Showing posts with label toccata. Show all posts
Showing posts with label toccata. Show all posts


Touch-and-go [H#H] refers to my toccata [style of cheironomy] which utilizes threading: [touch*](holography) plus [go](#hashtag) for juking Egglepple++as well as jukebox tuning.Emphasis more on "touch on/over" a topic/subject rather than haptics. // In composing The Origamic Symphony🎶, gameplay is used: patchwork (orchestrating subiteratives, such as prepatches) are contracted (pu$h/pull → deploy) to solve a 🧩puzzle; configs require signatures on stables. (see also joey, krayon, k-mode, gameplay)
/// Conduction is responsive in jukespace.


A j-surface is a smart topological membrane for projecting the UUe interface onto for toccata purposes. (see also jukespace, joey, Egglepple, everywhere!)


A/the joey [= j-surface + UUe interface], colloquially referred to as '🧑🏿lnq's cello', is a type of [non-traditional] lyre ("little fretboarded phone*") for stew choreography and other toccata pursuits.modular+portable (see also krayon, Stewdio, yoyo, Joey Koala, 🧠brainbrane)
/// +Tidbit: This is my go-to all-in-one companion input device for controlling/interacting/interfacing with Egglepple.
+I call it a 'cello', but it's really a lyre (ie. situated strings bounded over a yoke). I just call it a cello because that's the instrument I used to play back in elementary school.😉


The krayon (also known as lnq's finger) is a colloquy (for any number of) 🧑🏿lnq's personal choice of flageolet pencil (conductional in jukespace).
UUe /// The spelling with a 'k' is of my recipe. It's actually (or would be) 'crayon🖍' (like the wax-based stylus), a favorite tool of mine used throughout my career for painting.
The krayon hosts a complete copy@ [latest build] of UUelcome, and is, defaultly, an organic membrane utensil wrapping 🧑🏿lnq's yoyo finger, as his jointed digitus medius* [with an end serving as the ornamenter].Coded only to me, the impresario. Any finger (usually aside from the pollex) should suffice. When called, it undocks/peels from the hand allowing it to transform (unroll) into a bow [+joey]. 🧑🏿lnq may (characteristically) also choose to wear the (dislodged) krayon held behind an ear. (see also yoyo, 🧠brainbrane, Stewdio, UUelcome Matte, Koala Krayon, Pajamas, 🧑🏿lnq's bubblegum, cassette, k-mode. Compare baton)


In juking, improvisation is the use of stew choreography to adjust^ a play and contort jukespace to force some zero-bubble (eg. tweak bubblegum with fibor bundling so that it fits a given handicap).Recapitulate an aria. This usually means that the juker will pursue a different walk with the intent of string closure🔒. Multiplier reliance is optional. Improvising requires both skill and strategy, and therefore, is not subject to chance.*This is what differentiates juking from the likes of gambling. (see also patch, γ-proof, RONALD)
/// Most juking activity is likely going to be improvisational because most fibor is subject to bundling. That speaks to the sheer volume of bubblegum in the system.
Jukers, upon opening🔓 a token session (ie. coupon-building), may want to improvise for sake of ensuring maximum value on their deposit, or (more reasonably) to expedite gameplay/string closure🔒 via loop-erasure. The benefit of improvising is a straight flush💵 (tally of ¢ents accrued from proof-of-work within a session).

+stew choreography

Stew choreography is the process of stereotyping* (brane-folding) EGP using fruut to keyframe [sequence/map by hyperlinking] stews.Print the portfolio as a sponge. This is our "proof-of-work"~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents)], and should solve twistorspaces (via encryption).Or, 'cost-of-work'. Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.String command. (see also juke notation, ballet, Stewart, touch-and-go, 🧑🏿lnq's walk, joey)
/// +Such choreography is inferred by "the ballet of Stewart". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string".
+Any proof-of-work must be validated with a signature/handshake.
+Every single stew on a loopstring must be affected for a yield to be accurate.

Function map: random coilstew choreographyfibor


(see also sticker, stamp, touch-and-go, juke notation, fibor, hash)


(see also lyre, lyric)




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