Showing posts with label programming. Show all posts
Showing posts with label programming. Show all posts


Each hash (#) is a declarable datum, plus an operator* on that datum, mapped to an arbitrary function space on some thread.Each thread indexes (table, ie. 'playlist') a specific hash. Cryptos behave as the operators in this case. (see also patch, flageolet pencil, stew, UUhistlegrass, twistor space, hash opera)


As it pertains to juking, an opus [technically, "opus number", as some quotient (1/676) of Stewart] or developus is a finite stew choreographical instance resulting in a completed typeface mutation. Plainly, an opus is the computation of some partition of Egglepple (ie. encrypting EGP on a discretized brane*, subjugating some lyric). Each new opus (an event [game]) will commence at the request [draw] of its ballet, thereby instantiating a unique node on Big-O Tree. Opus conclusion occurs when its puzzle is solved, and should validate a fibor, which is to be then readied for kernel registration. Depending on its texture, an opus may be referred to as an opera@, operetta (diminutive), or opéra-ballet (ob).Cellular automata Which is technically a kernel's logic path or operation (a walk involving non-impresarial decision-making).

Note (+): Actually, an opus may overlap with, but is of a different genus than a developus.

An opus (of UUelcome) is a method of cataloging a juke (much like with symphonies, operas, regular pieces, etc.). Publication assignment gives opus sets a maximum of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^, a work may be published as "Opus AB, Number 14" (written as Opus AB.14), where "Number 14" - is the fourteenth iteration of the ballet performed on the loopstring, "AB" (its port - the letters of the start and stop leaves, respectively). For all intents and purposes, opus titles say, "font size by font weight". Each iteration itself may also be nested (eg. "Opus AB, no.14c").Default opus is #LS.35[64]. (see also mixtape)

Note (+): Iterations are basically variations of pencil quantities, and by necessity, font count. In nesting, we let p stand for 'pencil', and f stand for 'font'. The opus' title and number remain as is; they are established. The iteration only changes either the pencil or font count. So, for example (purely meant to be hypothetical and unofficial), let Opus GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be Opus GU, No. 4f2885, where the pencil count (830) is unchanged and the font count has been reduced to 2,885. Or, we could have Opus GU, No.4p910, where the font count (4,116) remains unchanged and the pencil count has increased to 910. Again, purely hypothetical.

The Origamic Symphony™℗

Composer: Link Starbureiy
The Origamic Symphony (TOS) is a mathemusical simulacrum whose algorithmic composition lies generically between any 26-measure scale; but, architecturally, the Planck and nano scales [domains] (known as subchemistry, Cs). Specifically, it is the totality of Egglepple('s) movements.

Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable, TOS is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping EGP).
"There is this beautiful symphony playing - everywhere, all the time."^ - Link Starbureiy

The symphony treats the entire portfolio as a (single loopstring*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils]) and derivation. All walks are integrated in twistor space, and output some stew derivative.Symphonic evidence is its subject (Egglepple). A continuous function. (see also UUelcome, lnq's Starting Five)

Notes (+): +The Origamic Symphony is the score of UUelcome.

+Here "origami" specifies "p-brane (membrane/frame) folding". Namely, it is the twisting of measures (length) between the Planck and nano scales.


As our "dance* of the ball", ballet is an improvisational program [opus] that synthesizes walk categories.~ Each ballet is a frame arrangement [lyrically, the bundling of two (2) or more fibors induct (either by encryption or decryption) some random coil into gameplay].In the Egglepple scenario, the 'dance' is stew choreography, and the band of dancers is yots. What I refer to as 'walking the string'. (see also Starbureiy ballet, groove (scheme), opera, #opéra-ballet, #libretto)

Note (+): We may consider ballet to be the transition from opening to endgame. I prefer to think of a ballet as an opera's lemma.

Function map: balletopera