lnq👨🏿‍🦱

/¢ent🪙

In stew choreography, a ¢ent🪙 :== quantum measure as the ratio* of two (2) (close) frequencies.** Mathemusically-speaking. For the ratio (a:b) to remain constant over the frequency spectrum, the frequency range encompassed by a ¢ent must be proportional to those frequencies. Scaled🎚, an equally tempered semitone spans 100 ¢ents (a dollar) by definition.

According to The Origamic Symphony🎶, an octave^{^} - the unit of frequency level when the base logarithm = [font size × font weight] - spans twenty-six (26) semitones (intervals/measures), and therefore, 2600 ¢ents.^^ The interval between the first and second harmonics of the harmonics series. Because raising a frequency by one (1) ¢ent is equivalent to multiplying this constant ¢ent value, and 2600 ¢ents doubles a frequency, the ratio of frequencies one ¢ent apart is calculated as the 2600th root of 2 (~ 1.00026663)^!.!! pip = .00026663. (see ¢ent formula, crypto, fibor, stewc tax, MONEY, stew choreography, residue, u-u economics, link, 🌞funshine)

/// Economically, the ¢ent (cachecredit) is the rudimentary u-u crypto object (used to measure/determine the size of twistorspace). Reward function-wise, ¢ents are transacted in the twist economy as the negotiable instrument [ie. purchase, pairing, etc.].
+Physically, ¢ents are the practical universal currency.

/fret

fret (ie. activation fee/price-per-token) or coin :== a conjectured ideal phenomenon in stewcing. Theoretically, it is the "lowest-level stewc [as one-twenty-sixth (1/26^th) of a sporadic group]" at one ¢ent🪙 (penny), where the value is derived from the ¢ent🪙 formula [fret = log_n(b/a) | {b,a = (u,u), n = font size × font weight}]. Its representative tablature indicates the range from which integer-spin statistics are obtained. (see bid)

The significance of the fret (and the idealism of it) is its extreme affordability; one ¢ent is considered to be Nature's 'disposable income'. Mirroring chemistry, the fret would be the lowest available energy level [resonance].

In everyday vernacular, most, if not all, stewcs hedging opus handicaps are assumed to be so-called "(penny) frets". That is, their fret is typically worth "pennies on the dollar" or "cents on the dollar". The fret itself may be an accurate description of a general deposit because standard coupon deviation is registered by table.
/// +In theory, attaining a per-¢ent🪙 fret is challenging because of tablature efficiency conditions; where the greater the number of pencils (and hence ¢ents), the heavier the string, resulting in a juke with a wild count.
+In practice, a pure 'penny' (1¢) fret is infeasible in two-dimensional (2d) vector space because such a fret is not congruent with any handicap, and for this reason, we improvise (ie. choreograph in twistorspace). Routinely, quotient normalization happens when the handicap becomes saturated.

/opera

opera :== the program (of opus numbers) of a libretto. (see opus, developus, opera ludo, hash opera, #opéra-ballet🩰, ballet🩰, #libretto, γ-proof)

/// To me, an opera represents the 'flow of a proof'. It can also be a runtime. The works are purposed to layer codecs.

/3-rex

Three-rex (colloquially spelled "3-rex", as a play on the word for the dinosaur, 't.rex' (Tyrannosaurus rex), :== a term loosely grouping the fields of sport, music, and commerce*.** Thread monetization The union of which implies an economic engine of sorts for stewcing. (see treble, smb)

/// Sport is essentially random walk programming. So, the triad is plainly math, music, and money (MMM).

/mathemusic

Formulator: 🧑🏿Link Starbureiy
mathemusic :== the functional conflation of brane classes defined as 'an incorporation of keys and timing to perturb a sinusoidal, whose resultant is a γ-proof'.

This tends more towards being a supermathematical exercise grounded in the principles of music theory. However, it is practically expressing (with libretti) statistics in the framework of 🎵music (even sans sonically). Cryptologically, it is the algorithmic direction of variation*.** Solutions have melodic texture.

When we speak of mathemusic, we are generally doing so in the context of The Origamic Symphony🎶/Egglepple. (see ballet🩰, opera, ¢ent🪙, joey, mathletics, 🧑🏿lnq's Starting Five, 3-rex, fibor, UUe, stewc notation, QQ)