opéra-ballet |
[development]
opus
is a ballet. Decrypted
and encrypted
. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)
/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. |
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.
An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.
So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.
These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.
Sample key combinatorics here:
Keypad
# |
A |
B |
C |
D |
E | F |
G |
H |
I |
J |
K |
L |
M |
N | O |
P |
Q |
R |
S |
T |
U |
V |
W | X |
Y |
Z |
This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple. |
Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string
To do this, we progress through three (3) parts: the opening, middlegame, and endgame.
The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).
To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).
You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome
Intrinsic to u-u economics, stewc tax (or simply tax) :== residue (link's pip#) from stewcing as a dyadic fluctuator (ie. fungibility maintenance = standard excise) that stems (inspirationally) from curvature over finite fields* (redefining algebraic curves in terms of floating-point arithmetic); with non-trivial zeroes lying on the critical line, 1/2 + ir, where i is an imaginary number, and r is a real number {ir completes^ the twistorspace value}.##
Functions
as the transaction fee
in a swap💱. ** The tax is a default house/user
fee parimutuelly
embedded in each fret. Funds get recycled♻, springing cache-credit idempotence
. ^^ A contribution from the rational portion of half-integer statistics. (see ¢ent🪙, MONEY, stew, residue, token, quantumquotient, quotient normalization, stewcer's ruin, penny stake, 📓stewc tax as universal basic income, common ¢ents🪙, fret, Juke Lemma, crypto compliance, DUCC🦆, local zeta-function, hyper/hypo-currency)
"We can see that taxes are important in Life, not because of greed, but because Nature's way of dealing with insecurity is to bound residues to an algebraic curve." - 🧑🏿Link Starbureiy
/// In
cryptic compliance
, taxation is a seigniorage/excise applied to utilities (ie. energy) costs.
MONEY™💰 (Mathemusically-Optimized* Normal Encrypted Yield) :== the cryptic resultant [hyper/hypo ≥ 1] from γ-proofing (some permutation of BIG branes).** Efficiency (ie.
fitness
) is determined by proximity to the handicap
(||inf ≥ (u,u)=0||) relative to how many tokens
are used
. /// This is a separate phylum (fungible) of
cryptocurrency
(cachecredit
).
"You need
BIG branes
to make MONEY💰." - 🧑🏿lnq
Numismatically, MONEY💰 is fit fibor (strict tertiary structure) earned [reward] by juking. After attaining a 0-bubble, the yield is the attribution of ¢ents🪙 drawn from that loopstring➿ arrangement. A fibril requirement is that the yield be less than or equal to the handicap (ie. commutativity) for MONEY💰 qualification. Otherwise, it is bubblegum [yield ≤ handicap, else bubblegum].^^^ However,
fibor bundling
can still objectively make MONEY💰 via improvisation. (see font, link, lyric, mesh, Juke Lemma, c@$#tag, common ¢ents🪙, quotient normalization, cryptosport, 💰MONEY algorithm)
/// The total ¢ent🪙 amount is
finite
(per each opus
), while the tabulation of jukers
and their scores relative to an opus
can never be greater than the available ¢ents🪙. This helps prevent double-spending.
Function map: session → γ-proof → ¢ents🪙/link
This figure constitutes the extrema of the opus it represents (akin to how much twistorspace it occupies). The cap is a spread (security estimate) that places a quote on the calculation derived from the above equation. Bounded extrema (minima/maxima) would constitute a potential loss for the juker/gain for the house, which can be rectified with improvisation. [Handicap commutations (≡) are stews.] (see coupon, jukepot) Complexity: E
/// Losses here are absorbed by the
jukebox
; jukers
get no refund. But, improvisation
(ie. fibor-bundling
) can keep the game
afloat.
Because a fibor is encoded to close🔒 its loopstring➿ the exact same way every time (ascertained from the uniqueness property), there must exist an acoustic bound in place enforcing (secured🔐 with crypto) these conformations (bubble or vacuum); without such a (force) field, the signal (as measured in ¢ents🪙) would not bifurcate (into MONEY or bubblegum) as a function of symmetry-breaking.
/// +We assume that each twistor field is unique to some
fibor
. Essentially, this is a mapped
spinor. The 'spin' (an object's spinning metric signature
) here is identifiable with the quantum fields of arbitrary spin.+Everything in twistorspace is dyadic (u,u).
Twistorspace' complexity is curvilinear (T)*.** More accurately, sesquilinear. (see handicap, juke field, coverage)
stereotyping
on paper. We tune^ the jukebox (UUe) by threading kernel libraries (+patchwork) for fugue damping.^^ Training comes from redundant
server
-side proofs🔒
of random walks, courtesy of games/gameplay
, which lead to better Q♯🎶
compatibility. Toons themselves are individually/inductively ordered (n + 1), but because it is feasible for two (2) or more to be confluent, offered is a finitary
Naming convention
Toonage is marked using the following standard alphanumeric:
Toonxx.nn[]# - where "xx" identifies the port, nn is the pencil✏️ count, the brackets [] carry the weight, and the addendum, #, is the episode (as an integer).
/// Toons (n+1 induction) exist because the
time complexity
of each proof
requires a relatively large compute
per. In other words, there is extreme likelihood that a game/opus
will not be completely solved
on the first attempt. (see EGP, meshroom🍄, opus, cassette, crypto compliance, #recital, Funshine/Toonlight)
/// Principally validating
file
hierarchy.
We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistorspace (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.
Bubblegum is used in encryption - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents🪙} = handicap, then MONEY = yes], and thus, changing the tempo. (see 🧑🏿lnq's bubblegum, fibor bundle, swap, link. Compare protein quaternary structure)
/// +Bubblegum is probabilistically caused from half-integer statistics.
+'Bubblegum' is a metaphorically cohesive polymer,
used
to 'patch
' things up so that MONEY can be made. Think of it (in a way) similar to bubblegum 'on the bottom of your shoe👟' that can be used to seal a leak, so to speak. (see spread)
Function map: bubblegum → improvise → MONEY