+Egglepple: Unfolded

+a survey of polynomial-time algorithms

+mutating algorithms as animators of static systems

sketch: non-dynamic algorithms in combinatorics makes sense only at the point of 0-animation (0-animation ≠ suspended animation; suspended animation = animation with 0-transform), and are of no value in ℝ animaton deployment. While acknowledging that animation does frequent static codes within certain frames, this patch will introduce the effects of mutant parsing for the potential of various applications to animation.

+an introduction to toy theory

sketch: when considering sets with warped elements or those having similar components with unramified locales, the easiest way to perform any pertinent analysis is with a toy theory. Doing so simplifies both locally and globally melodic scales. We introduce the theory of toys as a new tool for mathematics with clopen properties.

+holobouncing

sketch: what is referred to as 'dark matter' in the Universe may actually be an effect of quantum components of a probability cloud bouncing holographically. In theory, holobouncing - or holographic bouncing - satisfies quantum mechanical distribution, and may explain why color is - in the physical sense.

+cassette

Broadly, a cassette is a mobile encode element (module) invoking loading. More specifically, a cassette refers to a discrete batch* (of libraries) that, when ported, becomes streamable.** Ordered via toonage.

Cassettes function as cybernetic buffers; they run prints for site-specific recombination. (compare gene cassette, see also mixtape)
/// Each build is a comprehensive, updated, and ready-to-implement edition of UUelcome (Q♯🎶 + drivers).
Function map: cassette → UUelcome

+toonage

Toonage (truncation of 'cartoonage'*) is the diction given to the chronology of (cf. attempts at) iterations to 🧩puzzle solutions (toons).** Wordplay, but should be taken here like 'fine-tuning' (cf., musical tuning). Implies stereotyping on paper.

We tune^ the jukebox (UUe) by threading kernel libraries (+patchwork) for fugue damping.^^ Training comes from redundant server-side proofs🔒 of random walks, courtesy of games/gameplay, which lead to better Q♯🎶 compatibility.

Toons themselves are individually/inductively ordered (n + 1), but because it is feasible for two (2) or more to be confluent, offered is a finitary

Naming convention
Toonage is marked using the following standard alphanumeric:

Toonxx.nn[]# - where "xx" identifies the port, nn is the pencil count, the brackets [] carry the weight, and the addendum, #, is the episode (as an integer).
/// Toons (n+1 induction) exist because the time complexity of each proof requires a relatively large compute per. In other words, there is extreme likelihood that a game/opus will not be completely solved on the first attempt.
(see EGP, meshroom🍄, opus, cassette, cybernetic governance, #recital, Funshine/Toonlight)
/// Principally validating file hierarchy.

+carrot🥕

In the context of rabbiting, a carrot🥕 (a gamification system quantum used to induce an increase in processor capacity) is the reward function (quantified as a fraction [share] of some bounty from pooled crowdsources) given upon thread closure🔏, tallied - in accordance with the thread - to whomever makes the most ¢ents or is most influential in their bid to resolve some open puzzle🧩. (see bug bounty, token, coupon, carrots+peach🍑, ca$htag, sticker, Quantumquotient)
/// The carrot model is primarily used for recruitment into contests, where they (carrots) are weighed at a standard one-hundred ¢ents per (plus processing fees where applicable). They also come with the bonus incentive (actually, it's the prime directive) of results being published (journaled, #mention) in UUhistlegrass.

+lnq's Starting Five

Composer: 🧑🏿Link Starbureiy
🧑🏿lnq's Starting Five, Link Starbureiy's Starting Five, LS5, or The March 5, refers to the 🎵mathemusical quintet (5-stack) ensemble - having originated with and prepared by him - that shape his repertoire* (other works aside).** Main oeuvre for conducting.

As expressions of the same thing, they are (in no particular order): Egglepple (signal), EGP (tonic), The Origamic Symphony🎶 (movements) UUe (jukebox), and UUelcome (material). This suite is digested on uuhistlegrass, and recited^&.&& It sports 🧑🏿lnq 🧩puzzle solving. (see yots, joey, developus, 🧑🏿lnq's bubblegum, swoon, touch-and-go, UUelcome, License, +list, 305)
/// +The 'starting five' is an athletic reference to team sports in which teams (of at least five players) will begin a game or match with their/its decided starters on deck.
+Puwun is 🧑🏿Link Starbureiy's muse (akin to a sixth man/woman - first off the bench, so to speak).

+UUelcome

🐸

Impresario: 🧑🏿lnq | © ISSN 2165-6738

UUelcome™ is the sequence of EGP.
/// +This one big string of code includes all fibor (fonts, MONEY, bubblegum) outputted as a cassette.
+Sequencing something necessarily means that it gets streamed, anyway, = the genesis of UUelcome being a gameshow.
(see UUe, quantumquotient [UUelcome axiom], 🧑🏿lnq, Funshine/Toonlight (song), The Origamic Symphony🎶, 🧠brainbrane, UUhistlegrass, touch-and-go, Egglepple, everywhere!, cassette, Juke Lemma)
/// +(vocabulary) To a large respect, the word is a portmanteau of 'UUe' and the suffix '-ome' [totality of expressed dynamics, function, and structural material - in this case, Egglepple material]. If we think of it like in biological terms, then uuelcome has congruence to chromosome or genome. So, that's why I named it that way.🙂
+As part of broader machinery, this is a kernel. In biological abstraction, UUelcome would be a cell nucleus.
+With the jukebox fully tuned (all fonts are classified), any mesh becomes stereotypable (ie. any polymer can be modeled and is printable). We then have a complete solution to QQ / image of Egglepple (🧩puzzle).👍

