+coverage

A coverage [cover-patch identity]* is the twistorspace posture (formation) for combinatorically graphing a [supersymmetric] zone on(to) some pitch (ie. fibor-bundling a set of BIG + SMALL branes). Since there are 100 different covers (0-99) that can be patched 26 different ways (a-z), there exists a total of 2,600 discrete coverages.** An example would be something like [(cover-34,patch.g) = coverage 34g].

As cryptographic shape schemes [puzzles🧩], coverages are fundamentally mutable and dynamic; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see #coverage, toonlight, egg, epp, patchwork, cassette, Honne Bay)

+Big-O Tree

Big-O Tree™ (BOT^!) is UUe's metre.!! Like 'algorithmic botany'.

Pursuant to symphonic compile time, BOT is our auction arguments map for measuring nuts [per brane (Egglepple) sequencing]. On this graph, each node represents a ballet and its spacetime complexity* [(P ⊆ E) ∝ T].** Cache flow Thus, there are 676 (26²) parent branches on the tree🌴 threading said leaf ports and residue.
/// +The fitness workflow is the cumulative generation of loop-erased walks (ie. branch prediction algorithms).
+Although "Big-O" behaves mathematically like big O (limiting behavior of functions), the 'O' in the name is actually for 'org' (as in opus organization).

Issue-tracking and related specifications for Big-O Tree are indigenous to dev. Such specifications help sew (control fibor threading) our cellular fabric. (see bigo tree)
Function map: signature ↔ BOT

+meshroom

To meshroom (v.) is to coordinate The Origamic Symphony🎶 within jukespace [Q♯↦j].

It dictates that, because Egglepple is (ludologically) a p-brane* connecting the vector scale extrema, the notion of cell space algebras being conflated epimorphically within a curvilinear framework is important for defining variation (groove∪melody).** In this case, 'p' stands for (my) 'portfolio'.😇

Meshrooming advances genetic algorithms [: fold measured (partite) monomers in order to deduce a mesh] for twistors by considering (visualizing) them as embedded datapoints on a neural network [nn] (ie. flavor⇒sequence→mesh). (also of interest: loopstring, Pink program, identity)
/// Compositing is hypothesized to be accomplished under a single preimage.
Function map: j → pm [...eventual self-synthesis]

+juke

A juke - a mathemusical measure - is an iterated perturbation* (sesquilinear transform) to Egglepple.** ie. ultrametric calculus To juke is to proof some twistorspace with (an) EGP encryption [more accurately, to encode EGP onto a brane (tape)].

Juking will summon a redeemable option (the coupon) on a continuous event that is predetermined. In this case, jukes are proxies for the statistical variance of tablature complexity, and serve to hedge some handicap. Jukes themselves generate UUe's cryptohash (provided from seigniorage on coupons); being synonymous with coin insertion [deposit] for traditional jukebox activation and dispensing.
/// It may be the case that the leaves EEE and PPP can/should be replaced by EEG and PPG, respectively. This is because EEE and PPP actually are loop markers (marking initiation and termination) in a sequence. Adjacent leaves cannot be coupled due to the fact that a chord (three leaves or more) is required for folding.

Within the context of stew choreography, a juke is a play that is symmetry-breaking (to some walk) but not an endgame move, which means that it does not include: (1) the coupling of adjacent leaves, or (2) the leaves EEE and PPP [(namely (EEE,PPP) / (PPP,EEE)] in coordination. Failing to adhere to this rule would result in dissonance.

Out of the total twenty-six (26) stews, only twenty-four (24) of them allow legal jukes. This stems from the fact that a composition cannot lack harmony, which is to say that a loop (connected endpoints), nor adjacencies (any side-by-side coordinates) are permissible. (see Juke Lemma, juke tax, juke notation, juke button, jukepot, tip)
/// The sequence of leaves in a juke is immune to start/stop identification. Meaning that it is not illegal to have an opus be of identical lettering (eg. "Opus LL").

+flageolet pencil

Inventor: 🐨Link Starbureiy
A flageolet pencil (or just pencil, or krayon) is a finite n-dimensional cell^~ that is subject to rhetorical arrangement (ie. variation).~~ Which can propagate like a cellular automaton. Thus, a pencil is quantum by proxy*.** Ludologically, a pencil is a toy; mathematically, a pencil would be an element on the number line. It is a metric generator (musically: metronome or counter); equivalent in most instances to a hash, stew, residue, or brane declension (eg. 0-brane). Normally, flageolet pencils are not colored. (see colored pencil, leaf)
/// The twenty-six varieties stem from the fact that The Origamic Symphony spans 26 measures in relation to EGP.

Flageolet pencils lay the foundation of stew choreography; they are intonation points in cheironomy, and can be used to draw tape and/or establish melodies+grooves. Pencils may concatenate or split among themselves (this is called interaction).

Flageolet pencils are the motifs of string (à la "integration-by-parts"). There are twenty-six (26) different varieties of pencil(s). When measured, each pencil is worth some integer [1-26] multiple of one-hundred (100) ¢ents.
Function map: pencil (Stewart) ↔ RONALD (Mathilda)

+measure (mathematics)

+measure theory