lnq 👨🏿‍🦱: conduction
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Showing posts with label conduction. Show all posts
Showing posts with label conduction. Show all posts

/ Joey Koala🐨

Joey Koala (JK, or as I simply say, Joey, meaning "little favorite") :== the official mascot of Egglepple and 🧑🏿lnq's sidekick*.** In this client-server model, Joey is the client (ie. my input console), whereas 🧑🏿lnq is the server. (see Puwun, Koala Krayon, KOALA🐨. Compare Joey Kangaroo🦘)

Joey, an adorable and kind koala, acts as the deuteragonist [/i/o]. Joey is a mischievous androgyne, whose courage and resourcefulness are fitted to handle any situation that may arise. Blessed with extreme aptitude for composition and a limitless lifespan, our koala can transform^ into any yot, if need be.^^ Meaning that the subject is, among other attributes, modular+portable.
/// The zoological form of the koala takes precedence in k-mode, while the yoyo+krayon combination is Joey's identity, otherwise. In the latter case, I refer to (and this may become common) my toy cello🎻/fingerboard⌨️🎮 as my 'joey🪀'.

History
Joey Koala was created/born on March 15, 2005 by 🧑🏿Link Starbureiy. The character was created during a period of "intense thought" the day after celebrating his father's birthday in solitude. Starbureiy, in need of a mascot for his body of work, turned to the 'koala idea' after learning about its personality traits and fingerprint resemblance to human beings. Joey Koala replaced (in some regards, transitioned from) the long-standing character, Scotte Lemm.
/// Out of all the non-humans in the so-called Animal Kingdom, the koala is my favorite and the one I perhaps relate to the most (eg. they are asocial solitary animals, who, like me are nocturnal, chocolate brown colored, and also sleep in trees). Trivia: Did you know that koala and human fingerprints are nearly identical/forensically indistinguishable? The two species also can disjointly suffer from similar immunodeficiency syndromes (AIDS/KIDS).

Some more personal historical context: during this time period, I was living+working full-time (24 hrs/day) in a small office that I could barely afford in the basement of a 🎲casino🎰 on the working class side of Missoula, Montana (hence the legend of Joey Koala🐨 being birthed in a casino). I was a near-total failure and broke. The money that I did make came from math tutoring, tips received from lite work done at MCAT, odd computer gigs - it was during this time that I got officially involved in 🏁CTFs due to my proximity to gaming, and what was scrapped together from gambling earnings. A bar of 🧼soap was my only real friend; I bathed in public restrooms, slept on the floor next to creepy-crawly bugs🐛🐞, and was starving. This went on for months. I knew that I had to make a change and do something really big to catalyze it. Joey🐨 was borne from my imagination when I needed a push the most.

I could always rely on the little fella to bail me out of a (metaphorical) tight spot, and for that reason, without hesitation, Joey Koala is my best friend (notice that I prefer to wear the krayon🖍️ on/as my right digitus medius, hence, Joey is my 'right-hand man' and an extension of myself).

/ UUelcome™ [(8-qubit/1-byte) n-fs exploit]

Impresario: 🧑🏿lnq | © ISSN 2165-6738

UUelcome :== STU-sequence
/// +This one big string of code includes all fibor [fugue = stews, MONEY, bubblegum] - itself an address space superset, outputted as a cassette (toy), and bootloaded by lnq🧑🏿.
+Sequencing something (iterative consecution) inductively means that it gets streamed [:== framework (+runtime) implementing system calls], which inherently implies achievement unlocking🔓.

(see UUe, quantumquotient [conductor], Stewniverse, stewart, steWAR🪖🎮-🏳,Stewpot, 🧑🏿lnq, Funshine/Toonlight (song), The Origamic Symphony🎶, Ellis🦠, UUhistlegrass, touch-and-go, "Egglepple, everywhere!", "UUelcome, anywhere :)", cassette🧱, Juke Lemma)
/// +(vocabulary) To a large respect, the word is a portmanteau of 'UUe' and the suffix '-ome' [totality of expressed dynamics, function, and structural information - in this case, stews]. Systematically, the word 'uuelcome' has artificial/manufactured congruence to 'genome' (gene + chromosome). The top-level domain [uuelco.ME] is, in part, indicative of this being my thing (about 'me' :== my stream), so, that's why I named it that way.🙂
+As part of neuromorphic machinery (ie. biological abstraction), UUe would be the cell, and UUelcome the cassette🧱 that auctions/orchestrates its contents. In terms of computing, UUelcome :== master boot record embedded into every cell.
+With all fonts classified👍, any mesh becomes stereotypable (ie. polymers can be modeled for print), exploiting a composite image of Egglepple.

