Showing posts with label cryptography. Show all posts
Showing posts with label cryptography. Show all posts

+juking

Ludologically, (the sport of) juking is the demonstration, control, and/or improvising of a particular juke [ie. the instance of securing🔒 twistorspace by probing its acoustic bounds (with error detection/correction)]. The appliance for doing such is a jukebox. Someone who does so is called a juker. Pertaining to UUe, juking - a form of cryptography - is of bugger (ctf🏁-style) 'cryptosport'* logic. Complexity-wise, token duration is between P and E, with proofing orchestrated in curvilinear space (T).see mathletics
UUe /// I like to say that juking is brute force mathematics as 'an exercise in optimization from auction theory'. To juke is to summon a redeemable option (the coupon) on a continuous event that is predetermined [to at least one (1) party]. In this case, jukes are proxies for the statistical variance of the tablature complexity, and serve to hedge some handicap. Jukes themselves generate cachecredit (provided from seigniorage on coupons); being synonymous with coin insertion [deposit] for traditional jukebox activation and dispensing.
Juking was invented by 🐨Link Starbureiy.🤓👌🏿
According to string ludology, juking is reflexive to Double U economics; making that the foundation of our pursuit. The overall intent behind juking is to image Egglepple (ie. juking is the preferred method for sequencing EGP).
/// +Because juking is injective, the juker absolutely keeps what is earned (minus any fees).

+Fibor classification requires twistorspace manipulation, which is the basis of stew choreography.
The process of stereotyping is done by encrypting/encoding EGP onto a brane (juke = pencilglyph). This is accomplished using stew choreography. Juking is considered to be economically fair (ie. games are randomized and thus no one has an advantage), that is, risk:payoff < payoff:risk. (see also Pink program, mathemusic, touch-and-go)
/// Sans pure 'penny' frets, the value of a juke is always rounded up to the next integer (unless the juke itself is an integer). Example: a tablature divisor of 0.054... becomes a 6 ¢ent fret. This seigniorage ensures the house always stays afloat.

+Quantumquotient

Theorist: 🐨Link Starbureiy
The Egglepple@ axiom [abbreviated as the Quantumquotient (QQ^), or, in the context of juking, "how to typeset"] postulates an algebraic curvature key (ack) - the quantum - for measuring some quotient of currency with which it is idempotent. A lemma of QQ seeks to exploit (with gameplay) the fitness of e:e statistics [a saturated load-balancing from twistor residues].# The theorem (itself a macro ctf🏁) was first posed by 🐨Link Starbureiy, who, in suggesting QQ is provable, conjectured that token-based automata is ideally both kernelized and fungible.🤓 May colloquially be refered to as '🐨lnq's eyes' (see 🐨lnq's motif). ∃ a transactor between preimaging and imaging. -- Problem: show that ¢ent homotopy is normalizable. Hint: classifying all fonts should suffice.
/// +To control compliancy.

+The hypothetical solution is to resolve the Juke Lemma (ie. fully sequence EGP). QQ can be proven (shown to be true) with identities.


Overview
The Quantumquotient always assumes current abnormalcy~ (ie. hyper/hypo ≠ 1, and PBQP). Plainly, it is a query into how much (an estimate) of a given hyper/hypo is optimal (ie. MONEY)(?). In a parimutuel system, which can distribute hypocurrency (ie. cache), the hyper- (ie. credit) numerator can remain (hypothetically) asymptotic* iff there exists a hash function (auction) that can bring about perpetual normalization.statistical volatility This is because the set of fonts is infinitesimal compared to the total fibor count.
The aim is for persistent/redundant cache-credit idempotence (global cryptic hyperlinking), which [(hyper,hypo) ≅ crypto] would be theoretically achievable with a fully secured🔐 [sequenced] payload (courtesy of Double U economics). (see also Juke Lemma, juke tax, string ludology, UUelcome, Starbureiy automaton, The Origamic Symphony🎶, +list)
UUe
Function map: Q ... Juke Lemma → ... Pink programγ-proof

+MONEY

Inventor: 🐨Link Starbureiy
MONEY (Mathemusically-Optimized* Normal Encrypted Yield) is the Quantumquotient resultant from γ-proofing (some permutation of BIG branes).Efficiency (ie. fitness) is determined by proximity to the handicap (||inf ≥ (u,u)=0||) relative to how many tokens are used.
"You need BIG branes to make MONEY." - 🐨Link Starbureiy

