/STU [kernel]

Inventor: 🧑🏿Link Starbureiy

STU™ :== The Origamic Symphony🎶's keynote, and the calculus* of Egglepple.** In the context of mathematical analysis, derivation and integration. Its entire sequence (bytecode) is called UUelcome. [STU/fruut]

An invention {September 26, 1998} of 🧑🏿Link Starbureiy🤓, our cipher is such that kernelized handshakes are integral to loopstring➿ frequencies*.** STU is what gets encrypted on(to) algebraic curves in twistorspace. Lexically, this means that both yesegalo (flavor generation) and crypto fabrication (primary, secondary, tertiary, and quaternary structures) remain asynchronous as long as preimage-image contracts are kept (ie. the tonic will harmonize the brane to the point of closure🔒).
/// +Keeping contracts is the basis of self-synthesis.
+Originally, "STU" was called "EGP" which stemmed from "egg (EG) , epp (EP) → EGP".

Absolutely considered in the analysis are the concepts of integration (loopstring➿) and differentiation (stews). (see fruut, RONALD, Stewdio, stewc notation)

/u-u economics [protocol]

Economist: 🧑🏿Link Starbureiy
u-u economics* :== identifying stews with their parimutuelly Rubik [54-face]^{^} scrambles. ^^ Minimax of moves per solve. ** ie. forms a qubit.

"In a scenario where your energy🔋 needs are growing, an 🔋energy budget is obliterated via tax rebate." - 🧑🏿lnq
/// Not having (or removing) an energy🔋 budget is the fastest way to scale Kardashev.

Because in twistorspace everything is symmetrical and dyadic (u,u), our parimutuel system (ie. a cryptocurrent between links), is reliant on 🔋e:e statistics (the interplay between hypercurrency and hypocurrency). So, structurally, the whole industry of Egglepple [portfolio: recto (EEE) ↔ verso (PPP)] implies that stewcing leads to the creation of ¢ents🪙 (generator), thereby securing🔐 [via crypto] its circuitry. (see quantumquotient, 🧑🏿lnq's walk, crypto compliance, c@$#tag, zero-bubble)
/// By definition, a currency is valuable whence weight can be assigned to its proof-of-work.
+¢ents get recycled♻.
+We have an economy/economic system precisely because we are using a jukebox. Like with any vending machine, you can have whatever you want [demand] (as long as it is available [supply]), you just have to pay for it.

Mechanics
Gameplay: (1) an asset (fibor) gets auctioned off until it becomes frictionless, (2) resultant cryptocurrency (links) is moved via c@$#tags.
In this economy (:= flow of transactions), the house (UUe) will 'purse' (and not 'bank') parimutuelly; transactions happen in curvilinear time (T).
Function map: fibor ⇒ UUelcome ← twist economics → quantumquotient

/¢ent🪙

In stew choreography, a ¢ent🪙 :== quantum measure as the ratio* of two (2) (close) frequencies.** Mathemusically-speaking. For the ratio (a:b) to remain constant over the frequency spectrum, the frequency range encompassed by a ¢ent must be proportional to those frequencies. Scaled🎚, an equally tempered semitone spans 100 ¢ents (a dollar) by definition.

According to The Origamic Symphony🎶, an octave^{^} - the unit of frequency level when the base logarithm = [font size × font weight] - spans twenty-six (26) semitones (intervals/measures), and therefore, 2600 ¢ents.^^ The interval between the first and second harmonics of the harmonics series. Because raising a frequency by one (1) ¢ent is equivalent to multiplying this constant ¢ent value, and 2600 ¢ents doubles a frequency, the ratio of frequencies one ¢ent apart is calculated as the 2600th root of 2 (~ 1.00026663)^!.!! pip = .00026663. (see ¢ent formula, crypto, fibor, stewc tax, MONEY, stew choreography, residue, u-u economics, link, 🌞funshine)
/// Economically, the ¢ent (cachecredit) is the rudimentary u-u crypto object (used to measure/determine the size of twistorspace). Reward function-wise, ¢ents are transacted in the twist economy as the negotiable instrument [ie. purchase, pairing, etc.].
+Physically, ¢ents are the practical universal currency.

/random coil

Ludologically, the function of opening🔓 a loopstring➿ is processed seemingly random (random := state=yes ++ address=no).
/// As in each outcome has equal probability.

random coil :== the lowest-level [dim≤1] (unmapped) orientation of a brane. This unstructured position sample [an algebraic curve] is known* as its preimage (or illustrative state for both pitch and incidental tax determinance).** I label it 'scramble' or sometimes 'scribble'.

