**Hypercurrency**is ¢ents moved by a vendor (think 'credit'๐ณ). (compare hypocurrency, see also hyperlink, juke tax, ๐ง๐ฟlnq's walk)

Showing posts with label

**probabilitytheory**. Show all postsShowing posts with label

**probabilitytheory**. Show all posts### +opus

As it pertains to juking, an

/// Actually, an

An

/// Iterations are basically variations of pencil quantities, and by necessity,

**opus**[technically, "**opus number**", as some quotient (1/676) of*Stewart*] or**developus**is a finite stew choreographical instance resulting in a completed typeface mutation. Plainly, an**opus**is the computation (ie. encrypting EGP on a discretized brane*, subjugating some thread) of some partition of Egglepple (ie. movement).Cellular automata Each new**opus**(an event [game]) will commence at the request [draw] of its ballet, thereby instantiating a unique node on Big-O Tree.**Opus**conclusion occurs when its ๐งฉpuzzle is solved, and should validate a fibor, which is to be then readied for kernel registration. Depending on its texture, an**opus**may be referred to as an**opera**^{@},*(diminutive), or***operetta***(***opรฉra-ballet****ob**).Which is technically a`kernel`

's `logic`

path or `operation`

(a walk involving non-impresarial decision-making)./// Actually, an

**opus**may overlap with, but is of a different genus than a*developus*

.
An

**opus**is a method of cataloging a juke (much like with symphonies,**operas**, regular pieces, etc.). Publication assignment gives**opus**sets a__maximum__of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^{^}, a work may be published as "**Opus**AB, Number 14" (written as**Opus**AB.14), where "Number 14" - is the fourteenth iteration of the ballet performed on the loopstring, "AB" (its port - the letters of the start and stop leaves, respectively).Default**opus**is #LS.35[64]. For all intents and purposes,**opus**titles say, "font size by font weight". Each iteration itself may also be nested (eg. "**Opus**AB, no.14c"). (see also toonage, mixtape)/// Iterations are basically variations of pencil quantities, and by necessity,

`font`

count. In nesting, we let p stand for 'pencil', and f stand for '`font`

'. The **opus**' title and number remain as is; they are established. The iteration only changes either the pencil or`font`

count. So, for example (purely meant to be hypothetical and unofficial), let **Opus**GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be**Opus**GU, No. 4f2885, where the pencil count (830) is unchanged and the`font`

count has been reduced to 2,885. Or, we could have **Opus**GU, No.4p910, where the font count (4,116) remains unchanged and the pencil count has increased to 910. Again, purely hypothetical.### +open string

By default, fibor always starts out as an

///

**open string**[randomly coiled loopstring with two (2) endpoints]*. The objective is to twist and thus efficiently close๐ this string (a process known generically as*folding*).Egglepple-wise, no instance exists where a`string`

sits in freespace; `endpoints`

are always attached to a `membrane`

.
///

**Open string**is a`game`

's `definitive`

*opening*

. [see also yesegalo]
### +walk

A

In proof theory, there are three (3) stages to a

We use

/// In automation,

Function map: preimage →

**walk**is some playable* spacetime complex process (sequence of finite steps at fixed lengths).`Ludologically`

, some progression and its contrapuntal motion. This is a plot of a nut's path (a type of integrated circuit as it would traverse the braneworld, indicative of currency flow or point spread) with stochastic activity at specified movements (*opening*→*middlegame*→*endgame*). In all probability,**walks**chart a statistical distribution of their entropy (random variables transforming twistorspace).In proof theory, there are three (3) stages to a

**walk**: (1) coil, (2) graphics, and (3) mesh.We use

**walks**as parse arguments in juking. (see also ๐ง๐ฟlnq's walk, thread, sport, Pink program, route, tip,*)***UUe**lcome/// In automation,

**walks**are approximate source directives.Function map: preimage →

**walk**→ image### +random coil

Ludologically, the function of

/// As in each outcome has equal probability.

A

/// +It is not uncommon to have multiple different coil(s) for the same

+The

Function map:

*opening*๐ a loopstring is processed seemingly random./// As in each outcome has equal probability.

A

**random coil**is the lowest-level [dim≤1] (unmapped) orientation of a brane. This unstructured position sample [an algebraic curve] is known* as its preimage (or illustrative state for both pitch and incidental tax determinance).I label it '*scribble*'. Instead of being a specific shape/pose, it is a statistical distribution of all populated conformations (albeit, strictly those lacking subunit definition). If each conformation (walk) has equal probability or weight, then such**coil**is the acoustically-approximated bounds of some twistorspace. (compare denaturation, contrast identity)/// +It is not uncommon to have multiple different coil(s) for the same

`opus/string`

. +The

*orientation*is that of algebraic curvature because topologically,**random coils**are random walks on curved surfaces. My given axiom is that`encryption`

can be hidden in its algebra.
Function map:

**scribble**→ sponge### +tablature

**Tablature**is the table of frets (font sizes, 1¢ +) available to a given opus. It is indicative of a 'buy-in'* multiplier. You are buying time (1

`token`

≈ 1 minute).We derive the valuation as the logarithm with a base product of pencil count by font weight, and an (egg,epp) quotient (or, even simpler: handicap/2600). Complexity:

**P**

#
font,
fret,
glossary,
juking,
mathemusic,
probabilitytheory,
Stewart,
tablature,
table

### +earl

**earl**™ (from "

**e**ncrypted

**a**lgebraicly-

**r**ational

**l**eaf") is

**UUe**'s systolic array. It uses cellular automation to batch process ellis. This is the Pink program's cantata.

**earl**"mutates" based on the transposition (inclusion/exclusion) of cells on the circuit.

In the theme of simulacra,

**earl**is

*cellular*(cyto) so as to be continually re-purposed for stereotyping stews.

Notes (+):
+ In other words, represent the |

#
cantata,
coda,
earl,
Egglepple,
endgame,
glossary,
loop,
loopstring,
pink,
probabilitytheory,
processing,
Stewart,
theory

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