stack: Egglepple → Stewart → BOT ↔ Mathilda
👨🏿🦱
Showing posts with label fitness. Show all posts
Showing posts with label fitness. Show all posts
Composer: Link Starbureiy
Stewart℗ is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each
This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.
An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
As the prime directive of the jukebox, Mathilda™ is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string
To do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
opéra-ballet |
[development]
Stewart℗ is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)
/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. |
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
Keypad
# |
A |
B |
C |
D |
E | F |
G |
H |
I |
J |
K |
L |
M |
N | O |
P |
Q |
R |
S |
T |
U |
V |
W | X |
Y |
Z |
This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple. |
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open stringTo do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
Inventor: 🧑🏿Link Starbureiy
MONEY™💰 (Mathemusically-Optimized* Normal Encrypted Yield) :== the cryptic resultant [hyper/hypo ≥ 1] from γ-proofing (some permutation of BIG branes).** Efficiency (ie.
/// This is a separate phylum (fungible) of
Numismatically, MONEY💰 is fit fibor (strict tertiary structure) earned [reward] by stubing. After attaining a 0-bubble, the yield is the attribution of ¢ents🪙 drawn from that loopstring➿ arrangement. A fibril requirement is that the yield be less than or equal to the handicap (ie. commutativity) for MONEY💰 qualification. Otherwise, it is bubblegum [yield ≤ handicap, else bubblegum].^^^ However,
/// The total ¢ent🪙 amount is
Function map: session → γ-proof → ¢ents🪙/link
MONEY™💰 (Mathemusically-Optimized* Normal Encrypted Yield) :== the cryptic resultant [hyper/hypo ≥ 1] from γ-proofing (some permutation of BIG branes).** Efficiency (ie.
fitness) is determined by proximity to the handicap (||inf ≥ (u,u)=0||) relative to how many tokens are used. /// This is a separate phylum (fungible) of
cryptocurrency (cachecredit).
"You need
BIG branesto make MONEY💰." - 🧑🏿lnq
Numismatically, MONEY💰 is fit fibor (strict tertiary structure) earned [reward] by stubing. After attaining a 0-bubble, the yield is the attribution of ¢ents🪙 drawn from that loopstring➿ arrangement. A fibril requirement is that the yield be less than or equal to the handicap (ie. commutativity) for MONEY💰 qualification. Otherwise, it is bubblegum [yield ≤ handicap, else bubblegum].^^^ However,
fibor bundling can still objectively make MONEY💰 via improvisation. (see font, link, lyric, mesh, Juke Lemma, c@$#tag, common ¢ents🪙, quotient normalization, cryptosport, 💰MONEY algorithm)
/// The total ¢ent🪙 amount is finite (per each opus), while the tabulation of jukers and their scores relative to an opus can never be greater than the available ¢ents🪙. This helps prevent double-spending.
Function map: session → γ-proof → ¢ents🪙/link
>fitness :== the ability of crypto to be transacted across twistorspace (u,u) securely🔐 (ie. hyper/hypo ≤ 1 / as MONEY, not bubblegum). It implies a correct✅ fold structure (non-malform), and is absolute* between Egglepple's inflection points.** Complexity-agnostic
Fitness [:= data compression relative to spontaneous egg-epp reactivity] sustains net 🔋energy-scaling by providing 🧩puzzle insurance against risk of handicap interrupts, thus ensuring a fast net feedback loop➰.
/// As a rule-of-thumb, the bigger the deviation from the
Function map: gameplay → fitness → MONEY → cryptic normalization
Fitness [:= data compression relative to spontaneous egg-epp reactivity] sustains net 🔋energy-scaling by providing 🧩puzzle insurance against risk of handicap interrupts, thus ensuring a fast net feedback loop➰.
/// As a rule-of-thumb, the bigger the deviation from the handicap, the more obese (less fit) the sigma is. Yields greater or less than the handicap are deemed unfit. We generally accept closures🔒 within penny range [one (1) ¢ent🪙] as tight.
Function map: gameplay → fitness → MONEY → cryptic normalization
bubblegum :== the name given to (a preimage of) fibor that is not optimal* (ie. false vacua).** Basically, not MONEY. It is/are (the class of) string combinations (yesegalo + groove/melody) whose fibril noncommutativity necessitate optimization (ornamenting of fugal themes).
We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistorspace (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.
Bubblegum is used in encryption - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents🪙} = handicap, then MONEY = yes], and thus, changing the tempo. (see 🧑🏿lnq's bubblegum, fibor bundle, swap, link. Compare protein quaternary structure)
/// +Bubblegum is probabilistically caused from half-integer statistics.
+'Bubblegum' is a metaphorically cohesive polymer,
Function map: bubblegum → improvise → MONEY
We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistorspace (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.
