+"playing in the dirt"

When I say or reference 'playing in the dirt', I mean that work is being done on the fitness apparatus, our tutti: stereotypography, operation, interfacing, and ludology* (SOIL).
(sporting, mainly the ballet, Mathilda)
%t

+tutti lineup

stack: Egglepple → Stewart → BOT ↔ Mathilda

Stewart℗

Composer: Link Starbureiy

opéra-ballet

[development]

Stewart is the ring of all six-hundred seventy-six (676) developii^# in their entirety*. An puzzle dispenser, its subject^{^} is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)

Notes (+): +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. +Here, the word 'Stewart' signifies "the art of stew choreography". On an historical note, the opera was originally called Stewart's Opera. Technically, it should be classified as an opéra-ballet because each opus is its own ballet. +We define 'fitness' as the ability to transfer currency across twistor space. Here, it implies a quotient load-normalization, particularly on the handicap.

This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.

An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.

So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.

These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.

Sample key combinatorics here:

Keypad

#	A	B	C	D	E	F	G	H
I	J	K	L	M	N	O	P	Q
R	S	T	U	V	W	X	Y	Z

As the prime directive of the jukebox, Mathilda™ is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)

This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple.

Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, ludeiy, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string

To do this, we progress through three (3) parts: the opening, middlegame, and endgame.

The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).

To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).

You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome

+train

Training involves ... for purposes of lowering one's st@t. (see also touch-and-go, gymnasium)

+gymnasium

A gymnasium, or gym, is a locally installed training facility consisting of a fitness (juking exercises) space with one or more laboratories.

+tutti

The tutti ("all together" or "recombination") is a responsive heatmapping of all cryptographical kernel components [stereotypography, operation, integer asymptotics, and ludology (SOIL) hashes] onto the libretto. (see also puzzle)

Function map: tutti → UUhistlegrass

+juke tax

Economist: Link Starbureiy
Juke taxation is a form of compliance that stems (inspirationally) from curvature over finite fields* (redefining algebraic curves in terms of floating-point arithmetic); with non-trivial zeroes lying on the critical line, 1/2 + ir, where i is an imaginary number, and r is a real number. The imaginary number, i, completes^{^} the twistor space value as seigniorage.The tax is parimutuelly embedded in each fret. A contribution from the rational portion of half-integer statistics. (see also font, tip, Quantumquotient, 📓juke tax as universal basic income, common ¢ents, expression, cybernetic governance)

Note (+): In cybernetic governance, taxation is applied to utilities (ie. energy) costs.

+quotient load-normalization

Also called 'optimal tuning', quotient* load-normalization (qln), or, plainly, normalization, is the (trans)act of regulating Egglepple so that the quantumidentity (a limiting function) is load-balanced when perturbations to the router are overweighted [eg. excess tokens].Of Stewart.

The eventuality that - because the jukebox can purse^{^} but not bank - a quotient normalization implicates juking as complexity-agnostic (ie. is most fit) at inflection points [instances where (hyper/hypo) are renormalized (∞↦1)], would bias the Pink program to tipping (concavity or convexity).Coupon partitioning is a function of credit; whereas taxation is a revenue function. (see also penny fret, lnq's bubblegum, lnq's walk, thread, parimutuel)

Note (+): Quotient load-normalization is a preliminary step in parimutuel auctioning.

+foam (rotisserie)

(The) foam is our subgroup where l-strings are lissome* (a potential precursor for font assortment); it is the range (a normed vector space) of frets that are all worth no more than twenty-five pennies (1¢ - 25¢) on the rotisserie.The majority (bulk) of all juking probably takes place in the foam, even though no fonts are to be found herein.

Notes (+): +I call it 'foam' because it's a small investment trapping where you can multiply your coupon. +As a rule-of-thumb, the more twistor space a string occupies, the more secure🔐 it is.

+bubblegum

Bubblegum is the name given to (a preimage of) fibor that is not optimal* (ie. false vacua). It is/are (the class of) string combinations (yesegalo + groove/melody) whose fibril incompatibility necessitate optimization (restating of fugal themes). We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistor space (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.Basically, not MONEY.

Bubblegum is used in ornamenting - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents} = handicap, then MONEY = yes], and thus, changing the tempo. (see also lnq's bubblegum, compare protein quaternary structure)

Notes (+): +Bubblegum is probably caused from half-integer statistics. +'Bubblegum' is a metaphorically cohesive polymer, used to 'patch' things up so that MONEY can be made.

Function map: bubblegum → improvise → MONEY

+toonage

Toonage (truncation of 'cartoonage'*) is the diction given to the chronology of cassette releases [lyric seasons of lnq's recital] called toons. Tuning trains^{^} the jukebox by threading kernel libraries (+patchwork) for fugue damping. Toons themselves are individually/inductively ordered (n + 1), but because it is feasible for two (2) or more to be confluent, offered is a finitary
Naming convention
Toonage is marked using the following standard alphanumeric:

Toonxx.nn[]# - where "xx" identifies the port, nn is the pencil count, the brackets [] carry the weight, and the addendum, #, is the episode (as an integer).Wordplay, but should be taken here like 'fine-tuning' (cf., musical tuning). Implies stereotyping on paper. Training comes from redundant server-side proofs🔒, which lead to better TOS compatibility. (see also EGP, meshroom, opus, mixtape, cybernetic governance, #recital)

Note (+): Principally validating file hierarchy.

+fitness (economics)

Fitness is the ability of currency to move (be transacted) across twistor space (u,u) securely🔐 (ie. as MONEY, not bubblegum). It implies a correct✅ fold structure (non-malform), and is absolute* between Egglepple's inflection points. Fitness sustains jukebox tuning by providing puzzle insurance against risk of handicap interrupts [loop-erasure], thus ensuring a fast net feedback loop.Complexity-agnostic

Note (+): As a rule-of-thumb, the bigger the deviation from the handicap, the more obese (less fit) the sigma is. Yields greater or less than the handicap are deemed unfit. We generally accept closures🔒 within penny range [one (1) ¢ent] as tight.

Function map: gameplay → fitness → MONEY → quotient load-normalization

+handicap

An opus' handicap, or just cap, is its projected yield, as measured in ¢ents (compounded to dollars). It is computed from the product of the actual fret (plus tax) multiplied by the maximum number of TOS semitones* (cap = fret × 2,600), thereby completing the ¢ent formula.One-hundred (100) ¢ents each.

This figure constitutes the extrema of the opus it represents (akin to how much twistor space it occupies). The cap is a spread (security estimate) that places a quote on the calculation derived from the above equation. Bounded extrema (minima/maxima) would constitute a potential loss for the juker/gain for the house, which can be rectified with improvisation. [Handicap commutations (≡) are fonts.] (see also coupon) Complexity: E

Note (+): Losses here are absorbed by the jukebox; jukers get no refund. But, improvisation (ie. fibor-bundling) can keep the game afloat.

+rotisserie

A rotisserie, or roto, statistically relates ("routes"*) self-contained cache-to-credit functions as expressed within some twistor space ||(u,u)||. It exists only to throughput [measure and frame] tape.A walk directive.

The jukebox hosts a rotisserie in order to instantiate MONEY algorithm activity (read: 'juking'). Our rotisserie synthesizes parimutuel cycling of the matte (buttons: juke + Stewdio + fugue) so as to transact tokens. In our case, the rotisserie is synonymous with "coupon router" (ie. a hash auction), thereby establishing idempotency.

Note (+): Key words: auction, self-synthesis.