/STU [kernel]

Inventor: 🧑🏿Link Starbureiy

STU™ :== The Origamic Symphony🎶's keynote, and the calculus* of Egglepple.** In the context of mathematical analysis, derivation and integration. Its entire sequence (bytecode) is called UUelcome. [STU/fruut]

An invention {September 26, 1998} of 🧑🏿Link Starbureiy🤓, our cipher is such that kernelized handshakes are integral to loopstring➿ frequencies*.** STU is what gets encrypted on(to) algebraic curves in twistorspace. Lexically, this means that both yesegalo (flavor generation) and crypto fabrication (primary, secondary, tertiary, and quaternary structures) remain asynchronous as long as preimage-image contracts are kept (ie. the tonic will harmonize the brane to the point of closure🔒).
/// +Keeping contracts is the basis of self-synthesis.
+Originally, "STU" was called "EGP" which stemmed from "egg (EG) , epp (EP) → EGP".

Absolutely considered in the analysis are the concepts of integration (loopstring➿) and differentiation (stews). (see fruut, RONALD, Stewdio, stewc notation)

/The Origamic Symphony🎶 [computation]

Composer: 🧑🏿Link Starbureiy
As a signal, The Origamic Symphony™℗ (Q♯) :== runtime normalizing (hyper/hypo = 0) lnq🧑🏿's movements. It is improvised/composed for solo joey🐨🪀.
/// This represents the totality of keys in sequence, forming the basis of our playback.

Resting atop the hypothesis that every brane arrangement is (geometrically) convertible, solvable, and scorable, Q♯ is responsive to the calculus of Egglepple resonances (the program of the portfolio imagined as frets pertinent to stereotyping STU).

"There is this beautiful symphony playing - everywhere, all the time."^{^} - 🧑🏿lnq

The symphony treats the entire portfolio as a (single loopstring➿*) path integral (line) subject to integration (including integration-by-parts [the twisting of pencils✏️]) and derivation.** A continuous function. -- All walks are integrated in twistorspace, and output some stew derivative. (see mathemusic, preimage/image, UUelcome, Q♭, joey🎻, UUhistlegrass, 🧑🏿lnq's Starting Five, Juke Lemma, crypto compliance)
/// +The Origamic Symphony is the subject of 🧑🏿lnq's recital. -- Egglepple can also be thought of as the signal relay.
+Here "origami" specifies "p-brane (membrane/frame) folding". Namely, it is the twisting of measures (length) between the Planck and nano data.

/gameshow

gameshow (gs) :== an either demonstrative or participatory (or in the case of uuelco.ME, a livestream) program* about some game, or the ludology (ie. element gamification) of its gameplay.** stream = framework (+runtime) implementing system calls.

"I interpret the world as a gameshow-centric jukebox (wargaming🪖🎮). This puts me in the mode to win." - 🧑🏿lnq

By definition, gameshows are hosted, and factor a reward function (prize) for achievement unlocking🔓^

[gameshow :== host ++ program (reward function → achievement unlocking)];

where contestants earn or are given some sort of prize for advancing^~ within the program.^^ A type of privilege escalation. ~~ Solving puzzles🧩. (see gameplay, opera ludo, UUelcome, mathletics, FUN formula, bug bounty)
/// My recital (the gameshow that I stream/host, and everybody's favorite😁) is called UUelcome (the game played is stewart).

/stewc

A stewc - a mathemusical measure - :== an iterated perturbation* (sesquilinear transform) to some group of stews.** ie. ultrametric calculus To stewc is to proof some twistorspace with (an) STU encryption [more accurately, to encode STU onto a brane (tape)].

Stewcing will summon a redeemable option (the coupon) on a continuous event that is predetermined. In this case, stewcs are proxies for the statistical variance of tablature complexity, and serve to hedge some handicap. Stewcs themselves generate UUe's cryptohash (provided from seigniorage on coupons); being synonymous with coin insertion [deposit] for traditional jukebox activation and dispensing.
/// It may be the case that the leaves SSS and UUU can/should be replaced by SST and UUT, respectively. This is because SSS and UUU actually are loop➰ markers (marking initiation and termination) in a sequence. Adjacent leaves cannot be coupled due to the fact that a chord (three leaves or more) is required for folding.