Trivia: Before I settled on the name 'UUelcome', I had contemplated calling it 'fun:musicbook'. My vision was that it was always going to be an album of some sort of music (in this case, mathemusic). The 'fun' bit had/has to do with the FUN Formula.
///end trivia

My pro-am start was as a ctf🏁 gamer. This parlayed into what amounted to taking on group puzzles🧩[h], which led me to managing teams of participants. This is the reason I doubled-down on creating my own stream - because I figured that it would be more economical to devise a platform where anybody + everybody could access low-entry 🏁CTFs at will.

The jukebox runs an auction, but supplementing monetization of the proof (pure mathematics is darn near impossible to make money from without sponsorship -- aside: yesteryear, I had a girlfriend whom I once told I was going to 'sell' math for a living, she dumped me the next day😂) is the basic reason gamification exists here in the first place.

The actual stream itself succeeded an earlier attempt of mine in television production - a show called Egglepple: The Mathemagical World. This was me trying to be technical and lamely/gnarly impress the academics of a small college town (resulting in me learning more than I actually output), and I never truly found my audience (note: that program aired on public access television, a narrowcast market).

Production-wise (especially the Funshine🌞 episodes), I was influenced heavily by the arcade machines I was around during my time spent squatting in local Missoula 🎲casinos🎰. Another inspiration came from the dual-formatted game master series, Video Power, as well as scenes from the 1989 film, The Wizard - especially the Super Mario Bros. 3 tournament showcase where the kids/contestants play the game for the very first time anywhere, even before consumers.

Historians note this as a huge moment in cinematic history, where a movie basically served as a longform commercial for a single product/event - the release of a video game🎮 (and the planted germ of e-sports). I present my 🧩puzzling (ctf🏁) in a similar albeit mobile📱 fashion (ie., via demonstrative elements), thus leading me to view the whole world as a gameshow.

The main purpose for designing the stream to be openworld is so that there can exist an unintrusive way to acquire as large as possible clientele on the network, thereby creating the game engine@ to train our model, which aids in QQ exploitation and ultimately neuronal🧑🏿🦠 dev. Although UUelcome is traditionally a recital (demonstrative by default), itself being a contract incentivizes outside participants with a reward function.@@ Parimiutuelity helps to build the distributed superomputer, whose node-to-node proximity is an alternative to the cloud.

My view of 💲money is somewhat skewed; I think a person should make it to the end of their life completely (or near completely) exhausted of energy (ie. money = energy). Since I don't actually sell anything, per se (the jukebox runs an auction on its native cryptocurrency), but serve as the house when it comes to transactions, giveaways as prizes along with other decorations, makes the nature of a gameshow the perfect fit.


"Is there anyone else in the game?!" - 🧑🏿lnq


It^ is a ctf* hashing& 🧑🏿lnq's walk.^^ This so-called 'jukebox recital' and the formulation of contemporary mathemusic are inventions of 🧑🏿Link Starbureiy.🤓 ** Featuring a bid-ask spread in a greedy auction where threads are maximized [flag = thread(max)] (ie. exhaustion of all 676 ports before a new cycle🔄 of the runtime). && abi threading Flags🏁 are identified as 0-bubbles. (see Stewc Lemma, UUelcome License, opera ludo, krayon, 🧑🏿lnq's Requiem, Pink Poem, KOALA🐨, toonage, Funday, treble, vendor, merchant, Black and White, crypto compliance, stewc notation)
/// +For all intents and purposes, this is what I mean when I say that "I op(erate) a jukebox"; UUelcome is 🧑🏿lnq's logic/instinct and signature.
+Performance-wise, UUelcome is an opera ludo. When I stream it solitaire, it's a recital . When shared for playalong (orchestra), it aims to be a sport.

