Stewart℗ |
opéra-ballet |
[development]
opus
is a ballet. Decrypted
and encrypted
. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)
Notes (+): +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. |
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.
An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
Keypad
# |
A |
B |
C |
D |
E | F |
G |
H |
I |
J |
K |
L |
M |
N | O |
P |
Q |
R |
S |
T |
U |
V |
W | X |
Y |
Z |
This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple. |
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, ludeiy, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string
To do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
+tutti
Function map: tutti → UUhistlegrass
+juke tax
Juke taxation is a form of compliance that stems (inspirationally) from curvature over finite fields* (redefining algebraic curves in terms of floating-point arithmetic); with non-trivial zeroes lying on the critical line, 1/2 + ir, where i is an imaginary number, and r is a real number. The imaginary number, i, completes^{^} the twistor space value as seigniorage.The tax is
parimutuelly
embedded in each fret. A contribution from the rational portion of half-integer statistics. (see also font, tip, Quantumquotient, 📓juke tax as universal basic income, common ¢ents, expression, cybernetic governance)
Note (+): In |
+quotient load-normalization
The eventuality that - because the jukebox can purse^{^} but not bank - a quotient normalization implicates juking as complexity-agnostic (ie. is most fit) at inflection points [instances where (hyper/hypo) are renormalized (∞↦1)], would bias the Pink program to tipping (concavity or convexity).
Coupon partitioning
is a function
of credit
; whereas taxation
is a revenue function
. (see also penny fret, lnq's bubblegum, lnq's walk, thread, parimutuel)
Note (+): Quotient load-normalization is a preliminary step in |
+foam (rotisserie)
juking
probably takes place in the foam, even though no fonts
are to be found herein.
Notes (+): +I call it 'foam' because it's a small investment trapping where you can multiply your |
+bubblegum
Bubblegum is used in ornamenting - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents} = handicap, then MONEY = yes], and thus, changing the tempo. (see also lnq's bubblegum, compare protein quaternary structure)
Notes (+): +Bubblegum is probably caused from half-integer statistics. |
Function map: bubblegum → improvise → MONEY
+toonage
Naming convention
Toonage is marked using the following standard alphanumeric:
Toonxx.nn[]# - where "xx" identifies the port, nn is the pencil count, the brackets [] carry the weight, and the addendum, #, is the episode (as an integer).Wordplay, but should be taken here like 'fine-tuning' (cf., musical tuning). Implies
stereotyping
on paper. Training comes from redundant server
-side proofs🔒
, which lead to better TOS compatibility. (see also EGP, meshroom, opus, mixtape, cybernetic governance, #recital)Note (+): Principally validating file hierarchy. |
+fitness (economics)
Note (+): As a rule-of-thumb, the bigger the deviation from the handicap, the more obese (less fit) the sigma is. Yields greater or less than the handicap are deemed unfit. We generally accept |
Function map: gameplay → fitness → MONEY → quotient load-normalization
+handicap
This figure constitutes the extrema of the opus it represents (akin to how much twistor space it occupies). The cap is a spread (security estimate) that places a quote on the calculation derived from the above equation. Bounded extrema (minima/maxima) would constitute a potential loss for the juker/gain for the house, which can be rectified with improvisation. [Handicap commutations (≡) are fonts.] (see also coupon) Complexity: E
Note (+): Losses here are absorbed by the |
+rotisserie
The jukebox hosts a rotisserie in order to instantiate MONEY algorithm activity (read: 'juking'). Our rotisserie synthesizes parimutuel cycling of the matte (buttons: juke + Stewdio + fugue) so as to transact tokens. In our case, the rotisserie is synonymous with "coupon router" (ie. a hash auction), thereby establishing idempotency.
Note (+): Key words: auction, self-synthesis. |