Instead of being a specific shape/pose, it is a statistical distribution of all populated conformations (albeit, strictly those lacking subunit definition). If each conformation (walk) has equal probability or weight, then such coil is the acoustically-approximated bounds of some twistorspace. (compare denaturation, contrast identity, thread)
/// +It is not uncommon to have multiple different coil(s) for the same opus/string.
+The orientation is that of algebraic curvature because topologically, random coils are random walks on curved surfaces. My given axiom is that encryption can be hidden in its algebra.
Function map: scribble → sponge

/fitness (economics)

>fitness :== the ability of crypto to be transacted across twistorspace (u,u) securely🔐 (ie. hyper/hypo ≤ 1 / as MONEY, not bubblegum). It implies a correct✅ fold structure (non-malform), and is absolute* between Egglepple's inflection points.** Complexity-agnostic

Fitness [:= data compression relative to spontaneous egg-epp reactivity] sustains net 🔋energy-scaling by providing 🧩puzzle insurance against risk of handicap interrupts, thus ensuring a fast net feedback loop➰.
/// As a rule-of-thumb, the bigger the deviation from the handicap, the more obese (less fit) the sigma is. Yields greater or less than the handicap are deemed unfit. We generally accept closures🔒 within penny range [one (1) ¢ent🪙] as tight.
Function map: gameplay → fitness → MONEY → cryptic normalization

/walk

walk :== some playable* spacetime complex folding algorithm (sequence of finite steps at fixed lengths).** Ludologically, some progression and its contrapuntal motion.

This is a plot/flow (ie. curvature) of a nut's path (a type of circuit as it would traverse the braneworld, indicative of current) with stochastic activity at specified movements (opening→middlegame→endgame). In all probability, walks chart a statistical distribution of their entropy (random variables transforming twistorspace).
/// Walks (as circuits) nessarily end in a charge (Q).
In proof theory, there are three (3) stages to a walk: (1) coil, (2) graphics, and (3) mesh.

We use walks as parse arguments in juking [stew choreography]. (see 🧑🏿lnq's walk, thread, sport, Pink Poem, route, tip, UUelcome)
/// In automation, walks are approximate source directives.
Function map: preimage → walk → image

/stewc field

stewc field (s-field, or a 'node in the bulk'*) :== an ideal/authentic field [in stereo] for stewcing activity (ie. STU encryption in twistorspace).** Compute powered by the 🔋battery pack. Complexity: T (see brane, k-mode, pitch, Stewniverse, s-surface, 🍄meshroom, yoyo, stewc notation)
/// Stewc fields are mainly where the form of stewcing happens; whereas, threading would help propagate stewc notation otherwise.

/twistorspace

Ludologically, twistorspace or "slot" :== a complex configuration space (eg. geotop) of solutions to the twistor identity ||f(u,u)=0||.

Because a fibor is encoded to close🔒 its loopstring➿ the exact same way every time (ascertained from the uniqueness property), there must exist an acoustic bound in place enforcing (secured🔐 with crypto) these conformations (bubble or vacuum); without such a (force) field, the signal (as measured in ¢ents🪙) would not bifurcate (into MONEY or bubblegum) as a function of symmetry-breaking.
/// +We assume that each twistor field is unique to some fibor. Essentially, this is a mapped spinor. The 'spin' (an object's spinning metric signature) here is identifiable with the quantum fields of arbitrary spin.
+Everything in twistorspace is dyadic (u,u).

Twistorspace' complexity is curvilinear (T)*.** More accurately, sesquilinear. (see handicap, stewc field, coverage)

/handicap

An opus' handicap, or just cap, :== its projected yield, as measured in ¢ents🪙 (compounded to dollars). It is computed from the product of the actual fret (plus tax) multiplied by the maximum number of Q♯🎶 semitones* (cap = fret ⊗ 2,600), thereby completing the ¢ent🪙 formula.** One-hundred (100) ¢ents each.


This figure constitutes the extrema of the opus it represents (akin to how much twistorspace it occupies). The cap is a spread (security estimate) that places a quote on the calculation derived from the above equation. Bounded extrema (minima/maxima) would constitute a potential loss for the stewcer/gain for the house, which can be rectified with improvisation. [Handicap commutations (≡) are stews.] (see coupon, jukepot) Complexity: E
/// Losses here are absorbed by the jukebox; stewcers get no refund. But, improvisation (ie. fibor-bundling) can keep the game afloat.

/sesquilinear form

(see twist economics)

/Matilda

Composer: Link Starbureiy

ornamentation

[recapitulation]

/twistor class

/twistor

In a folding scenario, the twistor (u,u) :== a complex transform* of STU solved from stew choreography.** Defined by a tight (≤ handicap) walk.

Twistors are derivatives of unique plays embedded in twistorspace that are hedged from tablature. Statistically, twistors act as complexity catalysts and can have negative (vacuum) or non-negative (bubble) potential.

Let (u,u) be any two (2) leaves sequenced for stewcing. A twistor is an operator that associates a stewcable dyad (egg,epp) in a finite field with curvature which is coded to eventually become a zero-bubble. Twistors are measured with ¢ent🪙 values that are typically small (ie. frets).
/// All twistors are assumed to be fit. We stewc (hedge) in order to identify those folds which are ideal/most fit.
Function map: stew choreography → twistor