Showing posts with label fret. Show all posts
Showing posts with label fret. Show all posts

### +quotient normalization

Also known as '', quotient* normalization (qn), or, plainly, normalization, is the regulation of juke tax so that the (a limiting function) is load-balanced when perturbations to the router are overweighted [eg. excess tokens].** of Stewart  The eventuality that - because the jukebox can purse^ but not bank - a quotient normalization implicates juking as complexity-agnostic (ie. is most fit) at inflection points [instances where hyper/hypo1], would bias the Pink program to tipping (concavity or convexity).^^ `Coupon partitioning` is a `function` of `credit`; whereas `taxation` is a `debit` `function`. (see quantumquotient, penny fret, 🧑🏿lnq's bubblegum, 🧑🏿lnq's walk, thread, parimutuel, Funday)  /// Quotient normalization is a preliminary step in `parimutuel` auctioning.

### +¢ent Mathemusically, a ¢ent is some measure as the ratio* of two (2) (close) frequencies.** Made from `stew choreography`. For the ratio (a:b) to remain constant over the frequency spectrum, the frequency range encompassed by a ¢ent must be proportional to those frequencies. Scaled🎚, an equally tempered semitone spans 100 ¢ents (a dollar) by definition.

According to The Origamic Symphony🎶, an octave^ - the unit of frequency level when the base logarithm = [font size × font weight] - spans twenty-six (26) semitones (intervals/measures), and therefore, 2600 ¢ents.^^ The interval between the first and second harmonics of the harmonics series. Because raising a frequency by one (1) ¢ent is equivalent to multiplying this constant ¢ent value, and 2600 ¢ents doubles a frequency, the ratio of frequencies one ¢ent apart is calculated as the 2600th root of 2 (~ 1.00026663)!.!! pip = .0002663. (see ¢ent formula, fibor, juke tax, MONEY, stew choreography, residue, u-u economics, ludeiy, 🌞funshine)   /// Economically, the ¢ent (`cachecredit`) is the rudimentary u-u `crypto` `object` (`used` to `measure`/determine the size of `twistorspace`). `Reward function`-wise, ¢ents are `transacted` in the twist economy as the negotiable instrument [ie. purchase, pairing, etc.].
+Physically, ¢ents are the practical universal `currency`.

### +fibor bundle

A fibor bundle (a function of taxation and/or ) is two (2) or more fibors combined/connected, which itself forms another fibor. This is Egglepple's quaternary isoform. (see bubblegum, hyperlink, minor scale, major scale, coverage, foam) Function map: minor scalemajor scalefiborfibor bundle

### +fret

A fret (ie. activation fee/price-per-token) or coin is a conjectured ideal phenomenon in juking. Theoretically, it is the "lowest-level juke [as one-twenty-sixth (1/26th) of a sporadic group]" at one ¢ent (penny), where the value is derived from the ¢ent formula [fret = logn(b/a) | {b,a = (u,u), n = font size × font weight}]. Its representative tablature indicates the range from which integer-spin statistics are obtained. (see bid)  The significance of the fret (and the idealism of it) is its extreme affordability; one ¢ent is considered to be Nature's disposable income. Mirroring chemistry, the fret would be the lowest available energy level [resonance].

In everyday vernacular, most, if not all, jukes hedging opus handicaps are assumed to be so-called "(penny) frets". That is, their fret is typically worth "pennies on the dollar" or "cents on the dollar". The fret itself may be an accurate description of a general deposit because standard coupon deviation is registered by table.
/// +In `theory`, attaining a per-¢ent fret is challenging because of tablature efficiency conditions; where the greater the number of pencils (and hence ¢ents), the heavier the `string`, `resulting` in a `juke` with a wild count.
+In practice, a pure 'penny' (1¢) fret is infeasible in two-dimensional (2d) `vector space` because such a fret is not congruent with any `handicap`, and for this reason, we improvise (ie. choreograph in `twistorspace`). `Routinely`, `quotient normalization` happens when the `handicap` becomes saturated.

### +penny fret

A penny fret (or what I call a 'penny piece') is just that, a one-¢ent (1¢) fret. This fret is a gratis activator.*** The reward for participating in the network. (See foam, 🧑🏿lnq's bubblegum, quotient normalization, penny stake. Compare ground state) ### +twistor

In a folding scenario, the twistor (u,u) is a complex transform* of EGP solved from stew choreography.** `Defined` by a tight (≤ `handicap`) walk. Twistors are derivatives of unique plays embedded in twistorspace that are hedged from tablature. Statistically, twistors act as complexity catalysts and can have negative (vacuum) or non-negative (bubble) potential.

Let (u,u) be any two (2) leaves sequenced for juking. A twistor is an operator that associates a jukeable dyad (egg,epp) in a field which is coded to eventually become a zero-bubble. Twistors are measured with ¢ent values that are typically small (ie. frets).    /// All twistors are assumed to be `fit`. We `juke` (hedge) in `order` to identify those folds which are ideal/most `fit`.
Function map: stew choreographytwistor

### +foam (rotisserie)

(The) foam is our subgroup where loopstrings are lissome* (a potential precursor for font assortment); it is the range (a normed vector space) of frets that are all worth no more than twenty-five pennies (1¢ - 25¢) on the rotisserie.** The majority (bulk) of all `juking` probably takes place in the foam, even though no `fonts` are to be found herein. /// +I call it 'foam' because it's a small investment trapping where you can multiply your `coupon`.
+As a rule-of-thumb, the more `twistorspace` a `string` occupies, the more `secure🔐` it is.

### +dividend

Tablature is the table of frets (font sizes, 1¢ +) available to a given opus. It is indicative of a 'buy-in'* multiplier. You are buying time (1 `token` ≈ 1 minute).  