Showing posts with label measuretheory. Show all posts
Showing posts with label measuretheory. Show all posts
+coverage
A coverage is the trigonometric posture (ie. formation) for surjectively graphing a [supersymmetric] zone on(to) some pitch.
As cryptographic shape schemes [puzzles], coverages are fundamentally mutable and dynamic; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see also #coverage, egg, epp, patchwork, cassette, Honne Bay)
As cryptographic shape schemes [puzzles], coverages are fundamentally mutable and dynamic; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see also #coverage, egg, epp, patchwork, cassette, Honne Bay)
+meshroom
To meshroom (v.) is to coordinate The Origamic Symphony within jukespace [TOS↦j]. It dictates that, because Egglepple is (ludologically) a p-brane* connecting the vector scale extrema, the notion of cell space algebras being conflated epimorphically within a curvilinear framework is important for defining variation (groove∪melody).In this case, 'p' stands for (my) 'portfolio'.😇
Meshrooming advances genetic algorithms [: fold measured (partite) monomers in order to deduce a mesh] for twistors by considering them as datapoints on a neural network (ie. flavor⇒sequence→mesh). (also of interest: loopstring, Pink program)
Note (+): Compositing is hypothesized to be accomplished under a single preimage. |
Function map: j → pm [...eventual self-synthesis]
|
algorithmic botany'.
Pursuant to symphonic compile time, BOT is our auction arguments map for measuring nuts [per brane (Egglepple) sequencing]. On this graph, each node represents a ballet and its spacetime complexity* [(P ⊆ E) ∝ T]. Thus, there are 676 (262) parent branches on the tree🌴 stemming from said leaf ports.
Cache flow
Notes (+):
+The |
Function map: signature ↔ BOT ↔ pajamas
+flageolet pencil
Inventor: Link Starbureiy
A flageolet pencil (or just pencil, or krayon) is a finite n-dimensional cell~ that is subject to rhetorical arrangement (ie. variation). Thus, a pencil is quantum by proxy*. It is a generator (musically: metronome or counter); equivalent in most instances to a hash, stew, residue, or brane declension (eg. 0-brane). Normally, flageolet pencils are not colored.Which can propagate like a cellular automaton.
Flageolet pencils lay the foundation of stew choreography; they are intonation points in cheironomy, and can be used to draw tape and/or establish melodies+grooves. Pencils may concatenate or split among themselves (this is called interaction).
Flageolet pencils are the motifs of string (à la "integration-by-parts"). There are twenty-six (26) different varieties of pencil(s). When measured, each pencil is worth some integer [1-26] multiple of one-hundred (100) ¢ents.
Function map: pencil ↔ RONALD
A flageolet pencil (or just pencil, or krayon) is a finite n-dimensional cell~ that is subject to rhetorical arrangement (ie. variation). Thus, a pencil is quantum by proxy*. It is a generator (musically: metronome or counter); equivalent in most instances to a hash, stew, residue, or brane declension (eg. 0-brane). Normally, flageolet pencils are not colored.Which can propagate like a cellular automaton. Ludologically, a pencil is a toy; mathematically, a pencil would be an element on the number line. (see also colored pencil)Flageolet pencils lay the foundation of stew choreography; they are intonation points in cheironomy, and can be used to draw tape and/or establish melodies+grooves. Pencils may concatenate or split among themselves (this is called interaction).
Flageolet pencils are the motifs of string (à la "integration-by-parts"). There are twenty-six (26) different varieties of pencil(s). When measured, each pencil is worth some integer [1-26] multiple of one-hundred (100) ¢ents.
Note (+): The twenty-six varieties stem from the fact that The Origamic Symphony spans 26 |
Function map: pencil ↔ RONALD
+juke
A juke - a mathemusical measure - is an iterated perturbation* (sesquilinear transform) to Egglepple. To juke
is to proof some twistor space with (an) EGP encryption [more accurately, to encode EGP onto a brane (tape)].
Juking will summon a redeemable option (the coupon) on a continuous event that is predetermined. In this case, jukes are proxies for the statistical variance of tablature complexity, and serve to hedge some handicap. Jukes themselves generate UUe's cryptohash (provided from seigniorage on coupons); being synonymous with coin insertion [deposit] for traditional jukebox activation and dispensing.ie.
Within the context of stew choreography, a juke is a play that is symmetry-breaking (to some walk) but not an endgame move, which means that it does not include: (1) the coupling of adjacent leaves, or (2) the leaves EEE and PPP [(namely (EEE,PPP) / (PPP,EEE)] in coordination. Failing to adhere to this rule would result in dissonance.
Out of the total twenty-six (26) stews, only twenty-four (24) of them allow legal jukes. This stems from the fact that a composition cannot lack harmony, which is to say that a loop (connected endpoints), nor adjacencies (any side-by-side coordinates) are permissible. (see also Juke Lemma, juke tax, juke notation, juke button)
is to proof some twistor space with (an) EGP encryption [more accurately, to encode EGP onto a brane (tape)].
Juking will summon a redeemable option (the coupon) on a continuous event that is predetermined. In this case, jukes are proxies for the statistical variance of tablature complexity, and serve to hedge some handicap. Jukes themselves generate UUe's cryptohash (provided from seigniorage on coupons); being synonymous with coin insertion [deposit] for traditional jukebox activation and dispensing.ie. ultrametric calculusWithin the context of stew choreography, a juke is a play that is symmetry-breaking (to some walk) but not an endgame move, which means that it does not include: (1) the coupling of adjacent leaves, or (2) the leaves EEE and PPP [(namely (EEE,PPP) / (PPP,EEE)] in coordination. Failing to adhere to this rule would result in dissonance.
Note (+): It may be the case that the |
Out of the total twenty-six (26) stews, only twenty-four (24) of them allow legal jukes. This stems from the fact that a composition cannot lack harmony, which is to say that a loop (connected endpoints), nor adjacencies (any side-by-side coordinates) are permissible. (see also Juke Lemma, juke tax, juke notation, juke button)
Note (+): The sequence of |