+ed/P

+probability density function

+probability theory

+probability space

+entropy (information theory)

+tablature

Tablature is the table of frets (font sizes, 1¢ +) available to a given opus. It is indicative of a 'buy-in'* multiplier. You are buying time (1 token ≈ 1 minute).

We derive the valuation as the logarithm with a base product of pencil count by font weight, and an (egg,epp) quotient (or, even simpler: handicap/2600). Complexity: P

+hypercurrency

Hypercurrency is ¢ents moved by a vendor (think 'credit'💳). (compare hypocurrency, see also hyperlink, juke tax, 🐨lnq's walk)

+open string

By default, fibor always starts out as an open string [randomly coiled loopstring with two (2) endpoints]*. The objective is to twist and thus efficiently close🔒 this string (a process known generically as folding).Egglepple-wise, no instance exists where a string sits in freespace; endpoints are always attached to a membrane.
/// Open string is a game's definitive opening. [see also yesegalo]

+random coil

Ludologically, the function of opening🔓 a loopstring is processed seemingly random.
/// As in each outcome has equal probability.
A random coil is the lowest-level [dim≤1] (unmapped) orientation of a brane. This unstructured position sample [an algebraic curve] is known* as its preimage (or illustrative state for both pitch and incidental tax determinance). Instead of being a specific shape/pose, it is a statistical distribution of all populated conformations (albeit, strictly those lacking subunit definition). If each conformation (walk) has equal probability or weight, then such coil is the acoustically-approximated bounds of some twistorspace.I label it 'scribble'. (compare denaturation, contrast identity)
/// +It is not uncommon to have multiple different coil(s) for the same opus/string.

+The orientation is that of algebraic curvature because topologically, random coils are random walks on curved surfaces. My given axiom is that encryption can be hidden in its algebra.
Function map: scribble → sponge

+earl

earl™ (from "encrypted algebraicly-rational leaf") is UUe's systolic array. It uses cellular automation to batch process ellis. This is the Pink program's cantata.

earl "mutates" based on the transposition (inclusion/exclusion) of cells on the circuit.

In the theme of simulacra, earl is cellular (cyto) so as to be continually re-purposed for stereotyping stews.

Notes (+): + In other words, represent the compute layer for EGP calculations. + 'Cellular automation' refers to the behavior of networked core processors designed as a systolic array. + earl complements ellis. This is the subject's sonata.

+walk

A walk is some playable* spacetime complex process (sequence of finite steps at fixed lengths). This is a plot of a nut's path (a type of integrated circuit as it would traverse the braneworld, indicative of currency flow or point spread) with stochastic activity at specified movements (opening→middlegame→endgame). In all probability, walks chart a statistical distribution of their entropy (random variables transforming twistorspace). Ludologically, some progression and its contrapuntal motion.
In proof theory, there are three (3) stages to a walk: (1) coil, (2) graphics, and (3) mesh.

We use walks as parse arguments in juking. (see also 🐨lnq's walk, thread, sport, Pink program, route, tip, UUelcome)
/// In automation, walks are approximate source directives.
Function map: preimage → walk → image

+opus

As it pertains to juking, an opus [technically, "opus number", as some quotient (1/676) of Stewart] or developus is a finite stew choreographical instance resulting in a completed typeface mutation. Plainly, an opus is the computation (ie. encrypting EGP on a discretized brane*, subjugating some thread) of some partition of Egglepple (ie. movement). Each new opus (an event [game]) will commence at the request [draw] of its ballet, thereby instantiating a unique node on Big-O Tree. Opus conclusion occurs when its 🧩puzzle is solved, and should validate a fibor, which is to be then readied for kernel registration. Depending on its texture, an opus may be referred to as an opera^@, operetta (diminutive), or opéra-ballet (ob).Cellular automata Which is technically a kernel's logic path or operation (a walk involving non-impresarial decision-making).
/// Actually, an opus may overlap with, but is of a different genus than a developus. An opus is a method of cataloging a juke (much like with symphonies, operas, regular pieces, etc.). Publication assignment gives opus sets a maximum of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^{^}, a work may be published as "Opus AB, Number 14" (written as Opus AB.14), where "Number 14" - is the fourteenth iteration of the ballet performed on the loopstring, "AB" (its port - the letters of the start and stop leaves, respectively). For all intents and purposes, opus titles say, "font size by font weight". Each iteration itself may also be nested (eg. "Opus AB, no.14c").Default opus is #LS.35[64]. (see also toonage, mixtape)
/// Iterations are basically variations of pencil quantities, and by necessity, font count. In nesting, we let p stand for 'pencil', and f stand for 'font'. The opus' title and number remain as is; they are established. The iteration only changes either the pencil or font count. So, for example (purely meant to be hypothetical and unofficial), let Opus GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be Opus GU, No. 4f2885, where the pencil count (830) is unchanged and the font count has been reduced to 2,885. Or, we could have Opus GU, No.4p910, where the font count (4,116) remains unchanged and the pencil count has increased to 910. Again, purely hypothetical.