who, in suggesting QQ is provable, conjectured that token-based automata is ideally both kernelized and fungible.🤓 ^^ May colloquially be refered to as '🧑🏿lnq's eyes' (see 🧑🏿lnq's motif). "Statistically, you cannot generate data without using energy. Also, there is no such thing as non-virtual data generation. Corollary: all virtual data is generated statistically." - 🧑🏿lnq
/// Information occupiesfinitecells; in anydata exchange,cryptocurrencyis at play. So, objectively, desired iscompressed datato yield maximalcurrent.
A lemma of Q♭ seeks to exploit (with gameplay) the fitness of 🔋e:e statistics [a saturated load-balancing from twistor residues].### ∃ a
transactor between preimaging and imaging. -- Problem: show that ¢ent🪙 homotopy is normalizable. Hint: classifying all fonts should suffice.
/// +The definition of quantum here = 'economically dyadic'.+To
control compliancy.+The overall objective is to find (+
exploit) the fonts. Coverages are used to 'trap' them, whilst classifying 0-bubbles qualifies as brute-force sorting. So, basically, it's fonts vs. foam.+The hypothetical
solution is to resolve the Juke Lemma (ie. fully sequence EGP). QQ can be proven (shown to be true) with identities.
"A QQ proof is like having the masterkey🔑 to the Universe. Someone armed with it can literally charge the world." - 🧑🏿lnq
/// Think of theproofas being like some sort of an engine that powerstwistorspace.
Overview
The quantumquotient always assumes crypto abnormalcy~ (ie. hyper/hypo < 1, and P ≅ BQP).~~ statistical volatility Plainly, it is a query into how much (an estimate) of a given distribution of e:e statistics [hyper/hypo] is optimal (ie. MONEY)(?). In a parimutuel system, the hyper- numerator can remain (hypothetically) asymptotic* iff there exists a hash function (auction) that can bring about perpetual normalization.** This is because the set of
fonts is infinitesimal compared to the total fibor count.
The aim is for a collapsible wave function: persistent/redundant cache-credit idempotence (global cryptocurrent), which [(hyper,hypo) ≅ crypto] would be theoretically achievable with a secure🔐 [sequenced == all 2,028 fonts identified] payload (courtesy of u-u economics). (See Juke Lemma, juke tax, string ludology, UUelcome, Starbureiy automaton, The Origamic Symphony🎶, 🧑🏿lnq's Requiem, +list. Compare fusion energy gain factor)
Function map: Q ... Juke Lemma → ... Pink Poem → γ-proof
This article discusses the meaning, derivation, onomastics, and binomial nomenclature of the name "Link Egglepple Starbureiy" (🧑🏿lnq@).@@ mononym
The praenomen, "Link"& (√), denotes him as the /root [between his parents] (1). && statistical union The word, "Egglepple" (64), is a synecdoche for his 🧩portfolio. Numeronymically^, "Link Egglepple Starbureiy" (shortened to "lnq"*) is valued at eight (8) [lnq=8].^^ Read appended note. ** l = Link, n = Egglepple, q = Starbureiy (see 🧑🏿lnq's motif, koala8, avatar, Stewniverse, +list)
///
+Etymology-wise (according to me), the autonym "Starbureiy" is the
+A lot of people may get this wrong or doubt it, but "Link" really is my name. I purposefully chose the truncated mononym "lnq" as my
+Both "Egglepple" and "Starbureiy" are of my lexicographical invention🧐. In its proper form (taken from the true
+The number 64 has congruence with March 5 [Funday/🧑🏿lnq's birthday], which is the 64th day of a calendar year (not taking a leap year into account). On this date, Egglepple was founded (March 5, 1991).
+We derive the number 8 ('🧑🏿lnq's number') by totaling the following: √(64 + 0) = 8. (From "Link (12+9+14+11=46→10→1) Egglepple (→4) + Starbureiy (→3)", ..143→8). Also, March 5 (03/05) reduces to 8.