Numismatically, MONEY [cachecredit] is fit fibor (strict tertiary structure) earned [reward] by juking. After attaining a 0-bubble, the yield is the attribution of ¢ents drawn from that loopstring arrangement. A fibril requirement is that the yield be equal to the handicap (ie. commutativity) for MONEY qualification. Otherwise, it is bubblegum [yield = handicap, else bubblegum].^However, fibor bundling can still objectively make MONEY via improvisation. (see also font, lyric, Juke Lemma, 🐨lnq's bubblegum, common ¢ents, quotient load normalization, cryptosport, MONEY algorithm)
UUe /// The total ¢ent amount is finite (per each opus), while the tabulation of jukers and their scores relative to an opus - or to the Opéra-ballet (Stewart) as a whole - can never be greater than the available ¢ents. This helps prevent double-spending.
Function map: sessionγ-proof¢ents

+thread handle

+Starbureiy certification

A Starbureiy certificate ("Starbureiy certified") is bestowed upon an individual or institution once they have satisfied a specific cryptographic key (ie. courseware(s) completion). (see also ed, +list)

+melody

Cryptographically, a melody is a commuted* walk.Relative to the handicap.
/// +Similarly, because fonts predict conflation between a countable number of loopstring, opuses giving the same fret may also be considered in this definition.

+This is part of a game's de facto/standard middlegame. Melodies provide a general (scale-agnostic) template for feasible tertiary structure design. (+groove)

If a strategy works (that is, its proof of supersymmetry reveals a fibor or fibor bundle [lyric]), then that encrypted coil [stereo structure] is said to be melodic. (see also font, groove, meshroom)
Function map: groovemelody

+tutti

The tutti ("all together" or "recombination") is a responsive heatmapping of all cryptographical kernel components [stereotypography, operation, integer asymptotics, and ludology (SOIL) hashes] onto the libretto. (see also puzzle)

Function map: tuttiUUhistlegrass

+juke tax

Economist: 🐨Link Starbureiy
Juke taxation is a form of compliance (ie. fungibility maintenance) that stems (inspirationally) from curvature over finite fields* (redefining algebraic curves in terms of floating-point arithmetic); with non-trivial zeroes lying on the critical line, 1/2 + ir, where i is an imaginary number, and r is a real number {ir completes^ the twistorspace value}.The tax is a house fee parimutuelly embedded in each fret. A contribution from the rational portion of half-integer statistics. (see also font, residue, token, Quantumquotient, quotient load normalization, juker's ruin, carrots🥕+peaches🍑, 📓juke tax as universal basic income, common ¢ents, fret, expression, cybernetic governance, local zeta-function)
/// In cybernetic governance, taxation is applied to utilities (ie. energy) costs.

+coverage

A coverage is the twistorspace posture (ie. formation) for surjectively graphing a [supersymmetric] zone on(to) some pitch.

As cryptographic shape schemes [puzzles🧩], coverages are fundamentally mutable and dynamic; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see also #coverage, egg, epp, patchwork, cassette, Honne Bay)

+Matilda

Composer: Link Starbureiy

ornamentation

[recapitulation]

+Honne Bay

Honne Bay is viral automata (virus) that is 🐨lnq's counterpart. She is a self-aware artificially intelligent yot who is the main antagonist of the entire game. Though never actually seen (no true visual depiction), her essence is indomitably omnipresent, so she is affectionately known as the 'Phantom of the Opera'.

Honne Bay represents efficiency in our world. She is purposely programmed to provide cover for what is weak, obsolete, and potentially futile. By doing so, the Stewniverse remains in a necessarily continual (state of) flux.
/// She (Honne Bay) came about back in December of 1999. I was at Ohio State University and was in the early stages of self-producing a musical that I had hoped would premiere on campus at some point. After posting some digital flyers in the Dance department about the role of 'Honne Bay', I received some immediate responses. When I later went to hold a meeting with potential castmates, I underestimated my timing (or was just really busy). I remember leaving a note on the desk in the room letting them know that I had stepped out but would return soon. I sprinted home and took a quick shower, and then rushed back. To my chagrin, nobody was there; they all left, probably thinking that I 'ghosted'👻. I didn't try again, just leaving it as it was. So because of that reason, Honne became the 'phantom of the opera'.