Bubblegum is used in encryption - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents🪙} = handicap, then MONEY = yes], and thus, changing the tempo. (see 🧑🏿lnq's bubblegum, fibor bundle, swap, link. Compare protein quaternary structure)
/// +Bubblegum is probabilistically caused from half-integer statistics.+'Bubblegum' is a metaphorically cohesive polymer,
used to 'patch' things up so that MONEY can be made. Think of it (in a way) similar to bubblegum 'on the bottom of your shoe👟' that can be used to seal a leak, so to speak. (see spread)
Function map: bubblegum → improvise → MONEY
tutti ("all together") :== the recombination of all cryptographical kernel components [stereotypography, operation, integer asymptotics, and ludology (SOIL) hashes] into a signal. (see cassette)
Function map: tutti → UUhistlegrass
Function map: tutti → UUhistlegrass
Also known as 'optimal tuning', crypto* normalization, or, plainly, normalization, :== regulating links so that the stewc tax (a limiting quotient) is load-balanced when perturbations to the router are overweighted [eg. excess tokens].** In terms of
The eventuality that - because the jukebox can purse^ but not bank - a crypto normalization implicates stewcing as complexity-agnostic at inflection points [instances where hyper/hypo ↦ 0], would bias the Pink Poem to tipping (concavity or convexity).^^
/// Quotient normalization is a preliminary step in
cryptocurrency.
The eventuality that - because the jukebox can purse^ but not bank - a crypto normalization implicates stewcing as complexity-agnostic at inflection points [instances where hyper/hypo ↦ 0], would bias the Pink Poem to tipping (concavity or convexity).^^
Taxation is a debit function. (see u-u economics, quantumquotient, penny fret, c@$#tag, 🧑🏿lnq's bubblegum, 🧑🏿lnq's walk, thread, parimutuel, d8)
/// Quotient normalization is a preliminary step in parimutuel auctioning.
Ludologically, twistorspace or "slot" :== a complex configuration space (eg. geotop) of solutions to the twistor identity ||f(u,u)=0||.
Because a fibor is encoded to close🔒 its loopstring➿ the exact same way every time (ascertained from the uniqueness property), there must exist an acoustic bound in place enforcing (secured🔐 with crypto) these conformations (bubble or vacuum); without such a (force) field, the signal (as measured in ¢ents🪙) would not bifurcate (into MONEY or bubblegum) as a function of symmetry-breaking.
/// +We assume that each twistor field is unique to some
+Everything in twistorspace is dyadic (u,u).
Twistorspace' complexity is curvilinear (T)*.** More accurately, sesquilinear. (see handicap, stewc field, coverage)
Because a fibor is encoded to close🔒 its loopstring➿ the exact same way every time (ascertained from the uniqueness property), there must exist an acoustic bound in place enforcing (secured🔐 with crypto) these conformations (bubble or vacuum); without such a (force) field, the signal (as measured in ¢ents🪙) would not bifurcate (into MONEY or bubblegum) as a function of symmetry-breaking.
/// +We assume that each twistor field is unique to some fibor. Essentially, this is a mapped spinor. The 'spin' (an object's spinning metric signature) here is identifiable with the quantum fields of arbitrary spin.+Everything in twistorspace is dyadic (u,u).
Twistorspace' complexity is curvilinear (T)*.** More accurately, sesquilinear. (see handicap, stewc field, coverage)
An opus' handicap, or just cap, :== its projected yield, as measured in ¢ents🪙 (compounded to dollars). It is computed from the product of the actual fret (plus tax) multiplied by the maximum number of Q♯🎶 semitones* (cap = fret ⊗ 2,600), thereby completing the ¢ent🪙 formula.** One-hundred (100) ¢ents each.
This figure constitutes the extrema of the opus it represents (akin to how much twistorspace it occupies). The cap is a spread (security estimate) that places a quote on the calculation derived from the above equation. Bounded extrema (minima/maxima) would constitute a potential loss for the stewcer/gain for the house, which can be rectified with improvisation. [Handicap commutations (≡) are stews.] (see coupon, jukepot) Complexity: E
/// Losses here are absorbed by the
This figure constitutes the extrema of the opus it represents (akin to how much twistorspace it occupies). The cap is a spread (security estimate) that places a quote on the calculation derived from the above equation. Bounded extrema (minima/maxima) would constitute a potential loss for the stewcer/gain for the house, which can be rectified with improvisation. [Handicap commutations (≡) are stews.] (see coupon, jukepot) Complexity: E
/// Losses here are absorbed by the jukebox; stewcers get no refund. But, improvisation (ie. fibor-bundling) can keep the game afloat.
(The) foam :== our subgroup where loopstrings➿ are lissome* (a potential precursor for stew assortment); it is the range (a normed vector space) of frets that are all worth no more than twenty-five pennies🪙 (1¢ - 25¢) on the rotisserie.** The majority (bulk) of all
/// +I call it 'foam' because it's a small investment trapping where you can multiply your
+As a rule-of-thumb, the more
stewcing probably takes place in the foam, even though no fonts are to be found herein.
/// +I call it 'foam' because it's a small investment trapping where you can multiply your coupon.+As a rule-of-thumb, the more
twistorspace a string occupies, the more secure🔐 it is.