Showing posts with label toccata. Show all posts
Showing posts with label toccata. Show all posts

+improvise

In juking, improvisation is the use of stew choreography to adjust^ a play and contort jukespace to force some zero-bubble (eg. tweak bubblegum with fibor bundling so that it fits a given handicap). This usually means that the juker will pursue a different walk with the intent of string closure🔒. Multiplier reliance is optional. Improvising requires both skill and strategy, and therefore, is not subject to chance.*
This is what differentiates juking from the likes of gambling. Recapitulate an aria. (see also patch, γ-proof, Mathilda, RONALD)
/// Most juking activity is likely going to be improvisational because most fibor is subject to bundling. That speaks to the sheer volume of bubblegum in the system.
Jukers, upon opening🔓 a token session (ie. coupon-building), may want to improvise for sake of ensuring maximum value on their deposit, or (more reasonably) to expedite gameplay/string closure🔒 via loop-erasure. The benefit of improvising is a straight flush💵 (tally of ¢ents accrued from proof-of-work within a session).

+krayon

The krayon (also known as lnq's finger) is a colloquy (for any number of) 🐨lnq's personal choice of flageolet pencil (conductional in jukespace).
UUe /// The spelling with a 'k' is of my recipe. It's actually (or would be) 'crayon🖍' (like the wax-based stylus), a favorite tool of mine used throughout my career for painting.
The krayon hosts a complete copy@ [latest build] of UUelcome, and is, defaultly, an organic membrane utensil wrapping 🐨lnq's yoyo finger, as his jointed digitus medius* [with an end serving as the ornamenter]. When called, it undocks/peels from the hand allowing it to transform (unroll) into a bow [+joey]. 🐨lnq may (characteristically) also choose to wear the (dislodged) krayon held behind an ear.Coded only to me, the impresario. Any finger (usually aside from the pollex) should suffice. (see also yoyo, Stewdio, UUelcome Matte, Koala Krayon, Pajamas, 🐨lnq's bubblegum, cassette, k-mode. Compare baton)

+stew choreography

Stew choreography is the process of stereotyping* (brane-folding) EGP using fruut to keyframe [sequence/map by hyperlinking] stews. This is our "proof-of-work"~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents)], and should solve twistorspaces (via encryption). Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.Print the portfolio as a sponge. Or, 'cost-of-work'. String command. (see also juke notation, ballet, Stewart, touch-and-go, 🐨lnq's walk, joey)
/// +Such choreography is inferred by "the ballet of Stewart". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string".
+Any proof-of-work must be validated with a signature/handshake.
+Every single stew on a loopstring must be affected for a yield to be accurate.

Function map: random coilstew choreographyfibor

+hologram

(see also sticker, stamp, touch-and-go, juke notation, fibor, hash)

+touch-and-go

Touch-and-go [H#H] refers to my toccata [style of cheironomy] which utilizes threading: [touch*](holography) plus [go](#hashtag) for juking Egglepple++as well as jukebox tuning. // In composing The Origamic Symphony🎶, gameplay is used: patchwork (orchestrating subiteratives, such as prepatches) are contracted (pu$h/pull → deploy) to solve a 🧩puzzle; configs require signatures on stables.Emphasis more on "touch on/over" a topic/subject rather than haptics. (see also krayon, k-mode, gameplay)
/// Conduction is responsive in jukespace.

+lyre

(see also lyre, lyric)

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