+Starbureiy certification
+melody
Notes (+): +Similarly, because |
If a strategy works (that is, its proof of supersymmetry reveals a fibor or fibor bundle [lyric]), then that encrypted coil [stereo structure] is said to be melodic. (see also font, groove, meshroom)
Function map: groove ↔ melody
+tutti
Function map: tutti → UUhistlegrass
+juke tax
Juke taxation is a form of compliance that stems (inspirationally) from curvature over finite fields* (redefining algebraic curves in terms of floating-point arithmetic); with non-trivial zeroes lying on the critical line, 1/2 + ir, where i is an imaginary number, and r is a real number. The imaginary number, i, completes^ the twistor space value as seigniorage.The tax is
parimutuelly embedded in each fret. A contribution from the rational portion of half-integer statistics. (see also font, tip, Quantumquotient, 📓juke tax as universal basic income, common ¢ents, expression, cybernetic governance)
Note (+): In |
+coverage
As cryptographic shape schemes [puzzles], coverages are fundamentally mutable and dynamic; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see also #coverage, egg, epp, patchwork, cassette, Honne Bay)
+Honne Bay
Honne Bay represents efficiency in our world. She is purposely programmed to provide cover for what is weak, obsolete, and potentially futile. By doing so, the Stewniverse remains in a necessarily continual (state of) flux.
Note (+): She (Honne Bay) came about back in December of 1999. I was at Ohio State University and was in the early stages of self-producing a musical that I had hoped would premiere on campus at some point. After posting some digital flyers in the Dance department about the role of 'Honne Bay', I received some immediate responses. When I later went to hold a meeting with potential castmates, I underestimated my timing (or was just really busy). I remember leaving a note on the desk in the room letting them know that I had stepped out but would return soon. I sprinted home and took a quick shower, and then rushed back. To my chagrin, nobody was there; they all left, probably thinking that I 'ghosted'. I didn't try again, just leaving it as it was. So because of that reason, Honne became the 'phantom of the |
+patch
Included in the patchwork pipe (a-z) is the prepatch ('prep'), which is a pre-release of an official/actual compile. These usually will highlight new objects that need to be tested before committing to a stable (release). (see also toonage, bubblegum, coverage, improvise, y-proof, cassette)
+signature
[Do not confuse with key signature, time signature.]
Because each opus has a finite ¢ent value associated with its image, only a certain number of ¢ents can be allocated to a signee (ie. juker). Such game logic (cassette+certificate+token) designation requires genuine digital validation/verification before or so that the transaction can be approved for decryption or encryption (known as securing🔐). Otherwise, a user can hypothetically create counterfeit (non-injective) assets - hijack the platform to forge proof - which is fraudulent and disallowed. (see also juke notation, coupon)
Note (+): Signatures, manifested in |
As a further integrity measure, this data is defaulted to the ledger (as public information).
Function map: patch → y-proof → cassette → signature → UUelcome
+font
Ludologically, as the definitive endgame🏁, we are said to find a font at the bijection in twistor space where a dyad is an identity; that is, when an opus' measurable and permutable extrema commute (ie. idempotent yield deviation = 0^). Monetarily, a font is the transactor between the supremum (hypercurrency) and the infimum (hypocurrency) of hashes on the ledger (ie. where hyper/hypo is optimal/most secure🔐 -- transaction with no tax). That is, fret = 26¢ WITH
handicap = $676.00. (see also foam)According to jukebox operation (rotisserie), the complete count* of fonts (f) is simply ballet coordination in sesquilinear form, so f=1,352 [from encrypted (676) plus decrypted (676) classes] × 1.5 = 2,028.Each
opus leaf set contains three (3) fonts as a statistical mean.
Note (+): A full sequencing of the |
Function map: subchemistry → font → chemistry || open string → font → knot || font ⊆ MONEY
+puzzle
Decrypted and/or encrypted.Juking-wise, our puzzles are asymmetric rondos in a three (3)-act continuum: bug-bid-bounty = arithmetic+algebra(curvature)+analysis(logarithm).
Note (+): |
+mathemusic
Mathemusic is the functional conflation (via the loopstring) of mathematics and music (defined as 'an incorporation of keys and timing') whose resultant is a y-proof. This tends more towards being a supermathematical exercise grounded in the principles of music theory. However, it is practically expressing (with libretti) statistics in the framework of music (even sans sonically). Cryptologically, it is the algorithmic direction of variation*. When we speak of mathemusic, we are generally doing so in the context of The Origamic Symphony (and not to exclude Egglepple).