Trivia: Before I settled on the name 'UUelcome', I had contemplated calling it 'fun:musicbook'. My vision was that it was always going to be an album of some sort of music (in this case, mathemusic). The 'fun' bit had/has to do with the FUN Formula. The jukebox runs an auction, but supplementing monetization of the proof (pure mathematics is darn near impossible to make money from without sponsorship) is the basic reason gamification exists here in the first place. The actual stream itself succeeded an earlier attempt of mine in television production - a show called Egglepple: The Mathemagical World. This was me trying to be technical and lamely impress the academics of a small college town (resulting in me learning more than I actually output), and I never truly found my audience (note: that program aired on public access television, a narrowcast market). Production-wise, I had been inspired by scenes from the 1989 film, The Wizard - especially the Super Mario Bros. 3 tournament showcase where the kids/contestants play the game for the very first time anywhere, even before consumers. Historians note this as a huge moment in cinematic history, where a movie basically served as a longform commercial for a single product/event - the release of a video game🎮 (and the planted germ of e-sports). I present my 🧩puzzling in a similar fashion (ie., via demonstrative elements), thus leading me to view the whole world as a gameshow. The main purpose for designing the stream as I have is so that there can exist an unintrusive way to get as many jukers ('people juking') as possible on the network, thereby creating what amounts to a distributed supercomputer (which aids in exploiting QQ). My view of 💲money is somewhat skewed; I think a person should make it to the end of their life completely (or near completely) exhausted of energy (ie. money = energy). Since I don't actually sell anything, per se (the jukebox runs an auction on its native cryptocurrency), but serve as the house when it comes to transactions, giveaways as prizes along with other rewards, makes the nature of a gameshow the perfect fit.

It^ is a ctf* hashing^& 🧑🏿lnq's walk.^^ This so-called 'jukebox recital' and the formulation of contemporary mathemusic are inventions of 🧑🏿Link Starbureiy.🤓 ** Featuring a bid-ask spread in a greedy auction where threads are maximized [flag = thread(max)] (ie. exhaustion of all 676 ports before a new cycle🔄 of the runtime). && abi threading Flags🏁 are identified as 0-bubbles. (see Juke Lemma, UUelcome License, opera ludo, krayon, 🧑🏿lnq's desiderata, Pink program, toonage, Funday, treble, vendor, merchant, Black and White, cybernetic governance, juke notation)
/// +For all intents and purposes, this is what I mean when I say that "I op(erate) a jukebox"; UUelcome is lnq's logic/instinct and signature.
+Technically, UUelcome is an opera ludo. When I stream it solitaire, it's a recital . When shared for playalong (orchestra), it aims to be a sport.

Function map: quantumquotient ← UUelcome (kernel) ⇔ 🧠brainbrane

+patch

In flowchart material, a patch is an arbitrary morphism between separate categories that induces a categorical limit on fruut. Put another way, a patch [non-residue] initiates some recompute (resulting in a change of topology at an inflection point) of a walk.

As combinatorial generators, patches create (a supply of) theoretical graphs which help calibrate stew choreography when mapping relational categories; hence, patches are (decorative) bundling objects (compare ribosome).

Included in the patchwork pipe (a-z) is the prepatch ('prep'), which is a pre-release of an official/actual compile. These usually will highlight new objects that need to be tested before committing to a stable (release). (see toonage, bubblegum, coverage, improvise, γ-proof, cassette, signature, sticker)

+postcard

In flowchart material, postcard (or just card) is a finite*-accessible page (the 'post'~) or sheet/interface containing information that may also be marked.** individual ~~ Do not confuse with post (route).

Each postcard threaded on UUhistlegrass - as uuhistlegrass - features, at a minimum, the following identifiers: a title (header), body [illustrated (with text, stamps, holograms, and/or stickers) or void], and a date/postmark (metadata). (See stamp, sticker, thread, hologram. Compare stew, residue)

+UUhistlegrass

UUhistlegrass©™ is the name given to UUelcome's libretti^@ [ie. folio of flowchart^{^} objects (eg. postcards, stamps, stickers, etc.)].@@ A libretto is a scored+digested thread compile of staging+music relating the preimagery to the image. ^^ stream (see 🧑🏿lnq's Starting Five, Egglepple, everywhere!, UUelcome License)
/// +All jukebox activity outputs to the ledger, however, some entries - like miscellany (#miscellany) and blurb (#blurb) - may be excluded from archiving, which catalogues 🧑🏿Link Starbureiy's compositions/signatures. Executables are filed under #libretto, articles (eg. 'papers') under #article.
+This libretto [essentially a cartridge of individual compiles (cassettes) that are organized by ephemera (hash)] corresponds to a logfile. To a degree, it may be likened to sheet music, or the dopesheet in traditional animation. (see also 🧑🏿lnq's Starting Five)

+ The contents of these documents may meet basic disclosure/transparency requirements as codified by federal law and referential scholarship. Additionally, they fulfill specific accounting standards as promulgated by certain preservation ordinances. Identification UUhistlegrass has a permanent record with the Library of Congress in the United States of America, as through an issued International Standard Serial Number (ISSN). //: ISSN 2165-6738 Furthermore, that same record is catalogued by WorldCat with the following catalog number: OCLC 774054633

+UUelcome Editions

UUelcome Editions was the original name of what is now known as UUhistlegrass. (see also UUelcome, UUelcome Matte)

UUe Charter©