Showing posts with label image. Show all posts
Showing posts with label image. Show all posts

+mesh

A mesh is technically (mathematically-speaking) defined as a sheaf of branes that is outputted as an image. (see also meshroom, preimage)

+QR code


quick response (QR) code

+knot

A knot is a closed string as a link with one (1) component. It can also be defined as a tangled string in Euclidean space (R3).

+image

In signal processing, the image ("after the fold"/verso) function of a brane configuration [pencils+meshroom] is its final state, a closed🔒 string called fibor. The preimage will have mapped all frames to this compressor in a process known as stereotyping. (see also opera, UUelcome)

Note (+): In our case, since we tend to polymer structure determinance, these are akin to macromolecular mappings.

+Egglepple, everywhere!℠

"Egglepple, everywhere!" (trademark) is the official slogan for UUelcome. This qualifies as fugue damping*^ (enharmonic playback).A second-order derivative of orchestration. Interfacing with the portfolio from virtually anywhere.
UUe

Note (+): We want to completely render the portfolio (puzzle) in jukespace.


(see also LES desiderata, Double U economics, The UUe, UUe interface, Stewdio, j-surface, cybernetics, Pajamas)

+fibor

A unique cluster of datapoints known as fibor, is a totally twisted ||f(u,u)=0|| loopstring definition (word) subject to bifurcation* (ie. a meter signature). This is Egglepple's tertiary (stereo) structure. Fibor^ functions as the basic component of twist economics; threaded to form some image. As part of the endgame🏁, we care mainly for the ludological aspect(s) of juking (topology, rhetoric, mechanics, etc.), as they relate to cybernetics.There are two (2) classes of fibor: MONEY and bubblegum. Each fibor is its own unique brane. (see also minor, major, fibor bundle, fibor mutation, font)

Notes (+): +Mathematically, fibors are trivial zeroes (compared to fonts which are non-trivial zeroes).

+Fibor is the 'print' (or tuning) stage. This would be the total algorithm input assigned from stew choreography. Gameplay-wise, jukers should aim to get here as quickly as possible.

+For purposes of imaging, the l-string may be a simple topological schematic, serving to illustrate some animation directive.

+Just to reiterate, our primary interests are not in figuring out the science (eg. chemistry, biology, physics, etc.) behind the folding (chemical bonding, dipole moments, things of this nature are left to such experts). We are chiefly concerned with "writing a playbook", so to speak, that will enable anyone to generate algorithms (plays) for configuring polymorphisms and coordinating meshes.

+We must be careful with our vocabulary. Yes, fibor is stringy, but it is not a requirement that it be physical, per se. It just necessarily assumes the properties (namely that it can vibrate in multiple dimensions) of strings as it propagates into worldspace. In this case, we are concerned strictly with string dynamics (incorporating the landscape vacua philosophy). However, fibor - in the mold of stew choreography - is open/closed in some arbitrary volume, whence it is attached to a dynamical mem(brane). Oddly, however, there exists a method to start at the Planck length, and work our way up to normalization with g-folding.


Function map: minormajorfiborfibor bundle

UUhistlegrass©™

Author: Link Starbureiy
Copyright: ISSN 2165-6738

UUhistlegrass is the libretto@ [folio of looseleaf* postcards] feeding Link Starbureiy's repertoire. It is UUe's portable linktime: behaving as lnq's flowchart^ where his recital is scored+digested.A libretto is a thread compile of staging+music relating the preimage to the image. Transient holographs A conversation between the impresario and his muse. (see also UUelcome License)

Notes (+): +All jukebox activity outputs to the ledger, however, some entries - like miscellany (#miscellany) and blurb (#blurb) - may be excluded from archiving, which catalogues Link Starbureiy's compositions/signatures. Executables are filed under #libretto, articles (eg. 'papers') under #article.

+This libretto [essentially a cartridge of individual compiles (cassettes) that are organized by ephemera (hash)] corresponds to a logfile. To a degree, it may be likened to sheet music, or the dopesheet in traditional animation. (see also lnq's Starting Five)

+ The contents of these documents may meet basic disclosure/transparency requirements as codified by federal law and referential scholarship. Additionally, they fulfill specific accounting standards as promulgated by certain preservation ordinances.

Identification
UUhistlegrass has a permanent record with the Library of Congress in the United States of America, as through an issued International Standard Serial Number (ISSN).
//: ISSN 2165-6738
Furthermore, that same record is catalogued by WorldCat with the following catalog number: OCLC 774054633

+ellis

ellis (encrypted leaf-leaf integer statistic) is a class of genetic algorithms for performing random walks. ellis guides stew choreography. This is the Pink program's.

Notes (+): + In simplest terms, loop-erasure is a methodology for not repeating/replicating common walks (recorded as unique resource addresses); a most important checkpoint for obtaining a 0b. The sole purpose for loop-erasure is to ensure that stew choreography is as fast as possible. Needless to say, this intrinsically frees-up compute cycles, thereby increasing folding speeds.

+ To complete the program, ellis - together with earl - comprises the protocol.

+walk

lnq's walk A walk is some playable* spacetime complex process (sequence of finite steps at fixed lengths). This is a plot of a nut's path (as it would traverse a brane, indicative of currency flow) with stochastic activity at specified movements (openingmiddlegameendgame). In all probability, walks chart a statistical distribution of their entropy (random variables transforming twistor space). Ludologically, some progression and its contrapuntal motion.
In proof theory, there are three (3) stages to a walk: (1) coil, (2) graphics, and (3) mesh.

We use walks as parse arguments in juking. (see also lnq's walk, sport, Pink program, route, tip, UUelcome)

Note (+): In automation, walks are approximate source directives.



Function map: preimagewalkimage

+epp

As c=2(b-1)/2 {b26, /max=25 (0-25) || b = brane count [which is of the sesquilinear form (e-,e+)]}, an epp is the coverage's resultant as a half-integer spin statistic (negative parity[-]).

The theory of epps is earl. stop leaf (see also egg, Egglepple)

Notes (+): +The formula is in direct correlation to spin-statistics. So, for example, when b is odd, say b=5, then c(=4) is an integer-spin (egg). When b is even, say b=8, then c(=11.3137085+) is a half-integer-spin (epp). The rational portion (floating point) of half-integer statistics contributes to seigniorage. Obviously, any negative value for b will yield an epp. (see juke tax)

+Yes, there are twenty-six (26) integer values here; we denote "0" as (0-,0+) → having both negative(-) and positive(+) polarity in twistor space. For instance, -12 ... (0-,0+) ... +12 = [26]. The total number of coverages, c, is an upperbound for points on a curve, and so its number line must include 0 (hence 0 through 25). However, because any b=0 gives nonsensical values [error codes], the zeroes are discounted, and lower and upper bounds are just eleven (11). The minima (cover-0 = -11) is 0.015625 and the maxima (cover-25 = +11) is 32.