+coverage
As cryptographic shape schemes [puzzles], coverages are fundamentally mutable and dynamic; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see also #coverage, egg, epp, patchwork, cassette, Honne Bay)
+meshroom
Meshrooming advances genetic algorithms [: fold measured (partite) monomers in order to deduce a mesh] for twistors by considering them as datapoints on a neural network (ie. flavor⇒sequence→mesh). (also of interest: loopstring, Pink program)
Note (+): Compositing is hypothesized to be accomplished under a single preimage. |
Function map: j → pm [...eventual self-synthesis]
Big-O Tree™ |
algorithmic
botany'.Pursuant to symphonic compile time, BOT is our auction arguments map for measuring nuts [per brane (Egglepple) sequencing]. On this graph, each node represents a ballet and its spacetime complexity* [(P ⊆ E) ∝ T]. Thus, there are 676 (26^{2}) parent branches on the tree🌴 stemming from said leaf ports.
Cache
flow
Notes (+):
+The |
Function map: signature ↔ BOT ↔ pajamas
+flageolet pencil
A flageolet pencil (or just pencil, or krayon) is a finite n-dimensional cell^{~} that is subject to rhetorical arrangement (ie. variation). Thus, a pencil is quantum by proxy*. It is a generator (musically: metronome or counter); equivalent in most instances to a hash, stew, residue, or brane declension (eg. 0-brane). Normally, flageolet pencils are not colored.Which can propagate like a cellular automaton.
Ludologically
, a pencil is a toy; mathematically
, a pencil would be an element on the number line. (see also colored pencil)Flageolet pencils lay the foundation of stew choreography; they are intonation points in cheironomy, and can be used to draw tape and/or establish melodies+grooves. Pencils may concatenate or split among themselves (this is called interaction).
Flageolet pencils are the motifs of string (à la "integration-by-parts"). There are twenty-six (26) different varieties of pencil(s). When measured, each pencil is worth some integer [1-26] multiple of one-hundred (100) ¢ents.
Note (+): The twenty-six varieties stem from the fact that The Origamic Symphony spans 26 |
Function map: pencil ↔ RONALD
+juke
ultrametric
calculusWithin the context of stew choreography, a juke is a play that is symmetry-breaking (to some walk) but not an endgame move, which means that it does not include: (1) the coupling of adjacent leaves, or (2) the leaves EEE and PPP [(namely (EEE,PPP) / (PPP,EEE)] in coordination. Failing to adhere to this rule would result in dissonance.
Note (+): It may be the case that the |
Out of the total twenty-six (26) stews, only twenty-four (24) of them allow legal jukes. This stems from the fact that a composition cannot lack harmony, which is to say that a loop (connected endpoints), nor adjacencies (any side-by-side coordinates) are permissible. (see also Juke Lemma, juke tax, juke notation, juke button)
Note (+): The sequence of |