Leishmania infantum Rad51 surrogate LiRadA10 in complex with 5,6,7,8-tetrahydro-2-naphthoic acid
Showing posts with label encryption. Show all posts
Showing posts with label encryption. Show all posts
Composer: Link Starbureiy
Stewart℗ is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each
This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.
An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
As the prime directive of the jukebox, Mathilda™ is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string
To do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
opéra-ballet |
[development]
Stewart℗ is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)
/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. |
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
Keypad
# |
A |
B |
C |
D |
E | F |
G |
H |
I |
J |
K |
L |
M |
N | O |
P |
Q |
R |
S |
T |
U |
V |
W | X |
Y |
Z |
This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple. |
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open stringTo do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
Inventor: 🧑🏿Link Starbureiy
An invention {September 26, 1998} of 🧑🏿Link Starbureiy🤓, our cipher is such that kernelized handshakes are integral to loopstring➿ frequencies*.** STU is what gets
/// +Keeping
+Originally, "STU" was
Absolutely considered in the analysis are the concepts of integration (loopstring➿) and differentiation (stews). (see fruut, RONALD, Stewdio, juke notation)
mathematical analysis, derivation and integration. Its entire sequence is called UUelcome. [EGP/fruut]An invention {September 26, 1998} of 🧑🏿Link Starbureiy🤓, our cipher is such that kernelized handshakes are integral to loopstring➿ frequencies*.** STU is what gets
encrypted on(to) algebraic curves in twistorspace. Lexically, this means that both yesegalo (flavor generation) and crypto fabrication (primary, secondary, tertiary, and quaternary structures) remain asynchronous as long as preimage-image contracts are kept (ie. the tonic will harmonize the brane to the point of closure🔒).
/// +Keeping contracts is the basis of self-synthesis.+Originally, "STU" was
called "EGP" which stemmed from "egg (EG) , epp (EP) → EGP".
Absolutely considered in the analysis are the concepts of integration (loopstring➿) and differentiation (stews). (see fruut, RONALD, Stewdio, juke notation)
Theorist: 🧑🏿Link Starbureiy
The quantumquotient (Q♭/Q♯) [abbreviated→QQ], or, in the context of stewcing, "how to typeset", axiomatizes an algebraic curvature 🔓/rootkey - the quantum (Q♭) of The Origamic Symphony🎶 (Q♯) - for computing some ratio (hyper/hypo)^ of ¢ents🪙 with which it is idempotent (ie. establish a charge → cryptocurrent).@@ The
A lemma of Q♭ seeks to exploit (with gameplay) the fitness of 🔋e:e statistics [a saturated load-balancing from twistor residues].### ∃ a
/// +The definition of quantum here = 'economically dyadic'.
+To
+The overall objective is to find (+
+The hypothetical
Overview
The quantumquotient always assumes crypto abnormalcy~ (ie. hyper/hypo < 1, and P ≅ BQP).~~ statistical volatility Plainly, it is a query into how much (an estimate) of a given distribution of e:e statistics [hyper/hypo] is optimal (ie. MONEY)(?). In a parimutuel system, the hyper- numerator can remain (hypothetically) asymptotic* iff there exists a hash function (auction) that can bring about perpetual normalization.** This is because the set of
The aim is for a collapsible wave function: persistent/redundant cache-credit idempotence (global cryptocurrent), which [(hyper,hypo) ≅ crypto] would be theoretically achievable with a secure🔐 [sequenced == all 2,028 fonts identified] payload (courtesy of u-u economics). (See Juke Lemma, juke tax, string ludology, UUelcome, Starbureiy automaton, The Origamic Symphony🎶, 🧑🏿lnq's Requiem, +list. Compare fusion energy gain factor)
Function map: Q ... Juke Lemma → ... Pink Poem → γ-proof
The quantumquotient (Q♭/Q♯) [abbreviated→QQ], or, in the context of stewcing, "how to typeset", axiomatizes an algebraic curvature 🔓/rootkey - the quantum (Q♭) of The Origamic Symphony🎶 (Q♯) - for computing some ratio (hyper/hypo)^ of ¢ents🪙 with which it is idempotent (ie. establish a charge → cryptocurrent).@@ The
theorem (itself a macro ctf🏁) was first posed by 🧑🏿Link Starbureiy, who, in suggesting QQ is provable, conjectured that token-based automata is ideally both kernelized and fungible.🤓 ^^ May colloquially be refered to as '🧑🏿lnq's eyes' (see 🧑🏿lnq's motif). "Statistically, you cannot generate data without using energy. Also, there is no such thing as non-virtual data generation. Corollary: all virtual data is generated statistically." - 🧑🏿lnq
/// Information occupiesfinitecells; in anydata exchange,cryptocurrencyis at play. So, objectively, desired iscompressed datato yield maximalcurrent.
