Showing posts with label algorithm. Show all posts
Showing posts with label algorithm. Show all posts

### +play

Per some ludology, a play is a legal move(ment) within a game. As a fold progression (eg. a scribble variant when juking Egglepple), each play [a finite step towards some goal] is an expression of some strategy (mathemusically, the duration of a coverage). (see also game, gameplay, pink poem)

The number of unique plays (p) can be computed from the superalgebraic resultant: p:≡Sg, where S is some integer value between 1 - 676, and g equals the amount of circuiting* twistorspace (ie. degrees of freedom [base] to the power [exponent] of residue bond angles).Asymptotic tempo `values` completing the loop.
/// +The formula is in direct correlation to spin-statistics. So, for example, when b is odd, say b=11, then c(=32) is an integer-spin (egg). When b is even, say b=20, then c(=724.0+) is a half-integer-spin (epp). The rational portion (floating point) of half-integer statistics contributes to seigniorage. Obviously, any negative `value` for b will `yield` an epp. (see `juke tax`)
+Yes, there are twenty-six (26) integer `values` here; we denote "0" as (0-,0+) → having both negative(-) and positive(+) polarity in `twistorspace`. For instance, -12 ... (0-,0+) ... +12 = [26]. p is an upperbound for points on a curve, and so its number line must include 0 (hence 0 through 25). The minima (cover-0) is 0.0001220703125 and the maxima (cover-25) is 4,096.

Plays (fugue protocols) are implemented as jukes (written in juke notation). They are executed [run] by the call action, and will typically end once the strategy is exhausted. There are three (3) possible outcomes of a play: loss (of advantage), futility (no advancement), or gain (advantage). (see also player, playoff)

### +The Origamic Symphony๐ถ

The Origamic Symphony™℗ (TOS) is the totality of Egglepple('s) movements (ie. keys in sequence) as a mathemusical simulacrum.

Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable, TOS is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping EGP).

"There is this beautiful symphony playing - everywhere, all the time."^ - ๐จLink Starbureiy

The symphony treats the entire portfolio as a (single loopstring*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils]) and derivation. All walks are integrated in twistorspace, and output some stew derivative.Symphonic evidence is its subject (Egglepple). A continuous `function`. (see also UUelcome, Quantumquotient, UUhistlegrass, ๐จlnq's Starting Five, Juke Lemma)
/// +The Origamic Symphony is the subject of ๐จlnq's recital.
+Here "origami" specifies "p-`brane` (`membrane`/`frame`) folding". Namely, it is the `twisting` of `measures` (length) between the Planck and nano `scales`.

### +mathematics

Mathematics is an ambiguous way of proving ideal behaviors of objects.
/// An '`open` story of counting', it must be said that mathematical methodology is a cumulative effort (ie. rigorously `built` atop previous checks).
As a library* for synthesizing functions, mathematicians use its models to formulate (computability) theories/theorems/identities. We acknowledge the so-called 'Big Five (5)' active areas in mathematics to be [1-5 labeled alphabetically]: algebra [1], analysis [2], arithmetic [3], geometry [4], and music [5]. As far as I am concerned, the basis of math is `juking`. (see also mathemusic, mathletics, recreational mathematics, mathematical model, Mathilda, ๐So, you want to be a mathematician?, The Mathemagician, Opus Solve, physics, information science, game, cryptosport)

"The essence of mathematics is not proof, but conjecture." - ๐จLink Starbureiy

/// +There are three (3) `classes` of mathematics: pure, applied, and recreational (pure,applied ∈ recreational). This `definition` covers all three (3), and may be referred to as polymathematics. A mathematician is someone who advances `classical` mathematics.
+In my line of work, I think of so-called 'recreational mathematics' as a `type` of (among other considerations) reverse engineering, where we are re-creating known structures/models for study and understanding. As an example, in `๐งฉpuzzle solving`, I may take a known and `solved` (from means other than `juking`) macromolecule (eg. protein), and `juke` that `fibor` so that it can identified+`databased`. (see also Pajamas)
+Mathematics is a `type` of low-technology, as well as being its own industry.

----------
#LEGEND
math.AG (algebraic geometry), math.AT (algebraic topology), math.AP (analysis of partial differential equations), math.CT (category theory), math.CA (classical analysis and ordinary differential equations), math.CO (combinatorics), math.AC (commutative algebra), math.CV (complex variables), math.DG (differential geometry), math.DS (dynamical systems), math.FA (functional analysis), math.GM (general mathematics), math.GN (general topology), math.GT (geometric topology), math.GR (group theory), math.HO (history and overview), math.IT (information theory), math.KT (k-theory and homology), math.LO (logic), math.MP (mathematical physics), math.MG (metic geometry), math.NT (number theory), math.NA (numerical analysis), math.OA (operator algebras), math.OC (optimization and control), math.PR (probability), math.QA (quantum algebra), math.RT (representation theory), math.RA (rings and algebras), math.SP (spectral theory), math.ST (statistics theory), math.SG (symplectic geometry)

### +ฮณ-proof

A yesegalo proof, or ฮณ-proof (or just proof), is a mapping some preimage to its image. Proofing substantiates a fibor, thereby providing (its) identity clarification.! Each proof involves patching two (2) genera in T: yesegalo↔meshroom.^While also helping us `draw` up better heuristics. A `framework` for `conduction`: does a `ballet` groove with(in) the Symphony๐ถ?

