**probabilitytheory**. Show all posts

**probabilitytheory**. Show all posts

### +tablature

**Tablature**is the table of frets (font sizes, 1¢ +) available to a given opus. It is indicative of a 'buy-in'* multiplier. You are buying time (1

`token`

≈ 1 minute).We derive the valuation as the logarithm with a base product of pencil count by font weight, and an (egg,epp) quotient (or, even simpler: handicap/2600). Complexity:

**P**

### +hypercurrency

**Hypercurrency**is ¢ents moved by a vendor (think 'credit'💳). (compare hypocurrency, see also hyperlink, juke tax, lnq's walk)

### +open string

**open string**[randomly coiled loopstring with two (2) endpoints]*. The objective is to twist and thus efficiently close🔒 this string (a process known generically as

*folding*).Egglepple-wise, no instance exists where a

`string`

sits in freespace; `endpoints`

are always attached to a `membrane`

.
Note (+): |

### +random coil

Note (+): As in each outcome has equal probability. |

A

**random coil**is the lowest-level [dim≤1] (unmapped) orientation of a brane. This unstructured position sample [an algebraic curve] is known* as its preimage (or illustrative state for both pitch and incidental tax determinance). Instead of being a specific shape, it is a statistical distribution of all populated conformations (albeit, strictly those lacking subunit definition). If each conformation (walk) has equal probability or weight, then such

**coil**is the acoustically-approximated bounds of some twistor space.I label it '

*scribble*'. (compare denaturation)

Notes (+): +It is not uncommon to have multiple different coil(s) for the same |

Function map:

**scribble**→ sponge

### +earl

**earl**™ (from "

**e**ncrypted

**a**lgebraicly-

**r**ational

**l**eaf") is

**UUe**'s systolic array. It uses cellular automation to batch process ellis. This is the Pink program's cantata.

**earl**"mutates" based on the transposition (inclusion/exclusion) of cells on the circuit.

In the theme of simulacra,

**earl**is

*cellular*(cyto) so as to be continually re-purposed for stereotyping stews.

Notes (+):
+ In other words, represent the compute layer for EGP calculations. |

### +walk

**walk**is some playable* spacetime complex process (sequence of finite steps at fixed lengths). This is a plot of a nut's path (as it would traverse a brane, indicative of currency flow) with stochastic activity at specified movements (

*opening*→

*middlegame*→

*endgame*). In all probability,

**walks**chart a statistical distribution of their entropy (random variables transforming twistor space).

`Ludologically`

, some progression and its contrapuntal motion.In proof theory, there are three (3) stages to a

**walk**: (1) coil, (2) graphics, and (3) mesh.

We use

**walks**as parse arguments in juking. (see also lnq's walk, sport, Pink program, route, tip,

*)*

**UUe**lcome
Note (+): In automation, |

Function map: preimage →

**walk**→ image

### +opus

**opus**[technically, "

**opus number**", as some quotient (1/676) of

*Stewart*] or

**developus**is a finite stew choreographical instance resulting in a completed typeface mutation. Plainly, an

**opus**is the computation of some partition of Egglepple (ie. encrypting EGP on a discretized brane*, subjugating some lyric). Each new

**opus**(an event [game]) will commence at the request [draw] of its ballet, thereby instantiating a unique node on Big-O Tree.

**Opus**conclusion occurs when its puzzle is solved, and should validate a fibor, which is to be then readied for kernel registration. Depending on its texture, an

**opus**may be called an

**opera**^{@},

*(diminutive), or*

**operetta***(*

**opéra-ballet****ob**).Cellular automata Which is technically a

`kernel`

's `logic`

path or `operation`

(a walk involving non-impresarial decision-making).
Note (+): Actually, an |

An

**opus**(of

*) is a method of cataloging a juke (much like with symphonies,*

**UUe**lcome**operas**, regular pieces, etc.). Publication assignment gives

**opus**sets a

__maximum__of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example

^{^}, a work may be published as "

**Opus**AB, Number 14" (written as

**Opus**AB.14), where "Number 14" - is the fourteenth iteration of the ballet performed on the loopstring, "AB" (its port - the letters of the start and stop leaves, respectively). For all intents and purposes,

**opus**titles say, "font size by font weight". Each iteration itself may also be nested (eg. "

**Opus**AB, no.14c").Default

**opus**is #LS.35[64]. (see also mixtape)

Note (+): Iterations are basically variations of pencil quantities, and by necessity, |