A lemma of Q♭ seeks to exploit (with gameplay) the fitness of 🔋e:e statistics [a saturated load-balancing from twistor residues].### ∃ a
transactor between preimaging and imaging. -- Problem: show that ¢ent🪙 homotopy is normalizable. Hint: classifying all fonts should suffice.
/// +The definition of quantum here = 'economically dyadic'.+To
control compliancy.+The overall objective is to find (+
exploit) the fonts. Coverages are used to 'trap' them, whilst classifying 0-bubbles qualifies as brute-force sorting. So, basically, it's fonts vs. foam.+The hypothetical
solution is to resolve the Juke Lemma (ie. fully sequence EGP). QQ can be proven (shown to be true) with identities.
"A QQ proof is like having the masterkey🔑 to the Universe. Someone armed with it can literally charge the world." - 🧑🏿lnq
/// Think of theproofas being like some sort of an engine that powerstwistorspace.
Overview
The quantumquotient always assumes crypto abnormalcy~ (ie. hyper/hypo < 1, and P ≅ BQP).~~ statistical volatility Plainly, it is a query into how much (an estimate) of a given distribution of e:e statistics [hyper/hypo] is optimal (ie. MONEY)(?). In a parimutuel system, the hyper- numerator can remain (hypothetically) asymptotic* iff there exists a hash function (auction) that can bring about perpetual normalization.** This is because the set of
fonts is infinitesimal compared to the total fibor count.
The aim is for a collapsible wave function: persistent/redundant cache-credit idempotence (global cryptocurrent), which [(hyper,hypo) ≅ crypto] would be theoretically achievable with a secure🔐 [sequenced == all 2,028 fonts identified] payload (courtesy of u-u economics). (See Juke Lemma, juke tax, string ludology, UUelcome, Starbureiy automaton, The Origamic Symphony🎶, 🧑🏿lnq's Requiem, +list. Compare fusion energy gain factor)
Function map: Q ... Juke Lemma → ... Pink Poem → γ-proof
/ stew choreography [neuroinformatics]
The art of stew choreography :== the process of stereotyping* (brane-folding) STU using fruut to keyframe [sequence/map by hyperlinking] stews.**
Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&&
/// +stew choreography is a
+Such choreography is inferred by "the
+Any
+Every single
Function map: random coil → stew choreography → fibor
Print the portfolio as a sponge. This is our "proof-of-work"~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents🪙)], and should solve twistorspaces (via encryption).~~ And/Or 'proof-of-space'.Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&&
String command. (see juke notation, ballet, stewart, touch-and-go, 🧑🏿lnq's walk, joey)
/// +stew choreography is a type of animation (interpolation of frames).+Such choreography is inferred by "the
ballet of The Origamic Symphony🎶". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string".+Any
proof-of-work must be validated with a signature/handshake.+Every single
stew on a loopstring must be affected for a yield to be accurate.
Function map: random coil → stew choreography → fibor
A yesegalo proof, or γ-proof (or just proof), :== a >stewcing algorithm mapping some preimage to its image. Proofing substantiates a fibor, thereby providing (its) identity clarification.!!! While also helping us
γ-proofing tasks: determine the efficiency of an EGP encryption [ie. solve the given puzzle🧩; is the resulting fibor economical (fit within the handicap)|(u,u)=0|?].
