/stewc

A stewc - a mathemusical measure - :== an iterated perturbation* (sesquilinear transform) to some group of stews.** ie. ultrametric calculus To stewc is to proof some twistorspace with (an) STU encryption [more accurately, to encode STU onto a brane (tape)].

Stewcing will summon a redeemable option (the coupon) on a continuous event that is predetermined. In this case, stewcs are proxies for the statistical variance of tablature complexity, and serve to hedge some handicap. Stewcs themselves generate UUe's cryptohash (provided from seigniorage on coupons); being synonymous with coin insertion [deposit] for traditional jukebox activation and dispensing.
/// It may be the case that the leaves SSS and UUU can/should be replaced by SST and UUT, respectively. This is because SSS and UUU actually are loop➰ markers (marking initiation and termination) in a sequence. Adjacent leaves cannot be coupled due to the fact that a chord (three leaves or more) is required for folding.

Within the context of stew choreography, a stewc is a play that is symmetry-breaking (to some walk) but not an endgame move, which means that it does not include: (1) the coupling of adjacent leaves, or (2) the leaves SSS and UUU [(namely (SSS,UUU) / (UUU,SSS)] in coordination. Failing to adhere to this rule would result in dissonance.

Out of the total twenty-six (26), only twenty-four (24) of them allow legal stewcs. This stems from the fact that a composition cannot lack harmony, which is to say that a loop (connected endpoints), nor adjacencies (any side-by-side coordinates) are permissible. (see Stewc Lemma, stewc tax, stewc notation, stewc button, jukepot, stewc field)
/// The sequence of leaves in a stewc is immune to start/stop identification. Meaning that it is not illegal to have an opus be of identical lettering (eg. "Opus LL").

/flageolet pencil✏️

Inventor: 🧑🏿Link Starbureiy
flageolet pencil✏️ (or just pencil✏️, or krayon) :== a finite n-dimensional cell^~ that is subject to rhetorical arrangement (ie. variation).~~ Which can propagate like a cellular automaton. Thus, a pencil✏️ is quantum by proxy*.** Ludologically, a pencil✏️ is a toy; mathematically, a pencil✏️ would be an element on the number line. It is a metric generator (musically: metronome or counter); equivalent in most instances to a hash, stew, residue, or brane declension (eg. 0-brane). Normally, flageolet pencils✏️ are not colored. (see colored pencil✏️, leaf, Stewniverse)
/// The twenty-six varieties stem from the fact that The Origamic Symphony🎶 spans 26 measures in relation to STU.

Flageolet pencils✏️ lay the foundation of stew choreography; they are intonation points in cheironomy, and can be used to draw tape and/or establish melodies+grooves. Pencils✏️ may concatenate or split among themselves (this is called interaction).

Flageolet pencils✏️ are the motifs of string (à la "integration-by-parts"). There are twenty-six (26) different varieties of pencil(s)✏️. When measured, each pencil is worth some integer [1-26] multiple of one-hundred (100) ¢ents🪙.
Function map: pencil✏️ ↔ RONALD (Mathilda)

/Big-O Tree

Big-O Tree™ (BOT^!) :== UUe's metre.!! Like 'algorithmic botany'.

Pursuant to symphonic compile time, BOT :== our auction arguments map for measuring nuts [per brane (Egglepple) sequencing]. On this graph, each node represents a ballet and its spacetime complexity* [(P ⊆ E) ∝ T].** Cache flow Thus, there are 676 (26²) parent branches on the tree🌴 threading said root/trunk/branch/twig/leaf/heap ports and residue.
/// +The fitness workflow is the cumulative generation of loop➰-erased walks (ie. directory prediction algorithms).
+Although "Big-O" behaves mathematically like big O (limiting behavior of functions), the 'O' in the name is actually for 'org' (as in opus organization).

Issue-tracking and related specifications for Big-O Tree are indigenous to dev. Such specifications help sew (control fibor threading) our cellular fabric. (see bigo tree)
Function map: signature ↔ BOT

/meshroom🍄

To meshroom🍄 (v.) is to graph The Origamic Symphony🎶 within stewc field [Q♯↦s].

It dictates that, because Egglepple is (ludologically) a p-brane* connecting the vector scale extrema, the notion of cell space algebras being conflated epimorphically within a curvilinear framework is important for defining variation (groove∪melody).** In this case, 'p' stands for (my) 'portfolio'.😇

Meshrooming🍄 advances genetic algorithms [: fold measured (partite) monomers in order to deduce a mesh] for twistors by considering (visualizing) them as embedded datapoints on a neural network [nn] (ie. flavor⇒sequence→mesh). (also of interest: loopstring➿, Pink Poem, identity)
/// Compositing is hypothesized to be accomplished under a single preimage.
Function map: s → pm [...eventual self-synthesis]

/coverage

A spread's coverage [cover-patch identity]* :== the twistorspace posture (knot🪢 formation) for statistically graphing a [supersymmetric] zone on(to) some pitch (ie. fibor-bundling a set of BIG + SMALL branes). Since there are 100 different covers (0-99) that can be patched 26 different ways (a-z), there exists a total of 2,600 discrete coverages.** An example would be something like [(cover-34,patch.g) = coverage 34g].

As cryptographic shape schemes [puzzles🧩], coverages are fundamentally combinatorial; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see #coverage, toonlight, 🔋e:e statistics, patchwork, cassette, Honne Bay🪱)

/measure (mathematics)

/measure theory