lnq 👨🏿‍🦱: fitness
👨🏿‍🦱
Showing posts with label fitness. Show all posts
Showing posts with label fitness. Show all posts

/ "playing in the dirt"

When I say or reference 'playing in the dirt', I mean that work is being done on the fitness apparatus, our tutti: stereotypography, operation, interfacing, and ludology* (SOIL).
(sporting, mainly the ballet, Mathilda)
%t

/ tutti lineup

stack: EggleppleStewartBOTMathilda

/ Stewart

Composer: Link Starbureiy

opéra-ballet

[development]

Stewart's logo Stewart is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)

/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus.

+Here, the word 'Stewart' signifies "the art of stew choreography". On an historical note, the opera was originally called Stewart's Opera. Technically, it should be classified as an opéra-ballet because each opus is its own ballet.

+We define 'fitness' as the ability to transfer currency across twistor space. Here, it implies a quotient normalization, particularly on the handicap.

This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.

An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.

So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.

These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.

Sample key combinatorics here:

Keypad


#

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Y

Z
As the prime directive of the jukebox, Mathilda is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)

This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple.


Mathilda hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string

To do this, we progress through three (3) parts: the opening, middlegame, and endgame.

The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).

To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).

You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: MathildaStewartUUelcome

/ stewc tax

Economist: 🧑🏿Link Starbureiy
Intrinsic to u-u economics, stewc tax (or simply tax) :== residue (link's pip#) from stewcing as a dyadic fluctuator (ie. fungibility maintenance = standard excise) that stems (inspirationally) from curvature over finite fields* (redefining algebraic curves in terms of floating-point arithmetic); with non-trivial zeroes lying on the critical line, 1/2 + ir, where i is an imaginary number, and r is a real number {ir completes^ the twistorspace value}.## Functions as the transaction fee in a swap💱. ** The tax is a default house/user fee parimutuelly embedded in each fret. Funds get recycled♻, springing cache-credit idempotence. ^^ A contribution from the rational portion of half-integer statistics. (see ¢ent🪙, MONEY, stew, residue, token, quantumquotient, quotient normalization, stewcer's ruin, penny stake, 📓stewc tax as universal basic income, common ¢ents🪙, fret, Juke Lemma, crypto compliance, DUCC🦆, local zeta-function, hyper/hypo-currency)

"We can see that taxes are important in Life, not because of greed, but because Nature's way of dealing with insecurity is to bound residues to an algebraic curve." - 🧑🏿Link Starbureiy


/// In cryptic compliance, taxation is a seigniorage/excise applied to utilities (ie. energy) costs.

/ gymnasium

A gymnasium, or gym :== local installation of some fitness (juking exercises) space with one or more laboratories.

/ MONEY💰

Inventor: 🧑🏿Link Starbureiy
MONEY💰 (Mathemusically-Optimized* Normal Encrypted Yield) :== the cryptic resultant [hyper/hypo 1] from γ-proofing (some permutation of BIG branes).** Efficiency (ie. fitness) is determined by proximity to the handicap (||inf ≥ (u,u)=0||) relative to how many tokens are used.
/// This is a separate phylum (fungible) of cryptocurrency (cachecredit).

"You need BIG branes to make MONEY💰." - 🧑🏿lnq


Numismatically, MONEY💰 is fit fibor (strict tertiary structure) earned [reward] by juking. After attaining a 0-bubble, the yield is the attribution of ¢ents🪙 drawn from that loopstring➿ arrangement. A fibril requirement is that the yield be less than or equal to the handicap (ie. commutativity) for MONEY💰 qualification. Otherwise, it is bubblegum [yield ≤ handicap, else bubblegum].^^^ However, fibor bundling can still objectively make MONEY💰 via improvisation. (see font, link, lyric, mesh, Juke Lemma, c@$#tag, common ¢ents🪙, quotient normalization, cryptosport, 💰MONEY algorithm)
UUe /// The total ¢ent🪙 amount is finite (per each opus), while the tabulation of jukers and their scores relative to an opus can never be greater than the available ¢ents🪙. This helps prevent double-spending.
Function map: sessionγ-proof¢ents🪙/link

/ handicap

An opus' handicap, or just cap, :== its projected yield, as measured in ¢ents🪙 (compounded to dollars). It is computed from the product of the actual fret (plus tax) multiplied by the maximum number of Q♯🎶 semitones* (cap = fret ⊗ 2,600), thereby completing the ¢ent🪙 formula.** One-hundred (100) ¢ents each.