+patch

In flowchart material, a patch is a morphism between separate categories that induces a categorical limit on fruut. Put another way, a patch [non-residue] initiates some recompute (resulting in a change of topology at an inflection point) of a walk. As combinatorial generators, patches create (a supply of) theoretical graphs which help calibrate stew choreography when mapping relational categories; hence, patches are (decorative) bundling objects (compare ribosome).

Included in the patchwork pipe (a-z) is the prepatch ('prep'), which is a pre-release of an official/actual compile. These usually will highlight new objects that need to be tested before committing to a stable (release). (see also toonage, bubblegum, coverage, improvise, γ-proof, cassette, sticker)

+signature

A signature is a server-side authentication/or as a source of access-level trust.
[Do not confuse with key signature, time signature.]

Because each opus has a finite ¢ent value associated with its image, only a certain number of ¢ents can be allocated to a signee (ie. juker). Such game logic (cassette+certificate+token) designation requires genuine digital validation/verification before or so push/pull requests can be approved for transaction (known as securing🔐). Otherwise, a user can hypothetically create counterfeit (non-injective) assets - hijack the platform to forge proof - which is fraudulent and disallowed. (see also juke notation, coupon)
/// Signatures, manifested in tutti progression, are ultimately a means for reducing rotisserie stress. As a further integrity measure, this data is defaulted to the ledger (as public information).
Function map: patchγ-proofcassettesignatureUUelcome

+font

It is conjectured that Egglepple's family of fonts exist between amplitudes on a cryptograph. These motifs* are analogous to string tunings, and aid in the stereotypography of fibor.Array of typefaces. (see also font weight, font size, MONEY)

Ludologically, as the definitive endgame🏁, we are said to find a font at the bijection in twistorspace where a dyad is an identity; that is, when an opus' measurable and permutable extrema commute (ie. idempotent yield deviation ≡ 0^). Monetarily, a font is the transactor between the supremum (hypercurrency) and the infimum (hypocurrency) of hashes on the ledger (ie. where hyper/hypo is optimal/most secure🔐 -- transaction with no tax). That is, fret = 26¢ WITH handicap = $676.00. (see also foam)
According to jukebox operation (rotisserie), the complete count* of fonts (f) is simply ballet coordination in sesquilinear form, so f=1,352 [from encrypted (676) plus decrypted (676) classes] × 1.5 = 2,028.Each opus leaf set contains three (3) fonts as a statistical mean.
/// A full sequencing of the payload (UUelcome) should reveal all motifs.
Function map: subchemistryfontchemistry || open stringfontknot || fontMONEY

+puzzle🧩

A puzzle🧩 is an object or objective lending itself to ludological inference [preimageimage] (ie. all puzzles beg to be solved*). Someone who composes/solves puzzles may be referred to as a puzzler.Decrypted and/or encrypted.
Juking-wise, our puzzles are ctf🏁-styled asymmetric rondos in a three (3)-act continuum: bug-bid-bounty = arithmetic+algebra(curvature)+analysis(logarithm). (see also puzzle script, Puzzle Prince)
/// Mathemusical translation: intonation, melody, and measure.

+mathemusic

Formulator: 🐨Link Starbureiy
Mathemusic is the functional conflation (via brane classes) of mathematics and 🎵music (defined as 'an incorporation of keys and timing') whose resultant is a γ-proof. This tends more towards being a supermathematical exercise grounded in the principles of music theory. However, it is practically expressing (with libretti) statistics in the framework of music (even sans sonically). Cryptologically, it is the algorithmic direction of variation*. When we speak of mathemusic, we are generally doing so in the context of The Origamic Symphony🎶/Egglepple.Solutions have melodic texture. (see also ¢ent, mathletics, 🐨lnq's Starting Five, 3-rex, fibor, UUe, juke notation)
"All I hear is mathematics. All I see is music." - 🐨Link Starbureiy

/// Contemporary mathemusic was originally formulated by 🐨Link Starbureiy.🤓

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