Function map: quantumquotientstewcingUUelcomecassette🧱lnq🦠cell

/ cassette [savefile]

Broadly, a cassette :== a mobile encode element (module) invoking loading. More specifically, a cassette refers to a discrete batch* (of libraries) that, when ported, becomes streamable.** Ordered via toonage.

These clients function as persistent data structures; nodally they run prints for site recombination / differentiation between cells. (Compare gene cassette. See mixtape, UUhistlegrass)
/// Each build is an updated and readied implementation of lnq🧑🏿 (Q♯🎶 score + drivers). It is anticipated that the abi should cumulatively grow in size.
+I refer to distros of cassettes (in circulation) as 'toys'.

Function map: cassetteUUelcome

/ Pink Poem [algorithm compile]

The Pink Poem :== classes of algorithms* that optimize juking ludology [ie. kernelized push movements (openingmiddlegameendgame)] for predicting Egglepple's imagery from its preimagery.** Calls+declarations for string improvisation.++Each poem (or 'pink') [a genetic algorithm / genetic algebra] is its own complete verse (ie. proof of the quantumquotient) leading to fibor closure🔒. (see 🧑🏿lnq's Starting Five, .uue, UUhistlegrass, touch-and-go, opera, patch, cassette🧱, QQ, MONEY algorithm)
UUe /// +It is called a "pink poem" just because 🧑🏿Link Starbureiy liked how that color [RGB:255,0,100] (I call it watermelon🍉) looked on the design of the UUelcome Matte (and for the matching letter p's😉).
+The Pink Poem is the recital (concert) program.
+Pinks share a common gameplay directive with link.

/ thread

In flowchart material, some thread :== the diff count as a string of its hash arrangement. These are the most minimal sequence of instructions that can be managed independently by a scheduler.

As table data, threads are extremally counted up to* the handicap (with a $676.00 maximum) of their pertinent opus. If there is no opus base (opus base = void) - as would be the case with, say, an unmetered coupon - then there would be no datum count ceiling (per that thread).** This threshold will prompt an organic thread relative (eg. fork). (see thread handle, u-u economics, postcard, tip, juke notation, hyperlink, toonage, carrot🥕, patch)
/// Threads are used in the study of walks to generate juke notation.
Function map: threadjuke notationstream

/ lnq's Starting Five

Composer: 🧑🏿Link Starbureiy
🧑🏿lnq's Starting Five, Link Starbureiy's Starting Five, LS5, or The March 5, refers to the 🎵mathemusical quintet (5-stack) ensemble - having originated with and prepared by him - that shape his repertoire* (other works aside).** Main oeuvre for conducting.

As expressions of the same thing, they are (in no particular order): Egglepple (signal), EGP (tonic), The Origamic Symphony🎶 (movements) UUe (jukebox), and UUelcome (material). This suite is digested on uuhistlegrass, and recited&.&& It sports 🧑🏿lnq 🧩puzzle solving. (see yots, joey, developus, link, swoon, touch-and-go, UUelcome, License, +list, 305)
/// +The 'starting five' is an athletic reference to team sports in which teams (of at least five players) will begin a game or match with their/its decided starters on deck.
+Puwun is 🧑🏿Link Starbureiy's muse (akin to a sixth man/woman - first off the bench, so to speak).

/ touch-and-go

Touch-and-go [H#H] refers to my toccata [style of cheironomy] which utilizes: [touch*](holography) plus [go](#hash) for juking Egglepple++jukebox tuning.** Emphasizing both the concept of "touch on/over" a topic/subject and haptics.

// In composing The Origamic Symphony🎶, gameplay is used: patchwork (orchestrating subiteratives, such as prepatches) are contracted (pu$h/pull → deploy) to solve a 🧩puzzle; configs require signatures on stables. (see joey, krayon, k-mode, gameplay)
/// +Conduction is responsive in juke field.
+I adopted this style because I am/was notoriousy weak in mathematical symbology (eg. Latin/Roman scripts, etc.). So, it's just easiest for me to design and manipulate shapes in truespace, and direct (coordinate) them with if-then-else statements.