This figure constitutes the extrema of the opus it represents (akin to how much twistorspace it occupies). The cap is a spread (security estimate) that places a quote on the calculation derived from the above equation. Bounded extrema (minima/maxima) would constitute a potential loss for the juker/gain for the house, which can be rectified with improvisation. [Handicap commutations (≡) are stews.] (see coupon, jukepot) Complexity: E
/// Losses here are absorbed by the jukebox; jukers get no refund. But, improvisation (ie. fibor-bundling) can keep the game afloat.

/ twistorspace

Ludologically, twistorspace or "slot" :== a complex configuration space (eg. geotop) of solutions to the twistor identity ||f(u,u)=0||.

Because a fibor is encoded to close🔒 its loopstring➿ the exact same way every time (ascertained from the uniqueness property), there must exist an acoustic bound in place enforcing (secured🔐 with crypto) these conformations (bubble or vacuum); without such a (force) field, the signal (as measured in ¢ents🪙) would not bifurcate (into MONEY or bubblegum) as a function of symmetry-breaking.
/// +We assume that each twistor field is unique to some fibor. Essentially, this is a mapped spinor. The 'spin' (an object's spinning metric signature) here is identifiable with the quantum fields of arbitrary spin.
+Everything in twistorspace is dyadic (u,u).


Twistorspace' complexity is curvilinear (T)*.** More accurately, sesquilinear. (see handicap, juke field, coverage)

/ toonage

Toonage (truncation of 'cartoonage'*) :== the diction given to the chronology of (cf. attempts at) iterations to 🧩puzzle solutions (toons).** Wordplay, but should be taken here like 'fine-tuning' (cf. musical tuning). Implies stereotyping on paper.

We tune^ the jukebox (UUe) by threading kernel libraries (+patchwork) for fugue damping.^^ Training comes from redundant server-side proofs🔒 of random walks, courtesy of games/gameplay, which lead to better Q♯🎶 compatibility.

Toons themselves are individually/inductively ordered (n + 1), but because it is feasible for two (2) or more to be confluent, offered is a finitary

Naming convention
Toonage is marked using the following standard alphanumeric:

Toonxx.nn[]# - where "xx" identifies the port, nn is the pencil✏️ count, the brackets [] carry the weight, and the addendum, #, is the episode (as an integer).
/// Toons (n+1 induction) exist because the time complexity of each proof requires a relatively large compute per. In other words, there is extreme likelihood that a game/opus will not be completely solved on the first attempt.
(see EGP, meshroom🍄, opus, cassette, crypto compliance, #recital, Funshine/Toonlight)
/// Principally validating file hierarchy.

/ bubblegum

Bubblegum :== the name given to (a preimage of) fibor that is not optimal* (ie. false vacua).** Basically, not MONEY. It is/are (the class of) string combinations (yesegalo + groove/melody) whose fibril noncommutativity necessitate optimization (ornamenting of fugal themes).

We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistorspace (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.

Bubblegum is used in encryption - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents🪙} = handicap, then MONEY = yes], and thus, changing the tempo. (see 🧑🏿lnq's bubblegum, fibor bundle, swap, link. Compare protein quaternary structure)
/// +Bubblegum is probabilistically caused from half-integer statistics.
+'Bubblegum' is a metaphorically cohesive polymer, used to 'patch' things up so that MONEY can be made. Think of it (in a way) similar to bubblegum 'on the bottom of your shoe👟' that can be used to seal a leak, so to speak. (see spread)

Function map: bubblegumimproviseMONEY