+To reiterate, normally "Starbureiy" is dentally silent (itself being a number complex), but phonetically pronounced like "star·buhr·ee" or simplified to "stoo" ("A
^^ Interpreted as being indicative of the individual (1) acting completely of its own volition. That is also to say that the 'twin' variables (e,i) [the two 🦈🐟fish in Pisces♓ lure] are irrationally (wild) 'diametric balls' (π), tamed only by
[pronunciation "/lingk/"]
--------
The praenomen, "Link"& (√), denotes him as the /root [between his parents] (1). && statistical union The word, "Egglepple" (64), is a synecdoche for his 🧩portfolio. Numeronymically^, "Link Egglepple Starbureiy" (shortened to "lnq"*) is valued at eight (8) [lnq=8].^^ Read appended note. ** l = Link, n = Egglepple, q = Starbureiy (see 🧑🏿lnq's motif, koala8, avatar, Stewniverse, +list)
///
+Etymology-wise (according to me), the autonym "Starbureiy" is the ring[0] stacking select alphanumeric variables. 'star' (verbal corruption of "stew") signifies some node / [e:e coordinate] in an n-dimensional graph[n]. -'bureiy' is my artistry: 'bury' is just that - (to) pile on / stack on top of something. 'b' and 'y' are the additive identities (denoted zero). For my signature (embedded), 'e' and 'i' are the vowels in "Link" (i) and "Egglepple" (e). They have been alphabetically inverted: i-e ↔ e-i → ei, and then converted to their respective numbers (ei). The letter 'u' became a variable stand-in for the number pi). The extra letter 'r' is a multiplicative identity element (denoted one). Thus, 'Starbureiy' ≡ 0 ∙ π ∙ 1 ∙ ei = 0^^ (⊆ ℂ).+A lot of people may get this wrong or doubt it, but "Link" really is my name. I purposefully chose the truncated mononym "lnq" as my
gametag/alias because I place a premium on minimalism (preferably all lowercase because my swag is kool like that🙃, except for instances where a spellchecker mistakenly autocorrects it to 'Lnq'). -- Bonus points if you know why I formally named stewcing 'stew choreography'.+Both "Egglepple" and "Starbureiy" are of my lexicographical invention🧐. In its proper form (taken from the true
definition of a 'portfolio' = 'sheet folder'), 'Egglepple' translates here as "🥚egg-🍃leaf ↔ epp-leaf🍃". Putting it together: "Link = /root" + "Egglepple = directory" + "Starbureiy = (0)" → "Link Egglepple Starbureiy" ≅ "lnq🧑🏿" ≡ '8'.+The number 64 has congruence with March 5 [Funday/🧑🏿lnq's birthday], which is the 64th day of a calendar year (not taking a leap year into account). On this date, Egglepple was founded (March 5, 1991).
+We derive the number 8 ('🧑🏿lnq's number') by totaling the following: √(64 + 0) = 8. (From "Link (12+9+14+11=46→10→1) Egglepple (→4) + Starbureiy (→3)", ..143→8). Also, March 5 (03/05) reduces to 8.
+To reiterate, normally "Starbureiy" is dentally silent (itself being a number complex), but phonetically pronounced like "star·buhr·ee" or simplified to "stoo" ("A
stack of stews is itself a stew."). Equivalently, "Egglepple" is phonetically pronounced like "egg·ul·epp·ul" but is actually said "url". Otherwise - to be very clear here - my name is just "lnq", which is language for the number "8" (the spelling helps differentiate it from the definition). Obviously, my initials are LES ("ellis")."I wanted a name history would remember when I had created the greatest portfolio of all-time." - 🧑🏿lnq
^^ Interpreted as being indicative of the individual (1) acting completely of its own volition. That is also to say that the 'twin' variables (e,i) [the two 🦈🐟fish in Pisces♓ lure] are irrationally (wild) 'diametric balls' (π), tamed only by
closure [0 = (loop➰)] (reminiscent of 🦄unicorn mythology). Notice how the mathematical constants are also part of Euler's equation (eiπ + 1 = 0). ← 🧑🏿lnq's user ID
lnq🧑🏿 refers to 'the gym* linking his savefiles' as the Stewniverse :== kernelspace parametrizing all Q♯-runtime neural states.^ ** ie.
stewc field ^^ Ellis🧑🏿 matrix 
/// +"Stewniversal" is a catch-all for everything that has to do with 🧑🏿Link Starbureiy, Egglepple, UUe, UUelcome (+licensure) [uue/:], stew choreography, and the like. +In a way, the Stewniverse is a conditional metaphor for my autism, as I persistently live in this world. It is an analogue for
virtuality. Colloquially, as its own unofficial openworld& 🪖wargaming league, the Stewniverse (SNV) complements streaming. && Meaning that
gameplay can happen anywhere. (see lnq🧑🏿, treble, k-mode, egghead (mask), 🧑🏿lnq's Galaxy, avatar, "Egglepple, everywhere!", Stewperman🦸🏿♂️)
Function map: stewc field ⊃ Egglepple ... > Sport Meadow > Mathtana > Mathfrica > ... > Stewniverse
/ stew choreography [neuroinformatics]
The art of stew choreography :== the process of stereotyping* (brane-folding) STU using fruut to keyframe [sequence/map by hyperlinking] stews.**
Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&&
/// +stew choreography is a
+Such choreography is inferred by "the
+Any
+Every single
Function map: random coil → stew choreography → fibor
Print the portfolio as a sponge. This is our "proof-of-work"~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents🪙)], and should solve twistorspaces (via encryption).~~ And/Or 'proof-of-space'.Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&&
String command. (see juke notation, ballet, stewart, touch-and-go, 🧑🏿lnq's walk, joey)
/// +stew choreography is a type of animation (interpolation of frames).+Such choreography is inferred by "the
ballet of The Origamic Symphony🎶". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string".+Any
proof-of-work must be validated with a signature/handshake.+Every single
stew on a loopstring must be affected for a yield to be accurate.
Function map: random coil → stew choreography → fibor