ฮณ-proofing tasks: determine the efficiency of an EGP encryption [ie. solve the given puzzle๐งฉ; is the resulting fibor economical (fit within the handicap)|(u,u)=0|?].

The proof itself is scored* as a stereotype (sequenced shapeframe) in some overall random walk. The end๐ of a proof (solution) should result in the closing๐ of a string (eg. fibor), ideally a zero-bubble. We endeavor to find the most secure๐ proofs by improving upon the bounds on classes of twistors. Doing so aids our MONEY-making.Proofs of `juke` `input` are published (to the ledger) in `juke notation`. (see also juke notation, mathematical proof, proof.m)
/// As with the traditional `printing` press, the primary reason for `proofing` is to provide confirmation/verification that a job (done) is accurate. Doing so `draws` a consensus (from independent, third-party sources -- read: `jukers`) for the creation of a new standard. It is important to note that `proofs` are unique (ie. duplication is forbidden on the circuit). All `proofs` are published to the ledger.
Function map: loopstringฮณ-proofMONEYQuantumquotient

### +mathemusic

Mathemusic is the functional conflation (via brane classes) of mathematics and ๐ตmusic (defined as 'an incorporation of keys and timing') whose resultant is a ฮณ-proof. This tends more towards being a supermathematical exercise grounded in the principles of music theory. However, it is practically expressing (with libretti) statistics in the framework of music (even sans sonically). Cryptologically, it is the algorithmic direction of variation*. When we speak of mathemusic, we are generally doing so in the context of The Origamic Symphony๐ถ/Egglepple.`Solutions` have `melodic` texture. (see also ¢ent, mathletics, ๐จlnq's Starting Five, 3-rex, fibor, UUe, juke notation)

"All I hear is mathematics. All I see is music." - ๐จLink Starbureiy

/// Contemporary mathemusic was originally formulated by ๐จLink Starbureiy.๐ค

### +pink poem

Pink poems (not to be confused with 'pink sheets') or the Pink program*, are a class of algorithms for proving the Juke Lemma. A pink poem ('pink') optimizes juking ludology [ie. (openingmiddlegameendgame)] for predicting Egglepple's imagery from its preimagery.++Each poem (a genetic algorithm / genetic algebra) is its own complete verse leading to fibor closure๐.`Calls+declarations` for `string` improvisation. (see also ๐จlnq's Starting Five, UUhistlegrass, touch-and-go, opera, patch, cassette, UUelcome, #orchestra)
/// +It is `called` a "pink poem" just because Link Starbureiy liked how that color [RGB:255,0,100] (I call it watermelon๐) looked on the design of the UUelcome Matte (and for the matching letter p's๐).
+The Pink program is the recital (concert) `program`, and a pink poem is essentially a `program` note.
+Pinks share a common `gameplay` directive with ๐จlnq's bubblegum.

### +MONEY algorithm

``` procedure // make MONEY 1. begin juke 2. when cap = yield 3. then your coupon collects a dividend(¢)๐ 4. else { no fitness } improvise 5. or echo {juke again}๐```

### +juke notation

Juke notation (jn, rhetorically called a verse) is the instrument-agnostic, language-independent, easy-to-decipher verbalization of some juke assignment as meant for proof. In signing, the alphanumeric notation is essentially low-level symbolic "play code"*; an algorithm devised to instruct the jukebox on how, when, and what to type in stereo [stew choreography]. The Stewdio is the designated instrument for generating, reading, routing, and interpreting juke notation.Referred to as a track (for tracing some `token`). (see also hologram, touch-and-go, ฮณ-proof, thread, jukespace. Compare genetic code)
/// Juke notation was devised by ๐จLink Starbureiy.๐ค

### +greedy algorithm

Also known as '', quotient* load-normalization (qln), or, plainly, normalization, is the (trans)act of regulating Egglepple so that the (a limiting function) is load-balanced when perturbations to the router are overweighted [eg. excess tokens].of Stewart

The eventuality that - because the jukebox can purse^ but not bank - a quotient normalization implicates juking as complexity-agnostic (ie. is most fit) at inflection points [instances where () are renormalized (∞↦1)], would bias the Pink program to tipping (concavity or convexity).`Coupon partitioning` is a `function` of `credit`; whereas `taxation` is a `debit` `function`. (see also Quantumquotient, penny fret, ๐จlnq's bubblegum, ๐จlnq's walk, thread, parimutuel)
/// Quotient load-normalization is a preliminary step in `parimutuel` auctioning.

### +Matilda

 ornamentation

[recapitulation]

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