Showing posts with label formulae. Show all posts
Showing posts with label formulae. Show all posts

### +juke tax

Intrinsic to u-u economics, juke taxation (or simply tax) is residue (ludeiy's pip) from juking as a dyadic fluctuator (ie. fungibility maintenance = standard excise) that stems (inspirationally) from curvature over finite fields* (redefining algebraic curves in terms of floating-point arithmetic); with non-trivial zeroes lying on the critical line, 1/2 + ir, where i is an imaginary number, and r is a real number {ir completes^ the twistorspace value}.** The tax is a default `house/user` fee `parimutuelly` embedded in each fret. Funds get recycled♻, springing `cache-credit idempotence`. ^^ A contribution from the rational portion of half-integer statistics. (see ¢ent, MONEY, font, residue, token, quantumquotient, quotient normalization, ludeiy, juker's ruin, carrots🥕+peach🍑, 📓juke tax as universal basic income, common ¢ents, fret, Juke Lemma, cybernetic governance, DUCK🦆, local zeta-function, hyper/hypo-currency)

"We can see that taxes are important in Life, not because of greed, but because Nature's way of dealing with insecurity is to bound residues to an algebraic curve." - 🧑🏿Link Starbureiy  /// In `cybernetic governance`, taxation is a seigniorage/excise applied to utilities (ie. energy) costs.

### +FUN Formula

This simple formula is the premise behind all things operational in the Kindergarten. As it pertains to well-being, pleasure is a function of leisure. Therefore, fun is the enjoyment of this activity. It is calculated below.  The variables are defined as follows: function (F) is equal to utility (U) multiplied by some natural number (N). Hence, fun is always a positive thing. The equation works in direct proportion to 🧑🏿lnq's ego; so, the more fun lnq is having, the stronger the field of invincibility it generates. (see Funday, FUN 4) ### +play

Per some ludology, a play is a legal move(ment) within a game.

As a fold progression (eg. a scribble variant when juking Egglepple), each play [a finite step towards some goal] is an expression of some strategy (mathemusically, the duration of a coverage). (see game, gameplay, pink poem)   The number of unique plays (p) can be computed from the superalgebraic resultant: p:≡Sg, where S is some integer value between 1 - 676, and g equals the amount of circuiting* twistorspace (ie. degrees of freedom [base] to the power [exponent] of residue bond angles).** Asymptotic tempo `values` completing the loop. /// +The formula is in direct correlation to spin-statistics. So, for example, when b is odd, say b=11, then c(=32) is an integer-spin (egg). When b is even, say b=20, then c(=724.0+) is a half-integer-spin (epp). The rational portion (floating point) of half-integer statistics contributes to seigniorage. Obviously, any negative `value` for b will `yield` an epp. (see `juke tax`)
+Yes, there are twenty-six (26) integer `values` here; we denote "0" as (0-,0+) → having both negative(-) and positive(+) polarity in `twistorspace`. For instance, -12 ... (0-,0+) ... +12 = . p is an upperbound for points on a curve, and so its number line must include 0 (hence 0 through 25). The minima (cover-0) is 0.0001220703125 and the maxima (cover-25) is 4,096.

Plays (fugue protocols) are implemented as jukes (written in juke notation). They are executed [run] by the call action, and will typically end once the strategy is exhausted. There are three (3) possible outcomes of a play: loss (of advantage), futility (no advancement), or gain (advantage). (see player, playoff)

### +twistorspace

Ludologically, twistorspace or "slot" is a complex configuration space (eg. geotop) of solutions to the twistor identity ||f(u,u)=0||.

Because a fibor is encoded to its loopstring the exact same way every time (ascertained from the uniqueness property), there must exist an acoustic bound in place enforcing these conformations (bubble or vacuum); without such a (force) field, the signal (as measured in ¢ents) would not bifurcate (into MONEY or bubblegum) as a function of symmetry-breaking.      /// +We assume that each twistor field is unique to some `fibor`. Essentially, this is a `mapped` spinor. The 'spin' (an object's spinning `metric signature`) here is identifiable with the quantum fields of arbitrary spin.
+Everything in twistorspace is dyadic (u,u).

Twistorspace' complexity is curvilinear (T)*.** More accurately, sesquilinear. (see handicap, juke field, coverage)

### +Starbureiy statistic

Truncated to "StarStat" or casually just "st@t", a Starbureiy statistic is an efficiency* metric (ie. rating system) calculating a scoring average as the accumulated tally of ¢ents divided by number of tokens used to generate those funds [¢ents/tokens].** The closer to 0, the better.

It finds utility as the determinant for the credit rating (+worthiness) of a juker, which is an ordering primarily accorded to their ability to make MONEY (ie. greater earnings→lower statistic→bigger spread). (see 8 Jersey, Starbureiy certification, ed, smb, +list)  ### +handicap

An opus' handicap, or just cap, is its projected yield, as measured in ¢ents (compounded to dollars). It is computed from the product of the actual fret (plus tax) multiplied by the maximum number of Q♯🎶 semitones* (cap = fret ⊗ 2,600), thereby completing the ¢ent formula.** One-hundred (100) ¢ents each.    This figure constitutes the extrema of the opus it represents (akin to how much twistorspace it occupies). The cap is a spread (security estimate) that places a quote on the calculation derived from the above equation. Bounded extrema (minima/maxima) would constitute a potential loss for the juker/gain for the house, which can be rectified with improvisation. [Handicap commutations (≡) are fonts.] (see coupon) /// Losses here are absorbed by the `jukebox`; `jukers` get no refund. But, `improvisation` (ie. `fibor-bundling`) can keep the `game` afloat.

### +fret

A fret (ie. activation fee/price-per-token) or coin is a conjectured ideal phenomenon in juking. Theoretically, it is the "lowest-level juke [as one-twenty-sixth (1/26th) of a sporadic group]" at one ¢ent (penny), where the value is derived from the ¢ent formula [fret = logn(b/a) | {b,a = (u,u), n = font size × font weight}]. Its representative tablature indicates the range from which integer-spin statistics are obtained. (see bid)  The significance of the fret (and the idealism of it) is its extreme affordability; one ¢ent is considered to be Nature's disposable income. Mirroring chemistry, the fret would be the lowest available energy level [resonance].

In everyday vernacular, most, if not all, jukes hedging opus handicaps are assumed to be so-called "(penny) frets". That is, their fret is typically worth "pennies on the dollar" or "cents on the dollar". The fret itself may be an accurate description of a general deposit because standard coupon deviation is registered by table.
/// +In `theory`, attaining a per-¢ent fret is challenging because of tablature efficiency conditions; where the greater the number of pencils (and hence ¢ents), the heavier the `string`, `resulting` in a `juke` with a wild count.
+In practice, a pure 'penny' (1¢) fret is infeasible in two-dimensional (2d) `vector space` because such a fret is not congruent with any `handicap`, and for this reason, we improvise (ie. choreograph in `twistorspace`). `Routinely`, `quotient normalization` happens when the `handicap` becomes saturated.

### +Gallivan fold

In origami, a Gallivan fold, or g-fold, is a genus of paper folding. The paper (a 2-brane) can fold in either single or alternating direction [each must adhere to its own equation (width versus length)], and the fold phenomenon is always one-half (1/2) of the folding direction. It is based on - and named after - the paper folding theorem of Britney Gallivan.

### +¢ent formula 