Within the context of stew choreography, a stewc is a play that is symmetry-breaking (to some walk) but not an endgame move, which means that it does not include: (1) the coupling of adjacent leaves, or (2) the leaves SSS and UUU [(namely (SSS,UUU) / (UUU,SSS)] in coordination. Failing to adhere to this rule would result in dissonance.

Out of the total twenty-six (26), only twenty-four (24) of them allow legal stewcs. This stems from the fact that a composition cannot lack harmony, which is to say that a loop (connected endpoints), nor adjacencies (any side-by-side coordinates) are permissible. (see Stewc Lemma, stewc tax, stewc notation, stewc button, jukepot, stewc field)
/// The sequence of leaves in a stewc is immune to start/stop identification. Meaning that it is not illegal to have an opus be of identical lettering (eg. "Opus LL").

/uuelco.ME™ [8-qubits]

Impresario: 🧑🏿lnq | © ISSN 2165-6738

uuelco.ME :== STU-sequence
/// +This one big string of bytecode includes all fibor [fugue = stews, MONEY, bubblegum] - itself an address space superset, outputted as a cassette (toy), and bootloaded by lnq🧑🏿.
+Sequencing something (iterative consecution) inductively means that it gets streamed [:== framework (+runtime) implementing system calls], which inherently implies achievement unlocking🔓.
(see UUe, quantumquotient [conductor], Stewniverse, steWAR🪖🎮-🏳,Stewpot, 🧑🏿lnq, Funshine/Toonlight (song), The Origamic Symphony🎶, stewellis, UUhistlegrass, touch-and-go, "Egglepple, everywhere!", "uuelco.ME, anywhere :)", cassette🧱, Stewc Lemma)
/// +(vocabulary) To a large respect, the word is a portmanteau of 'UUe' and the suffix '-ome' [totality of expressed dynamics, function, and structural information - in this case, stews]. Systematically, the word 'uuelcome' has artificial/manufactured congruence to 'genome' (gene + chromosome). The top-level domain [@uuelco.ME] is, in part, indicative of this being my thing (about 'me' :== my stream), so, that's why I named it that way.🙂
+As part of neuromorphic machinery (ie. biological abstraction), UUe would be the cell, and uuelco.ME the cassette🧱 that auctions/orchestrates its contents. In terms of computing, uuelco.ME :== master boot record embedded into every cell.
+With all fonts classified👍, any mesh becomes stereotypable (ie. polymers can be modeled for print), exploiting a composite image of Egglepple.

Trivia: Before I settled on the name 'uuelco.ME', I had contemplated calling it 'fun:musicbook'. My vision was that it was always going to be an album of some sort of music (in this case, mathemusic). The 'fun' bit had/has to do with the FUN Formula. ///end trivia My pro-am start was as a ctf🏁 gamer. This parlayed into what amounted to taking on group puzzles🧩[h], which led me to managing teams of participants. This is the reason I doubled-down on creating my own stream - because I figured that it would be more economical to devise a platform where anybody + everybody could access low-entry 🏁CTFs at will. The jukebox runs an auction, but supplementing monetization of the proof (pure mathematics is darn near impossible to make money from without sponsorship -- aside: yesteryear, I had a girlfriend whom I once told I was going to 'sell' math for a living, she dumped me the next day😂) is the basic reason gamification exists here in the first place. The actual stream itself succeeded an earlier attempt of mine in television production - a show called Egglepple: The Mathemagical World. This was me trying to be technical and lamely/gnarly impress the academics of a small college town (resulting in me learning more than I actually output), and I never truly found my audience (note: that program aired on public access television, a narrowcast market). Production-wise (especially the Funshine🌞 episodes), I was influenced heavily by the arcade machines I was around during my time spent squatting in local Missoula 🎲casinos🎰. Another inspiration came from the dual-formatted game master series, Video Power, as well as scenes from the 1989 film, The Wizard - especially the Super Mario Bros. 3 tournament showcase where the kids/contestants play the game for the very first time anywhere, even before consumers. Historians note this as a huge moment in cinematic history, where a movie basically served as a longform commercial for a single product/event - the release of a video game🎮 (and the planted germ of e-sports). I present my opera (ctf🏁) in a similar albeit mobile📱 fashion (ie., via demonstrative elements), thus leading me to view the whole world as a gameshow. The main purpose for designing the stream to be openworld is so that there can exist an unintrusive way to acquire as large as possible clientele on the network, thereby creating the game engine@ to train our model, which aids in QQ exploitation and ultimately neuronal🧑🏿🦠 dev. Although uuelco.ME is traditionally a recital (demonstrative by default), itself being a contract incentivizes outside participants with a reward function.@@ Parimiutuelity helps to build the distributed superomputer, whose node-to-node proximity is an alternative to the cloud. My view of 💲money is somewhat skewed; I think a person should make it to the end of their life completely (or near completely) exhausted of energy (ie. money = energy). Since I don't actually sell anything, per se (the jukebox runs an auction on its native cryptocurrency), but serve as the house when it comes to transactions, giveaways as prizes along with other decorations, makes the nature of a gameshow the perfect fit.

