Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

+Party People soundtrack

Here is the short list of the music that'll be blasted over and over again on the ER tour this Autumn (2016):

- "Fairweather Friend" by Johnny Gill
- "Right Here" by SWV
- "There's No Stopping Us" by Ollie and Jerry
- "Can You Feel It" by The Jacksons
- "Jeff Waz On The Beat Box" by DJ Jazzy Jeff and The Fresh Prince - "Oh My Love" by Chris Brown

+Bernice Eve


+music theory

+variation (music)

(see also meshroom)




Musicurrency is a styled cryptocurrency whose encryption is based on music, more directly, mathemusic.

+Funshine/Toonlight© (song)

"Funshine/Toonlight" is music written and performed by Link Starbureiy. It is the themesong for the gameshow, UUelcome, and Starbureiy considers it to be his anthem. (see also Funshine/Toonlight, swooning)


Three-rex (colloquially spelled "3-rex", as a play on the word for the dinosaur, 't.rex' (Tyrannosaurus rex), is a term loosely grouping the fields of sport, music, and commerce*. The union of which implies an economic engine of sorts for juking.Thread monetization (see also treble, smb)

Note (+): Sport is essentially random walk programming. So, the triad is plainly math, music, and money (MMM).



A fret (ie. activation fee/price-per-token) or coin is a conjectured ideal phenomenon in juking. Theoretically, it is the "lowest-level juke [as one-twenty-sixth (1/26th) of a sporadic group]" at one ¢ent (penny), where the value is derived from the ¢ent formula [fret = logn(b/a) | {b,a = (u,u), n = font size × font weight}]. Its representative tablature indicates the range from which integer-spin statistics are obtained. (see also bid)

The significance of the fret (and the idealism of it) is its extreme affordability; one ¢ent is considered to be Nature's disposable income. Mirroring chemistry, the fret would be the lowest available energy level [resonance].

In everyday vernacular, most, if not all, jukes hedging opus handicaps are assumed to be so-called "(penny) frets". That is, their fret is typically worth "pennies on the dollar" or "cents on the dollar". The fret itself may be an accurate description of a general deposit because standard coupon deviation is registered by table.

Note (+): In theory, attaining a per-cent fret is challenging because of tablature efficiency conditions; where the greater the number of pencils (and hence ¢ents), the heavier the string, resulting in a juke with a wild count.

In practice, a pure 'penny' (1¢) fret is infeasible in two-dimensional (2d) vector space because such a fret is not congruent with any handicap, and for this reason, we improvise (ie. choreograph in twistor space). Routinely, quotient load-normalization happens when the handicap becomes saturated.


Formulator: Link Starbureiy
Mathemusic is the functional conflation (via the loopstring) of mathematics and music (defined as 'an incorporation of keys and timing') whose resultant is a y-proof. This tends more towards being a supermathematical exercise grounded in the principles of music theory. However, it is practically expressing (with libretti) statistics in the framework of music (even sans sonically). Cryptologically, it is the algorithmic direction of variation*. When we speak of mathemusic, we are generally doing so in the context of The Origamic Symphony (and not to exclude Egglepple).Solutions have melodic texture. (see also ¢ent, mathletics, lnq's Starting Five, 3-rex, fibor, UUe, juke notation)
"All I hear is mathematics. All I see is music." - Link Starbureiy

Note (+): Contemporary mathemusic was originally formulated by Link Starbureiy.🤓


mathemusical cent Mathemusically, a ¢ent is a ratio* of two (2) (close) frequencies. For the ratio (a:b) to remain constant over the frequency spectrum, the frequency range encompassed by a ¢ent must be proportional to those frequencies. Scaled🎚, an equally tempered semitone spans 100 ¢ents (a dollar) by definition.Made from stew choreography.

According to The Origamic Symphony, an octave^ - the unit of frequency level when the base logarithm = [font size × font weight] - spans twenty-six (26) semitones (intervals/measures), and therefore, 2600 ¢ents. Because raising a frequency by one (1) ¢ent is equivalent to multiplying this constant ¢ent value, and 2600 ¢ents doubles a frequency, the ratio of frequencies one ¢ent apart is calculated as the 2600th root of 2 (~ 1.00026663).The interval between the first and second harmonics of the harmonics series. (see also ¢ent formula, juke tax, MONEY, meshroom, Double U economics)

Note (+): Economically, the ¢ent (cachecredit) is the rudimentary Double U currency object (used to measure/determine the size of twistor space). Reward function-wise, ¢ents are transacted in the twist economy as the negotiable instrument [standard currency].


An opera is a program* (of opus numbers) whose preimage is scored to its image.Standard embedded frame arrangement. (see also opus, developus, opera ludo, hash opera, #opéra-ballet, ballet, #libretto, y-proof)

Note (+): In terms of UUe, I'll usually use an opera to highlight puzzles, namely Egglepple. Generally, an opera will answer the question of 'How?' (as in, 'How to apply machine learning?').