Showing posts with label toccata. Show all posts
Showing posts with label toccata. Show all posts

+lyre

(see also lyre, lyric)

+yoyo

lnq's yoyo is a spool of fibor acting as the simulacrum of Egglepple. It is used for dribbling [a ball traversing a 1-brane]*. In gameplay, the yoyo, krayon, and Stewdio^ comprise the primary mathemusical instrumentation in ballet performance [juking].A type of juggle in jukespace, where the yoyo appears as just plain/regular string (sans discs) readied for input [print staging] from the Stewdio. The Stewdio is the default mode, whereas the yoyo and krayon work in k-mode.

Note (+): For posterity, the yoyo (particularly the pullstring) is/was what eventually piqued my interest in string(theory + ludology).

+improvise

In juking, improvisation is the use of stew choreography to adjust^ a play and contort jukespace to force MONEY-making (eg. tweak bubblegum with fibor bundling so that it fits a given handicap). This usually means that the juker will pursue a different walk with the intent of string closuređź”’. Multiplier reliance is optional. Improvising requires both skill and strategy, and therefore, is not subject to chance.*
This is what differentiates juking from the likes of gambling. Recapitulate an aria. (see also patch, y-proof, Mathilda, RONALD)

Note (+): Most juking activity is likely going to be improvisational because most fibor is subject to bundling. That speaks to the sheer volume of bubblegum in the system.





Jukers, upon opening🔓 a token session (ie. coupon-building), may want to improvise for sake of ensuring maximum value on their deposit, or (more reasonably) to expedite gameplay/string closuređź”’ via loop-erasure. The benefit of improvising is a straight flush💵 (tally of ¢ents accrued from proof-of-work within a session).

+stew choreography

Stew choreography is the process of stereotyping* (brane-folding) EGP using fruut to keyframe [sequence/map by hyperlinking] stews. This is our "proof-of-work"~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents)], and should solve twistor spaces (via encryption). Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.Print the portfolio as a sponge. Or, 'cost-of-work'. String command. (see also ballet, Stewart, touch-and-go)

Notes (+): +Such choreography is inferred by "the ballet of Stewart". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to y-proof l-string".

+Every single stew on a loopstring must be affected for a yield to be accurate.



Function map: random coilstew choreographyfibor

+krayon

The krayon is a colloquy (for any number of) lnq's personal choice of flageolet pencil (conductional in jukespace).

Note (+): The spelling with a 'k' is of my recipe. It's actually (or would be) 'crayonđź–Ť' (like the wax-based stylus), a favorite tool of mine used throughout my career for painting.



The krayon hosts a complete copy@ of UUelcome, and is, defaultly, an artificially-styled membrane utensil covering lnq's yoyo finger, as his jointed digitus medius* [with an end serving as the ornamenter]. When called, it undocks/unwraps from the hand. lnq may (characteristically) also choose to wear the (dislodged) krayon held behind an ear.Coded only to me, the impresario. Any finger (usually aside from the pollex) should suffice. (see also yoyo, Stewdio, UUelcome Matte, Koala Krayon, lnq's bubblegum, cassette, k-mode)