Here is the short list of the music that'll be blasted over and over again on the Requiem tour this Autumn (2016):
- "Fairweather Friend" by Johnny Gill
- "Right Here" by SWV
- "There's No Stopping Us" by Ollie and Jerry
- "Can You Feel It" by The Jacksons
- "Jeff Waz On The Beat Box" by DJ Jazzy Jeff and The Fresh Prince
- "Oh My Love" by Chris Brown
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
+¢ent
Mathemusically, a ¢ent is some measure as the ratio* of two (2) (close) frequencies.** Made from stew choreography. For the ratio (a:b) to remain constant over the frequency spectrum, the frequency range encompassed by a ¢ent must be proportional to those frequencies. Scaled🎚, an equally tempered semitone spans 100 ¢ents (a dollar) by definition.According to The Origamic Symphony🎶, an octave^ - the unit of frequency level when the base logarithm = [font size × font weight] - spans twenty-six (26) semitones (intervals/measures), and therefore, 2600 ¢ents.^^ The interval between the first and second harmonics of the harmonics series. Because raising a frequency by one (1) ¢ent is equivalent to multiplying this constant ¢ent value, and 2600 ¢ents doubles a frequency, the ratio of frequencies one ¢ent apart is calculated as the 2600th root of 2 (~ 1.00026663)!.!! pip = .0002663. (see ¢ent formula, fibor, juke tax, MONEY, stew choreography, residue, u-u economics, ludeiy, 🌞funshine)
/// Economically, the ¢ent (cachecredit) is the rudimentary u-u crypto object (used to measure/determine the size of twistorspace). Reward function-wise, ¢ents are transacted in the twist economy as the negotiable instrument [ie. purchase, pairing, etc.].+Physically, ¢ents are the practical universal
currency.
+mathemusic
Formulator: 🧑🏿Link Starbureiy
Mathemusic is the functional conflation of brane classes defined as 'an incorporation of keys and timing to perturb a sinusoidal, whose resultant is a γ-proof'.
This tends more towards being a supermathematical exercise grounded in the principles of music theory. However, it is practically expressing (with libretti) statistics in the framework of 🎵music (even sans sonically). Cryptologically, it is the algorithmic direction of variation*.**
When we speak of mathemusic, we are generally doing so in the context of The Origamic Symphony🎶/Egglepple. (see ¢ent, mathletics, 🧑🏿lnq's Starting Five, 3-rex, fibor, UUe, juke notation, QQ)
/// Contemporary mathemusic was originally formulated by 🧑🏿Link Starbureiy.🤓
Mathemusic is the functional conflation of brane classes defined as 'an incorporation of keys and timing to perturb a sinusoidal, whose resultant is a γ-proof'.
This tends more towards being a supermathematical exercise grounded in the principles of music theory. However, it is practically expressing (with libretti) statistics in the framework of 🎵music (even sans sonically). Cryptologically, it is the algorithmic direction of variation*.**
Solutions have melodic texture.When we speak of mathemusic, we are generally doing so in the context of The Origamic Symphony🎶/Egglepple. (see ¢ent, mathletics, 🧑🏿lnq's Starting Five, 3-rex, fibor, UUe, juke notation, QQ)
"All I hear is mathematics. All I see is music." - 🧑🏿Link Starbureiy
/// Contemporary mathemusic was originally formulated by 🧑🏿Link Starbureiy.🤓
+Funshine/Toonlight© (song)
"Funshine/Toonlight" is music written and performed by 🧑🏿Link Starbureiy. It is the themesong for UUelcome, and Starbureiy considers it to be his anthem. (see Funshine/Toonlight, swooning)
/// The words 'funshine' and 'toonlight' are a play on the words 'sunshine' and 'moonlight'. They come from the chorus of the song "Blame It On The Boogie" (Jackson, 1978).
/// The words 'funshine' and 'toonlight' are a play on the words 'sunshine' and 'moonlight'. They come from the chorus of the song "Blame It On The Boogie" (Jackson, 1978).
+3-rex
Three-rex (colloquially spelled "3-rex", as a play on the word for the dinosaur, 't.rex' (Tyrannosaurus rex), is a term loosely grouping the fields of sport, music, and commerce*.**
/// Sport is essentially random walk
Thread monetization The union of which implies an economic engine of sorts for juking. (see treble, smb)
/// Sport is essentially random walk programming. So, the triad is plainly math, music, and money (MMM).
+fret
A fret (ie. activation fee/price-per-token) or coin is a conjectured ideal phenomenon in juking. Theoretically, it is the "lowest-level juke [as one-twenty-sixth (1/26th) of a sporadic group]" at one ¢ent (penny), where the value is derived from the ¢ent formula [fret = logn(b/a) | {b,a = (u,u), n = font size × font weight}]. Its representative tablature indicates the range from which integer-spin statistics are obtained. (see bid)
The significance of the fret (and the idealism of it) is its extreme affordability; one ¢ent is considered to be Nature's disposable income. Mirroring chemistry, the fret would be the lowest available energy level [resonance].
In everyday vernacular, most, if not all, jukes hedging opus handicaps are assumed to be so-called "(penny) frets". That is, their fret is typically worth "pennies on the dollar" or "cents on the dollar". The fret itself may be an accurate description of a general deposit because standard coupon deviation is registered by table.
/// +In
+In practice, a pure 'penny' (1¢) fret is infeasible in two-dimensional (2d)
The significance of the fret (and the idealism of it) is its extreme affordability; one ¢ent is considered to be Nature's disposable income. Mirroring chemistry, the fret would be the lowest available energy level [resonance].
In everyday vernacular, most, if not all, jukes hedging opus handicaps are assumed to be so-called "(penny) frets". That is, their fret is typically worth "pennies on the dollar" or "cents on the dollar". The fret itself may be an accurate description of a general deposit because standard coupon deviation is registered by table.
/// +In
theory, attaining a per-¢ent fret is challenging because of tablature efficiency conditions; where the greater the number of pencils (and hence ¢ents), the heavier the string, resulting in a juke with a wild count.+In practice, a pure 'penny' (1¢) fret is infeasible in two-dimensional (2d)
vector space because such a fret is not congruent with any handicap, and for this reason, we improvise (ie. choreograph in twistorspace). Routinely, quotient normalization happens when the handicap becomes saturated.
+opera
An opera is the program (of opus numbers) of a libretto. (see opus, developus, opera ludo, hash opera, #opéra-ballet, ballet, #libretto, γ-proof)
/// To me, an opera represents the 'flow of a
/// To me, an opera represents the 'flow of a proof'. It can also be a runtime. The works highlight puzzles🧩 for identification.
+musicurrency
Musicurrency is a styled cryptocurrency whose encryption is based on music, more directly, mathemusic.