Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts
/ mutating algorithms as animators of static systems
sketch: non-dynamic algorithms in combinatorics makes sense only at the point of 0-animation (0-animation ≠ suspended animation; suspended animation = animation with 0-transform), and are of no value in ℝ animaton deployment. While acknowledging that animation does frequent static codes within certain frames, this patch will introduce the effects of mutant parsing for the potential of various applications to animation.
🧑🏿
lnq
/ The Origamic Symphony🎶 [computation]
Composer: 🧑🏿Link Starbureiy
As a signal, The Origamic Symphony™℗ (Q♯) :== runtime normalizing (hyper/hypo = 1) lnq🧑🏿's movements. It is improvised/composed for solo joey🐨🪀.
/// This represents the totality of
Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable, Q♯ is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping STU).
The symphony treats the entire portfolio as a (single loopstring➿*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils✏️]) and derivation.** A continuous
/// +The Origamic Symphony is the subject of 🧑🏿lnq's recital. -- Egglepple can also be thought of as the
+Here "origami" specifies "p-
As a signal, The Origamic Symphony™℗ (Q♯) :== runtime normalizing (hyper/hypo = 1) lnq🧑🏿's movements. It is improvised/composed for solo joey🐨🪀.
/// This represents the totality of
keys
in sequence, forming the basis of our runtime system
.Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable, Q♯ is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping STU).
"There is this beautiful symphony playing - everywhere, all the time."^ - 🧑🏿lnq
The symphony treats the entire portfolio as a (single loopstring➿*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils✏️]) and derivation.** A continuous
function
. -- All walks are integrated in twistorspace, and output some stew derivative. (see mathemusic, preimage/image, UUelcome, Q♭, joey🎻, UUhistlegrass, 🧑🏿lnq's Starting Five, Juke Lemma, crypto compliance)/// +The Origamic Symphony is the subject of 🧑🏿lnq's recital. -- Egglepple can also be thought of as the
signal relay
.+Here "origami" specifies "p-
brane
(membrane
/frame
) folding". Namely, it is the twisting
of measures
(length) between the Planck and nano data
.
🧑🏿
lnq
/ stew choreography [neuroplasticity]
The art of stew choreography :== the process of stereotyping* (brane-folding) STU using fruut to keyframe [sequence/map by hyperlinking] stews.**
Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&&
/// +stew choreography is a
+Such choreography is inferred by "the
+Any
+Every single
Function map: random coil → stew choreography → fibor
Print
the portfolio as a sponge. This is our "proof-of-work"~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents🪙)], and should solve twistorspaces (via encryption).~~ And/Or 'proof-of-space
'.Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&&
String
command. (see juke notation, ballet, stewart, touch-and-go, 🧑🏿lnq's walk, joey)
/// +stew choreography is a
type
of animation (interpolation of frames).+Such choreography is inferred by "the
ballet
of The Origamic Symphony🎶". The reason this ballet
is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string
".+Any
proof-of-work
must be validated with a signature/handshake
.+Every single
stew
on a loopstring
must be affected for a yield
to be accurate.
Function map: random coil → stew choreography → fibor
🧑🏿
lnq
Folding :== differential steps in the process of a brane's animation (ie. symmetry-breaking) as it assumes its final topology. Attainment of this (solution) - the closed🔒 string - should result in a 0-bubble twistor [yesegalo⊕🍄meshroom → 0b(u,u)].
For the most part, "to fold" an object is to bend, compress, twist, or otherwise permute it so that it becomes self-integrated according to its calculus. By-and-large, we accomplish this using fruut as part of stew choreography.
A fold would be an intermediate state within the walk process (preimage→image). Mathemusically, a fold is conguent to some movement.
Essential to stereotyping, our interest in folds and folding*, in general, is so that we can (more easily) synthesize middlegame makeup.** An act of
/// An inbetween will not always qualify for being one of these
For the most part, "to fold" an object is to bend, compress, twist, or otherwise permute it so that it becomes self-integrated according to its calculus. By-and-large, we accomplish this using fruut as part of stew choreography.
A fold would be an intermediate state within the walk process (preimage→image). Mathemusically, a fold is conguent to some movement.
Essential to stereotyping, our interest in folds and folding*, in general, is so that we can (more easily) synthesize middlegame makeup.** An act of
hyperlinking
(see The Origamic Symphony🎶, Gallivan fold, manifold, hyperlink, route, tip, knot🪢)
/// An inbetween will not always qualify for being one of these
states
.
🧑🏿
lnq
Toonage (truncation of 'cartoonage'*) :== the diction given to the chronology of (cf. attempts at) iterations to 🧩puzzle solutions (toons).** Wordplay, but should be taken here like 'fine-tuning' (cf. musical tuning). Implies
We tune^ the jukebox (UUe) by threading kernel libraries (+patchwork) for fugue damping.^^ Training comes from redundant
Toons themselves are individually/inductively ordered (n + 1), but because it is feasible for two (2) or more to be confluent, offered is a finitary
Naming convention
Toonage is marked using the following standard alphanumeric:
Toonxx.nn[]# - where "xx" identifies the port, nn is the pencil✏️ count, the brackets [] carry the weight, and the addendum, #, is the episode (as an integer).
/// Toons (n+1 induction) exist because the
(see EGP, meshroom🍄, opus, cassette, crypto compliance, #recital, Funshine/Toonlight)
/// Principally validating
stereotyping
on paper. We tune^ the jukebox (UUe) by threading kernel libraries (+patchwork) for fugue damping.^^ Training comes from redundant
server
-side proofs🔒
of random walks, courtesy of games/gameplay
, which lead to better Q♯🎶
compatibility. Toons themselves are individually/inductively ordered (n + 1), but because it is feasible for two (2) or more to be confluent, offered is a finitary
Naming convention
Toonage is marked using the following standard alphanumeric:
Toonxx.nn[]# - where "xx" identifies the port, nn is the pencil✏️ count, the brackets [] carry the weight, and the addendum, #, is the episode (as an integer).
/// Toons (n+1 induction) exist because the
time complexity
of each proof
requires a relatively large compute
per. In other words, there is extreme likelihood that a game/opus
will not be completely solved
on the first attempt. (see EGP, meshroom🍄, opus, cassette, crypto compliance, #recital, Funshine/Toonlight)
/// Principally validating
file
hierarchy.
🧑🏿
lnq