Solutions have melodic texture. (see also ¢ent, mathletics, lnq's Starting Five, 3-rex, fibor, UUe, juke notation)
"All I hear is mathematics. All I see is music." - Link Starbureiy
Note (+): Contemporary mathemusic was originally formulated by Link Starbureiy.🤓 |
+random coil
Note (+): As in each outcome has equal probability. |
A random coil is the lowest-level [dim≤1] (unmapped) orientation of a brane. This unstructured position sample [an algebraic curve] is known* as its preimage (or illustrative state for both pitch and incidental tax determinance). Instead of being a specific shape, it is a statistical distribution of all populated conformations (albeit, strictly those lacking subunit definition). If each conformation (walk) has equal probability or weight, then such coil is the acoustically-approximated bounds of some twistor space.I label it 'scribble'. (compare denaturation)
Notes (+): +It is not uncommon to have multiple different coil(s) for the same |
Function map: scribble → sponge
Quantumquotient |
The Starbureiy@ hypothesis [abbreviated as the Quantumquotient (QQ), or, in the context of Egglepple, "proving QQ"] postulates an algebraic curvature key (ack) - the quantum - for measuring some quotient of currency with which it is idempotent. A lemma of QQ seeks to exploit the fitness of e:e statistics [a saturated load-balancing from twistor residues].# The
theorem was first posed by Link Starbureiy, who, in suggesting QQ is provable, conjectured that token-based automata is ideally both kernelized and fungible.🤓 ∃ a transactor between preimaging and imaging. -- Problem: show that ¢ent homotopy is normalizable.
Notes (+): +To |
Overview
The Quantumquotient always assumes current abnormalcy~ (ie. hyper/hypo ≠ 1, and P ≅ BQP). Plainly, it is a query into how much (an estimate) of a given hyper/hypo is optimal (ie. MONEY)(?). In a parimutuel system, which can distribute hypocurrency (ie. cache), the hyper- (ie. credit) numerator can remain (hypothetically) asymptotic* iff there exists a hash function (auction) that can bring about perpetual normalization.Statistical volatility. This is because the set of
fonts is infinitesimal compared to the total fibor count.
The aim is for persistent/redundant cache-credit idempotence (global cryptic hyperlinking), which [(hyper,hypo) ≅ crypto] would be theoretically achievable with a fully secured🔐 [sequenced] payload (courtesy of Double U economics). (see also Juke Lemma, juke tax, string ludology, UUelcome, The UUe, Starbureiy automaton, The Origamic Symphony, +list)
Function map: Q ... Juke Lemma → ... Pink program → y-proof
+y-proof
draw up better heuristics. A framework for conduction: does a ballet groove with(in) the Symphony?
Y-proofing tasks: determine the efficiency of an EGP encryption [ie. solve the given puzzle; is the resulting fibor economical (fit within the handicap)|(u,u)=0|?].
The proof itself is scored* as a stereotype (sequenced shapeframe) in some overall animation. The end🏁 of a proof (solution) should result in the closing🔒 of a string (eg. fibor). We endeavor to find the most secure🔐 proofs by improving upon the bounds on classes of twistors. Doing so aids our MONEY-making.Proofs of
juke input are published (to the ledger) in juke notation. (see also juke notation, mathematical proof, proof.m)
Note (+): As with the traditional |
Function map: l-string → y-proof → MONEY → Quantumquotient
+yesegalo
Yesegalo are the flavors and their generational assignment to flageolet pencils. Mathemusically, it is a "textural arpeggio". This is a game's barebone opening (its initial move, used cybernetically to control coiling).Yesegalo is quanta of an EGP chromascheme* that is non-migrant to Egglepple. Each set is subject to encryption (y-proofing). This is the prime part of a game's opening [minor scale].Yellow, blue, and green.
Note (+): Yesegalo would be part of a |
Flavors
Function map: yesegalo → y-proof → stew
+juking
mathletics
Note (+): I like to say that |
To juke is to summon a redeemable option (the coupon) on a continuous event that is predetermined [to at least one (1) party]. In this case, jukes are proxies for the statistical variance of the tablature complexity, and serve to hedge some handicap. Jukes themselves generate cachecredit (provided from seigniorage on coupons); being synonymous with coin insertion [deposit] for traditional jukebox activation and dispensing.
Juking was invented by Link Starbureiy.🤓👌🏿
According to string ludology, juking is reflexive to Double U economics; making that the foundation of our pursuit. The overall intent behind juking is to solve Egglepple (ie. juking is the preferred method for solving the puzzle.).
Notes (+): +Because juking is injective, the |
The process of stereotyping is done by encrypting/encoding EGP onto a brane (juke = pencil ↔ glyph). This is accomplished using stew choreography. Juking is considered to be economically fair (ie. affordable), that is, risk:payoff < payoff:risk. (see also Pink program, mathemusic, touch-and-go)
Note (+): Sans pure 'penny' frets, the |
