/ Robot🤖 (play)

Robot :== a short one act performance and composition by 🧑🏿Link Starbureiy debuting March 19, 1997. The play is a solo piece about a fictional cyborg (🧑🏿lnq) on Earth's🌍 moon🌚🌙 sometime in the near-distant future.


Significance
The ideation and drafting for Robot began in February 1997. This was his final creative arts assignment (complementing the technical piece) as a schoolboy, and was scheduled to be performed in a talent show the following month. Robot is 🧑🏿lnq's first thematic piece (no box office), and often credited as the beginning(s) of the proprietorship, Link Egglepple Starbureiy, as well as his foray into cyberpunk.

Robot was part of an annual school-wide talent show that I took part in. The previous year, I had done a Michael Jackson impersonation routine (Smooth Criminal/Moonwalker), which went over pretty well. I then wanted to try my hand at something original, which is where this botched act came in; I sought the assistance of a classmate - whom he and I drew comicbooks together for fun - to help with the storyboarding, but he, too, was busy at that time as we were seniors trying to close out our high school careers and projects. I immediately labeled the show a debacle👎👎, and attribute my poor outtake to lack of preparation (the script was still being edited only minutes leading to showtime) and a mishandling of the itinerary by stage crew (and some other lame excuses; in truth, I just sucked😵). In all, I later saw the show as a blessing that I would use as fuel to create more one-man acts (later attributed to my foray into deeper performance art that Summer) which evolved my opéra-ballet, Stewart. It should be noted that I came up in the era of Nintendo. A major platform game of the time was The Legend of Zelda[z]. It's a great franchise. No, my name is not Link after the protagonist character in the game; it's my real name. Anyway, there was no 'Zelda' to speak of in my adventures, so I just adopted 'Link, The Legend' to fancy my ego. And now you know.🤭 (do not confuse with 🧑🏿Link Starbureiy%roster, cyborg, or Starbureiy automaton)

/ stewc notation

Stewc notation (sn, rhetorically called a verse) :== the instrument-agnostic, language-independent, easy-to-decipher verbalization of some stewc assignment as meant for proof. In signing, the alphanumeric notation is essentially low-level symbolic "play code"*; an algorithm devised to instruct the jukebox on how, when, and what to type in stereo [stew choreography].** Referred to as a track (for tracing some token).

The Stewdio is the designated instrument for generating, reading, routing, and interpreting stewc notation. (See hologram, c@$#tag, touch-and-go, γ-proof, thread, stewc field. Compare genetic code, musical notation)
/// Stewc notation was devised by 🧑🏿Link Starbureiy.🤓

/ play

Per some ludology, a play :== a legal move(ment) within a game.

As a fold progression (eg. a scribble variant when juking Egglepple), each play [a finite step towards some goal] is an expression of some strategy (mathemusically, the duration of a coverage). (see game, gameplay, token, pink poem)

The number of unique plays (p) can be computed from the superalgebraic resultant: p:≡S^g, where S is some integer value between 1 - 676, and g equals the amount of supersymmetric generators circuiting* twistorspace (ie. degrees of freedom [base] to the power [exponent] of residue bond angles).** Asymptotic tempo values completing the loop.
/// +The formula is in direct correlation to spin-statistics. So, for example, when b is odd, say b=11, then c(=32) is an integer-spin (egg). When b is even, say b=20, then c(=724.0+) is a half-integer-spin (epp). The rational portion (floating point) of half-integer statistics contributes to seigniorage. Obviously, any negative value for b will yield an epp. (see juke tax)
+Yes, there are twenty-six (26) integer values here; we denote "0" as (0^-,0⁺) → having both negative(-) and positive(+) polarity in twistorspace. For instance, -12 ... (0^-,0⁺) ... +12 = [26]. p is an upperbound for points on a curve (ie. patches), and so its number line must include 0 (hence 0 through 25). The minima (patch.a) is 0.0001220703125 and the maxima (patch.z) is 4,096.

Plays (fugue protocols) are implemented as jukes (written in juke notation). They are executed [run] by the call action, and will typically end once the strategy is exhausted. There are three (3) possible outcomes of a play: loss (of advantage), futility (no advancement), or gain (advantage). (see player, playoff)

/ post (route)

/ audible

An audible is a call that changes or prompts a change of play before the state of improvisation.

/ play-function

/ play-action