As it pertains to
stewcing, an
opus [technically, "
opus number", as some
quotient (
1/676) of
stewart] or
developus :== a
finite stew choreographical instance resulting in a completed
typeface mutation. Plainly, an
opus is the
computation (ie.
encrypting LNQ on a
discretized brane*, subjugating some
thread) of some
partition of Egglepple (ie.
movement).
** Cellular automata
Each new
opus (an
event [
game]) will commence at the
request [
draw] of its
ballet, thereby instantiating a unique
node (
trunk) on
Big-O Tree.
Opus conclusion occurs when its
🧩puzzle is
solved, and should validate a
fibor, which is to be then readied for
kernel registration.
Depending on its texture, an
opus may be referred to as an
opera@,
operetta (diminutive), or
opéra-ballet (
ob).
@@ Which is technically a kernel
's logic
path or operation
(a walk involving non-impresarial decision-making).
/// Actually, an opus may overlap with, but is of a different genus than a developus
.
An
opus is a method of
cataloging a
juke (much like with
symphonies,
operas, regular
pieces, etc.). Publication assignment gives
opus sets a
maximum of six-hundred seventy-six (
676) [corresponding to the alphabetical
varietals of
stew, (A-Z), in binary form]. For example
^, a work may be published as "
Opus AB, Number
14" (written as
Opus AB.
14), where "Number
14" - is the fourteenth
iteration of the
ballet performed on the
loopstring, "AB" (its
port - the letters of the
start and
stop leaves, respectively).
^^ Default opus is #LS.35[64].
For all intents and purposes,
opus titles say, "
font size by font weight". Each
iteration itself may also be
nested (eg. "
Opus AB, no.14c"). (see
toonage,
mixtape)
/// Iterations are basically variations of pencil quantities, and by necessity, font
count. In nesting, we let p stand for 'pencil', and f stand for 'font
'. The opus' title and number remain as is; they are established. The iteration only changes either the pencil or font
count. So, for example (purely meant to be hypothetical and unofficial), let Opus GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be Opus GU, No. 4f2885, where the pencil count (830) is unchanged and the font
count has been reduced to 2,885. Or, we could have Opus GU, No.4p910, where the font count (4,116) remains unchanged and the pencil count has increased to 910. Again, purely hypothetical.