__sketch__: non-dynamic algorithms in combinatorics makes sense only at the point of 0-animation (0-animation ≠ suspended animation; suspended animation = animation with 0-transform), and are of no value in ℝ animaton deployment. While acknowledging that animation does frequent static codes within certain frames, this patch will introduce the effects of mutant parsing for the potential of various applications to animation.

Showing posts with label

**animation**. Show all postsShowing posts with label

**animation**. Show all posts### +fold

**Folding**is the name given to differential steps in the process of a brane's animation (ie. symmetry-breaking) as it assumes its final topology. Attainment of this (solution) - the closed🔒 string [yesegalo⊕🍄meshroom] - should result in a 0-bubble twistor.

For the most part, "

**to fold**" an object is to bend, compress, twist, or otherwise permute it so that it becomes self-integrated according to its calculus. By-and-large, we accomplish this using fruut as part of stew choreography.

A

**fold**would be an intermediate state within the walk process (preimage→image). Mathemusically, a

**fold**is conguent to some movement. Essential to stereotyping, our interest in

**folds**and

**folding***, in general, is so that we can (more easily) synthesize

*middlegame*makeup.** An act of

`hyperlinking`

(see *The Origamic Symphony*🎶, Gallivan fold, manifold, hyperlink, tip, knot)

/// An inbetween will not always qualify for being one of these

`states`

.
### +The Origamic Symphony🎶

Composer: 🧑🏿Link Starbur

Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable,

The

/// +

+Here "origami" specifies "

*ei*y*™℗ (***The Origamic Symphony****O♯**) is the totality of Egglepple('s) movements (ie. keys in sequence).Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable,

**O♯**is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping EGP)."There is this beautiful^^symphonyplaying - everywhere, all the time."^{^}- 🧑🏿Link Starbureiy

**Symphonic**evidence is its subject (*UUelcome*).The

**symphony**treats the entire portfolio as a (single loopstring*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils]) and derivation.** A continuous`function`

. All walks are *integrated*in twistorspace, and output some stew*derivative*. (see*, Quantumquotient,***UUe**lcome*UUhistlegrass*, 🧑🏿lnq's Starting Five, Juke Lemma)/// +

**The Origamic Symphony**is the subject of 🧑🏿lnq's recital.+Here "origami" specifies "

*p*-`brane`

(`membrane`

/`frame`

) folding". Namely, it is the `twisting`

of `measures`

(length) between the Planck and nano `data`

.
### +toonage

**Toonage**(truncation of 'cartoonage'*) is the diction given to the chronology of (cf. attempts at) iterations to 🧩puzzle solutions (

*).** Wordplay, but should be taken here like '*

**toons***fine-tuning*' (cf., musical tuning). Implies

`stereotyping`

on paper. We tune^ the jukebox (**UUe**) by threading kernel libraries (+patchwork) for fugue damping.^^ Training comes from redundant

`server`

-side `proofs🔒`

of random walks, courtesy of `games/gameplay`

, which lead to better O♯🎶 compatibility. **Toons**themselves are individually/inductively ordered (n + 1), but because it is feasible for two (2) or more to be confluent, offered is a finitary

Naming convention

**Toonage**is marked using the following standard alphanumeric:

**Toon**xx.nn[]# - where "xx" identifies the port, nn is the pencil count, the brackets [] carry the weight, and the addendum, #, is the episode (as an integer).

///

**Toons**(n+1 induction) exist because the

`time complexity`

of each `proof`

requires a relatively large `compute`

per. In other words, there is extreme likelihood that a `game/opus`

will not be completely `solved`

on the first attempt. (see EGP, meshroom, opus, cassette, cybernetic governance, #recital)

/// Principally validating

`file`

hierarchy.
### +stew choreography

**Stew choreography**is the process of stereotyping* (brane-folding) EGP using fruut to keyframe [sequence/map by hyperlinking] stews.**

`Print`

the portfolio as a sponge. This is our "proof-of-work"^{~}concept [ie. juking exercise for 'meshing'

**UUe**'s cryptocommodity (¢ents)], and should solve twistorspaces (via encryption).~~ Or, 'cost-of-work'. Per gameplay,

**stew choreography**(or

**dribbling**[endpoint control]

^{&}) forms a loopstring's

*middlegame*(ie. walk). The Stewdio is used natively [default] for improvising.&&

`String`

command. (see juke notation, ballet, *Stewart*, touch-and-go, 🧑🏿lnq's walk, joey)

/// +Such

**choreography**is inferred by "the

`ballet`

of *Stewart*". The reason this

`ballet`

is necessary is to anticipate dividends. We say that **stew choreography**is "to

*γ*-proof *l*-string

".+Any

`proof-of-work`

must be validated with a `signature/handshake`

.+Every single

`stew`

on a `loopstring`

must be affected for a `yield`

to be accurate.
Function map: random coil →

**stew choreography**→ fibor