+pink poem
Calls+declarations
for string
improvisation. (see also lnq's Starting Five, UUhistlegrass, touchandgo, opera, patch, cassette, UUelcome, #orchestra)
Notes (+): +It is called a "pink poem" just because Link Starbureiy liked how that color [RGB:255,0,100] (I call it watermelon๐) looked on the design of the UUelcome Matte (and for the matching letter p's๐).
+The Pink program is the recital (concert) program , and a pink poem is essentially a program note.+Pinks share a common gameplay directive with lnq's bubblegum.

+quotient loadnormalization
The eventuality that  because the jukebox can purse^{^} but not bank  a quotient normalization implicates juking as complexityagnostic (ie. is most fit) at inflection points [instances where (hyper/hypo) are renormalized (∞↦1)], would bias the Pink program to tipping (concavity or convexity).
Coupon partitioning
is a function
of credit
; whereas taxation
is a revenue function
. (see also penny fret, lnq's bubblegum, lnq's walk, thread, parimutuel)
Note (+): Quotient loadnormalization is a preliminary step in 
+play
The number of unique plays (p) can be computed from the superalgebraic resultant: p:≡S^{g}, where S is some integer value between 1  676, and g equals the amount of supersymmetric generators circuiting* twistor space (ie. degrees of freedom [base] to the power [exponent] of residue bond angles).Asymptotic tempo
values
completing the loop.
Notes (+): +The formula is in direct correlation to spinstatistics. So, for example, when b is odd, say b=11, then c(=32) is an integerspin (egg). When b is even, say b=20, then c(=724.0+) is a halfintegerspin (epp). The rational portion (floating point) of halfinteger statistics contributes to seigniorage. Obviously, any negative 
Plays (fugue protocols) are implemented as jukes (written in juke notation). They are executed [run] by the call action, and will typically end once the strategy is exhausted. There are three (3) possible outcomes of a play: loss (of advantage), futility (no advancement), or gain (advantage). (see also player)
+strategy
decryption↦heuristic, algorithm↦encryption
(see also touchandgo, improvise)
Note (+): Strategies are typically nonbrute force, and not 
+mathemusic
Mathemusic is the functional conflation (via the loopstring) of mathematics and music (defined as 'an incorporation of keys and timing') whose resultant is a yproof. This tends more towards being a supermathematical exercise grounded in the principles of music theory. However, it is practically expressing (with libretti) statistics in the framework of music (even sans sonically). Cryptologically, it is the algorithmic direction of variation*. When we speak of mathemusic, we are generally doing so in the context of The Origamic Symphony (and not to exclude Egglepple).
Solutions
have melodic
texture. (see also ¢ent, mathletics, lnq's Starting Five, 3rex, fibor, UUe, juke notation)
"All I hear is mathematics. All I see is music."  Link Starbureiy
Note (+): Contemporary mathemusic was originally formulated by Link Starbureiy.๐ค 
+ellis
Notes (+):
+ In simplest terms, looperasure is a methodology for not repeating/replicating common walks (recorded as unique resource addresses); a most important checkpoint for obtaining a 0b. The sole purpose for looperasure is to ensure that stew choreography is as fast as possible. Needless to say, this intrinsically freesup compute cycles, thereby increasing folding speeds. 
+yproof
framework
for conduction
: does a ballet groove with(in) the Symphony?Yproofing tasks: determine the efficiency of an EGP encryption [ie. solve the given puzzle; is the resulting fibor economical (fit within the handicap)_{(u,u)=0}?].
The proof itself is scored* as a stereotype (sequenced shapeframe) in some overall animation. The end๐ฉ of a proof (solution) should result in the closing๐ of a string (eg. fibor). We endeavor to find the most secure๐ proofs by improving upon the bounds on classes of twistors. Doing so aids our MONEYmaking.Proofs of
juke
input
are published (to the ledger) in juke notation
. (see also juke notation, mathematical proof, proof.m)
Note (+): As with the traditional 
Function map: lstring → yproof → MONEY → Quantumquotient
The Origamic Symphony™℗ 
The Origamic Symphony (TOS) is a mathemusical simulacrum whose algorithmic composition lies generically between any 26measure scale; but, architecturally, the Planck and nano scales [domains] (known as subchemistry, C_{s}). Specifically, it is the totality of Egglepple movements.
Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable, TOS is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping EGP).
"There is this beautiful symphony playing  everywhere, all the time."^{^}  Link Starbureiy
The symphony treats the entire portfolio as a (single loopstring*) path integral (line) subject to integration (including integrationbyparts [the twisting of pencils]) and derivation. All walks are integrated in twistor space, and output some stew derivative.Symphonic evidence is its subject (Egglepple). A continuous
function
. (see also UUelcome, lnq's Starting Five)
Notes (+): +The Origamic Symphony is the 