A
juke - a
mathemusical measure - is an
iterated perturbation* (
sesquilinear transform) to
Egglepple. To
juke
is to
proof some
twistorspace with (an)
EGP encryption [more accurately, to
encode EGP onto a
brane (
tape)].
Juking will summon a redeemable option (the
coupon) on a
continuous event that is
predetermined. In this case,
jukes are proxies for the
statistical variance of
tablature complexity, and
serve to
hedge some
handicap.
Jukes themselves
generate UUe's
cryptohash (provided from
seigniorage on
coupons); being synonymous with
coin insertion [
deposit] for traditional
jukebox activation and
dispensing.
ie. ultrametric
calculus





/// It may be the case that the leaves
EEE and PPP can/should be replaced by EEG and PPG, respectively. This is because EEE and PPP actually are loop markers (marking initiation and termination) in a sequence. Adjacent leaves
cannot be coupled due to the fact that a chord (three leaves
or more) is required for folding.
Within the context of
stew choreography, a
juke is a
play that is
symmetry-breaking (to some
walk) but not an
endgame move, which means that it does not include: (
1) the coupling of adjacent
leaves, or (
2) the
leaves EEE and PPP [(namely (EEE,PPP) / (PPP,EEE)] in coordination.
Failing to adhere to this rule would result in
dissonance.
Out of the total twenty-six (
26)
stews, only twenty-four (
24) of them allow legal
jukes. This stems from the fact that a
composition cannot lack
harmony, which is to say that a
loop (connected
endpoints), nor adjacencies (any side-by-side coordinates) are permissible. (see also
Juke Lemma,
juke tax,
juke notation,
juke button,
jukepot,
tip)
/// The sequence of leaves
in a juke is immune to start/stop identification. Meaning that it is not illegal to have an opus
be of identical lettering (eg. "Opus LL
").