The proof itself is scored* as a stereotype (sequenced shapeframe) in some overall random walk.** Proofs of
The end🏁 of a proof (solution) should result in the closing🔒 of a string (eg. 0b), ideally a fibor. We endeavor to find the most secure🔐 proofs by improving upon the bounds on classes of twistors. Doing so aids our MONEY-making. (see stewc notation, crypto, mathematical proof, proof.m)
/// As with the traditional
Function map: loopstring➿ → γ-proof → MONEY → quantumquotient
draw up better heuristics. The opposite of a proof is an error. Each proof involves patching two (2) genera in T: yesegalo↔🍄meshroom.^^^ A framework for conduction: does a ballet groove with(in) the Symphony🎶?γ-proofing tasks: determine the efficiency of an EGP encryption [ie. solve the given puzzle🧩; is the resulting fibor economical (fit within the handicap)|(u,u)=0|?].
The proof itself is scored* as a stereotype (sequenced shapeframe) in some overall random walk.** Proofs of
stewc input are published (to the ledger) in stewc notation. The end🏁 of a proof (solution) should result in the closing🔒 of a string (eg. 0b), ideally a fibor. We endeavor to find the most secure🔐 proofs by improving upon the bounds on classes of twistors. Doing so aids our MONEY-making. (see stewc notation, crypto, mathematical proof, proof.m)
/// As with the traditional printing press, the primary reason for proofing is to provide confirmation/verification that a job (done) is accurate. Doing so draws a consensus (from independent, third-party sources -- read: stewcers) for the creation of a new standard. It is important to note that proofs are unique (ie. duplication is forbidden on the circuit). All proofs are published to the ledger.
Function map: loopstring➿ → γ-proof → MONEY → quantumquotient
The major scale hosts* the secondary structure (EGP encryption on primary structure) of Egglepple. Complexity: E ** In addition to residually
Function map: minor scale → major scale → ... groove → fibor → fibor bundle
defining the tertiary and quarternary structures. (see fibor, fibor bundle, meshroom, lnq🧑🏿, groove, melody)
Function map: minor scale → major scale → ... groove → fibor → fibor bundle
With respect to metering, a token initiates an opus-agnosic rotisserie session in which Egglepple is manipulated so as to enable compliance.
The duration of a session* [run:P→E] is maximum one (1) period (26 seconds [2600 centiseconds]) for entry [stewc (coupon dialing) = per each token counted, stewcer only has given session window to encrypt STU within handicap] before forfeiture, and exit time (ie. merchant acceptance or else valid=no) is vended ¢ents🪙 correlated (1 ¢ent🪙 = 1 centisecond [1/100th second]).** A bid as enumerated by the
A gamepiece token (cache operator) is house-issued as reimbursement, and will expire when its ¢ents🪙 are exhausted (¢ents🪙→0).
/// From its creation during an
Although opus-agnostic, tokens only collect a return at the close🔒 of the opus into which they were bought. So, for instance, buying into a 1¢ opus to play a 5¢ opus can still pay off, but only after the 1¢ opus closes🔒. Until then, the return from the 5¢ opus will not circulate (circulate=no). (see crypto normalization, link, ornamentation, carrot🥕, sticker)
In UUe-speak, the input (ie. fee) would be some tablature iteration (fret), and the output is (measured in) ¢ents🪙. To make a physics analogy, tokens mimic entropy by introducing a clock⏱.
The duration of a session* [run:P→E] is maximum one (1) period (26 seconds [2600 centiseconds]) for entry [stewc (coupon dialing) = per each token counted, stewcer only has given session window to encrypt STU within handicap] before forfeiture, and exit time (ie. merchant acceptance or else valid=no) is vended ¢ents🪙 correlated (1 ¢ent🪙 = 1 centisecond [1/100th second]).** A bid as enumerated by the
value of the token. A gamepiece token (cache operator) is house-issued as reimbursement, and will expire when its ¢ents🪙 are exhausted (¢ents🪙→0).
/// From its creation during an open session, ¢ents🪙 have one period to vend (be dispersed). Once accepted, merchants have until the token expires⌛ before ¢ents🪙 then get recycled/returned♻ to the jukebox.
Although opus-agnostic, tokens only collect a return at the close🔒 of the opus into which they were bought. So, for instance, buying into a 1¢ opus to play a 5¢ opus can still pay off, but only after the 1¢ opus closes🔒. Until then, the return from the 5¢ opus will not circulate (circulate=no). (see crypto normalization, link, ornamentation, carrot🥕, sticker)
In UUe-speak, the input (ie. fee) would be some tablature iteration (fret), and the output is (measured in) ¢ents🪙. To make a physics analogy, tokens mimic entropy by introducing a clock⏱.