+¢ent

Mathemusically, a ¢ent is a ratio* of two (2) (close) frequencies.Made from stew choreography. For the ratio (a:b) to remain constant over the frequency spectrum, the frequency range encompassed by a ¢ent must be proportional to those frequencies. Scaled🎚, an equally tempered semitone spans 100 ¢ents (a dollar) by definition.

According to The Origamic Symphony🎶, an octave^{^} - the unit of frequency level when the base logarithm = [font size × font weight] - spans twenty-six (26) semitones (intervals/measures), and therefore, 2600 ¢ents.The interval between the first and second harmonics of the harmonics series. Because raising a frequency by one (1) ¢ent is equivalent to multiplying this constant ¢ent value, and 2600 ¢ents doubles a frequency, the ratio of frequencies one ¢ent apart is calculated as the 2600th root of 2 (~ 1.00026663). (see also ¢ent formula, fibor, juke tax, MONEY, stew choreography, residue, double-u economics, hologram)
/// Economically, the ¢ent (cachecredit) is the rudimentary double-u currency object (used to measure/determine the size of twistorspace). Reward function-wise, ¢ents are transacted in the twist economy as the negotiable instrument [standard currency for exchange (ie. purchase, pairing, etc.)].
+Physically, ¢ents are the practical universal currency.

+fibor bundle

A fibor bundle (a function of taxation and/or identification) is two (2) or more fibors combined/connected, which itself forms another fibor. This is Egglepple's quaternary isoform. (see also bubblegum, hyperlink, minor scale, major scale)

Function map: minor scale → major scale → fibor → fibor bundle

+fret

A fret (ie. activation fee/price-per-token) or coin is a conjectured ideal phenomenon in juking. Theoretically, it is the "lowest-level juke [as one-twenty-sixth (1/26^th) of a sporadic group]" at one ¢ent (penny), where the value is derived from the ¢ent formula [fret = log_n(b/a) | {b,a = (u,u), n = font size × font weight}]. Its representative tablature indicates the range from which integer-spin statistics are obtained. (see also bid)

The significance of the fret (and the idealism of it) is its extreme affordability; one ¢ent is considered to be Nature's disposable income. Mirroring chemistry, the fret would be the lowest available energy level [resonance].

In everyday vernacular, most, if not all, jukes hedging opus handicaps are assumed to be so-called "(penny) frets". That is, their fret is typically worth "pennies on the dollar" or "cents on the dollar". The fret itself may be an accurate description of a general deposit because standard coupon deviation is registered by table.
/// In theory, attaining a per-¢ent fret is challenging because of tablature efficiency conditions; where the greater the number of pencils (and hence ¢ents), the heavier the string, resulting in a juke with a wild count.
+In practice, a pure 'penny' (1¢) fret is infeasible in two-dimensional (2d) vector space because such a fret is not congruent with any handicap, and for this reason, we improvise (ie. choreograph in twistorspace). Routinely, quotient load-normalization happens when the handicap becomes saturated.

+foam (rotisserie)

(The) foam is our subgroup where loopstrings are lissome* (a potential precursor for font assortment); it is the range (a normed vector space) of frets that are all worth no more than twenty-five pennies (1¢ - 25¢) on the rotisserie.The majority (bulk) of all juking probably takes place in the foam, even though no fonts are to be found herein.
/// +I call it 'foam' because it's a small investment trapping where you can multiply your coupon.
+As a rule-of-thumb, the more twistorspace a string occupies, the more secure🔐 it is.

+quotient load-normalization

Also known as 'optimal tuning', quotient* load-normalization (qln), or, plainly, normalization, is the (trans)act of regulating Egglepple so that the quantumidentity (a limiting function) is load-balanced when perturbations to the router are overweighted [eg. excess tokens].of Stewart

The eventuality that - because the jukebox can purse^{^} but not bank - a quotient normalization implicates juking as complexity-agnostic (ie. is most fit) at inflection points [instances where (hyper/hypo) are renormalized (∞↦1)], would bias the Pink program to tipping (concavity or convexity).Coupon partitioning is a function of credit; whereas taxation is a debit function. (see also Quantumquotient, penny fret, 🐨lnq's bubblegum, 🐨lnq's walk, thread, parimutuel)
/// Quotient load-normalization is a preliminary step in parimutuel auctioning.

+tablature

Tablature is the table of frets (font sizes, 1¢ +) available to a given opus. It is indicative of a 'buy-in'* multiplier. You are buying time (1 token ≈ 1 minute).

We derive the valuation as the logarithm with a base product of pencil count by font weight, and an (egg,epp) quotient (or, even simpler: handicap/2600). Complexity: P

+penny fret

A penny fret (or what I call a 'penny piece') is just that, a one-¢ent (1¢) fret. This fret is a gratis activator.* The reward for participating in the network. (see also foam, 🐨lnq's bubblegum, quotient load-normalization, penny stake. Compare ground state)

+dividend

(see also tip)

+twistor

In a folding scenario, the twistor (u,u) is a complex transform* of EGP solved from stew choreography.Defined by a tight (≤ handicap) walk.

Twistors are derivatives of unique plays embedded in twistorspace that are hedged from tablature. Statistically, twistors act as complexity catalysts and can have negative (vacuum) or non-negative (bubble) potential.

Let (u,u) be any two (2) leaves sequenced for juking. A twistor is an operator that associates a jukeable dyad (egg,epp) in a field which is coded to eventually become a zero-bubble. Twistors are measured with ¢ent values that are typically small (ie. frets).
/// All twistors are assumed to be fit. We juke (hedge) in order to identify those folds which are ideal/most fit.
Function map: stew choreography → twistor