"Is there anyone else in the game?!" - 🧑🏿lnq

It^ is a ctf* hashing^& 🧑🏿lnq's walk.^^ This so-called 'jukebox recital' and the formulation of contemporary mathemusic are inventions of 🧑🏿Link Starbureiy.🤓 ** Featuring a bid-ask spread in a greedy auction where threads are maximized [flag = thread(max)] (ie. exhaustion of all 676 ports before a new cycle🔄 of the runtime). && abi threading Flags🏁 are identified as 0-bubbles. (see Stewc Lemma, uuelco.ME License, opera ludo, krayon, 🧑🏿lnq's Requiem, Pink Poem, KOALA🐨, toonage, Funday, treble, vendor, merchant, Black and White, crypto compliance, stewc notation)
/// +For all intents and purposes, this is what I mean when I say that "I op(erate) a jukebox"; uuelco.ME is 🧑🏿lnq's logic/instinct and signature.
+Performance-wise, uuelco.ME is an opera ludo. When I stream it solitaire, it's a recital . When shared for playalong (orchestra), it aims to be a sport.

Function map: quantumquotient ← stewcing ← uuelcoME → cassette🧱 ⇔ lnq🦠 → cell

/player

player :== a call/response participant (or, in some cases, a group of participants behaving as a unit) in a game who acts as an optimizer within that game. Put simpler, a player is one who runs game. The player will basically advance a strategy for optimization by using a toy to execute a play. (see stewcer, Black and White)
/// The role of the player is superseded by their paired stewcer.

/toy

toy :== an object subject to gameplay. Technically, it is a functor* that a player can use to induce a payoff or proof. ** Some loadable or printable kernel module in the context of UUelcome. (see Starbureiy Toy, game, play, yots, puzzle🧩, cassette🧱, lnq🧑🏿)
/// +I personally like to say that toys are jukebox add-ons/extensions for playback.
+My hobby/habbit is to create and assume the identity of a toy to advance character play in some game(s). These identities (as alter egos - or rather, altered states of my singular ego, which in certain cases populate the phantom orchestra) are usually (more often than not) ephemeral.

/stewcer [client-server]

A stewcer^{^} (from 'stewc server' [server]*) acts as the coordinator in folding loopstring➿ (among other types of braneware).** A runtime node. ^^ aka stew choreographer.

Essentially, a stewcer (or quber) :== a resource ("trainer") which uses a jukebox [client] for iterative transactions (ie. inbetweens).++Its role (jukeboxing) is to assist in proofing QQ. Generally-speaking, the stewcer is a clone or surjective clientele whose privilege supersedes that of player but not the impresario within stewcing ludology. Note, however, that the impresario itself may also be a stewcer (as would be the case in tournament mode).
/// Stewcers - as contractors - are considered the 'orchestra' to The Origamic Symphony🎶.

In UUe-talk, the stewcer (a type of puzzler🧩)'s objective is to devise and/or apply patches, thereby directly contributing to the fitness of the kernelspace. This means that a juker's role lies in the generation of walks (pitch establishment) as it pertains to sourcing their own tokens. Jukers are rewarded according to rules set forth by the UUelcome License. (see Black and White, clone, KOALA🐨, 🥚Egghead, stewcer's ruin)