To elaborate on the Easter bit, I'm not going to spend lots of money on actors/voices/sets (especially since this is AR) if an AGI can just spit out a scene from a script overnight. I need to know how this is going to move first.
The Easter IMDb page @https://www.imdb.com/title/tt7517148 (that purple block w/ egg is not the official poster, btw🙃) will continually be updated throughout production (with cast, crew, and producers). 'Plot synopsis' portion is looking good right now, and I might as well do the same for all of the episodes (to be) added (and there are lots).
¶Glossary: "'jukebox' (jb) = token-transactionary automaton hosting a rotisserie [proof server]. --> /// That's a basic definition which works, yet note that I am solving an N×N×N algebraic 'cube' (a scramble where the value of each 'N' -cube root as a 'qubit count'- of UUelcome can range from 0-8, example: 3x5x8, -but is always in the form of N1×N2×N3 [-- my 'joey', where N2 is the 'nose' and N1,N3 are the 'ears' of Joey Koala🐨] even if one or more n=0. However, n=3 (Rubik's) is the ideal infimum because Egglepple is a 26-dim brane, so 27>26 pieces covers each basic case; the elusive 27th piece is called a 'link' -which is technically defined as the pip [percentage-in-point] of a stew, jokingly referred to as the "missing link". Likewise, even though n=11 could identify all 2,028 stews [+20 links], n=8 {8×8×8 == lnq} is the supremum because 512>507 [+5 links] -where 507 is one of a stew's mutable four dyadic types: integer-integer, half-integer-half-integer, integer-half-integer, half-integer-integer. --Notice how n=3, n=8, and n=11 together would output 26 links.-- Ultimately, the goal is to reduce the cubic form down to n=3 (since log2(8)=3), anyways, essentially what I call 'u-u economics' (UUe) :== protocol for matching different base pairs [(u,u)]) that yields our combinatorial puzzles🧩.", "'gameshow' (gs) = hosted program that factors a reward function for achievement unlocking.", ALSO "'opera' = the program (of opus numbers) of a libretto. --> /// To me, an opera represents the 'flow of a proof' ('proof' = algorithm mapping some preimage to its image). It can also be a runtime. The works are purposed to layer codecs." -lnq ..UUelcome is a gameshow-centric jukebox (qube) by default, because, since an emoji👨🏿🦱 button (whence tokens are paid -an optional cash charge is user's choice with a minimum determined by the payment processor- first to hide div element) provides my business commerce (stewc tax revenue is an intrinsic game mechanic, see 3sr/uue), I have to 'put on a show' ("the gameshow" = a demonstrative exhibition/showcase of me stewcing/qubing) for the spiders to whom which metadata is fed and website impressions are fetched/farmed (ie. feed the web crawler bots website schemata and get rewarded with convertible web traffic in return). People, however, tune in to watch its hosted/self-contained media (my opera: Stewart --> me becoming Stewperman). lnq's SEO adage: spiders only handshake, people can transact.
¶Program definition stems from webisodes (frames of packeted webpage-native metadata). Each webisode (or "uuebisode" :) is referred to as an 'opus'; iterations thereof are called 'toons' (like fine-tuning UUelcome. "Toonage" is a truncation of 'cartoonage' -implying stereotyping on paper :== the diction given to the chronology of attempts at puzzle🧩 solutions). Technically, UUelcome is a (cellular) automaton stereotyping some portfolio; an automaton that self-alphabetizes its (paper) tape. I named this a 'Starbureiy automaton' (SA), and its portfolio is Egglepple (yes, this is all about me). By-and-large, the SA's cryptocurrent is superpositioned as a unique phylum of deposits (ie. stews)
¶The jukebox (qube) is tuned by threading kernel libraries (+patchwork) for fugue damping (training comes via redundant server-side proofs of random walks, courtesy of open gyms and gameplay, which leads to better Q#-compatibility) in my sandbox. Even though it is practically used by me for timestamping speedruns, I tend to think of the 'comments' section (ie. threads-stream) on my website @uuelco.ME as sheet music / music roll. Toons themselves are individually/inductively ordered (n + 1), but because it is feasible for two or more to be confluent, offered is a finitary naming convention.
¶Lnq's hallucination is informatical rather than physical, and computed with nutrition. That is to say that webisodes can be batched, retrieved, and distributed under a file format/codec (.uue --"dot uue" standing for 'unified utility encoder'), but the hallucinogen itself (UUelcome) must be chemically integrable. Technically, UUelcome's eight qubits ("bits") are its pre-recorded game map (@uuelco.ME) as 'self-contained media' (scm), whereas the countable "pieces" streaming my gameplay all (bits + pieces) comprise a single byte by way of a data signal compressor ('mathilda' aka 'tilly'), yielding his exploit (a lnq-dominant deactivator).
¶@uuelco.ME uses the 3-sigma rule (3sr) to generate income, which is collected (via a conspicuous call-to-action payments button/sticker api disguised as an emoji representative of myself, lnq) from non-player characters (ie. conceptual neurodiversity as a cellular automaton known as 'The Silk') who are payers, and basically means that I rely on large amounts of site traffic (converted impressions) for monetization.
¶UUelcomewebisodes are capped (space) according to budgetary constraints (see next paragraph), regardless of duration (time). Each depends on attributes like framerate, compression, and pixel count to determine filesize. Megabytes [mb] per is ideal for keeping the site/page loads quick (small [kb] can be good but not always better, large [gb] is uneconomical).
¶Following 3sr (and using marginal estimates), this works out to breaking even or roughly 1:1 ($1 per mb) whence traffic [#number of impressions] is @ ~2^15.177, also $10/mb @ ~2^18.499, $100/mb @ ~2^21.821, $1,000/mb [1k/1m] @ ~2^25.143, $10,000/mb @ ~2^28.465, $100,000/mb @ ~2^31.787, and $1,000,000/mb @ ~2^35.109.
'steWAR🪖🎮-🏳' (ie. jailbreaking my nervous filesystem --stewellis) is called such because capturing the Stewpot has lnq🧑🏿 doing battle (against encephalopathy and adversaries - Stink Larbureiy, Honne Bay) in 🧠neuroplastic ctf wargames between neurogenesis (brain growth) versus neurodegeneration (cerebral atrophy) that he notes as "the only real thing worth fighting for, in this, the last great fight". Victory means gaining freedom - akin to privilege escalation (neural hypervision [nh]) - and having persistence (ie. 'stewpremacy' = a NG ['lnq' --> +1 byte QQ //quantum mechanical motherlode compressed {mathilda} to a single byte//] > ND pds [nonnegative diffeomorphism, or "soul"]) via a recyclable hallucinogen for anytime-playback by the avatar (Stewperman🦸🏿♂️).
Easter is coming, but a bit delayed as we re-consider developments in AGI in regards to what makes economic sense in production.
ReplyDeleteI haven't forgotten about the promised Egglepple@30 📑📝paper dump. Thanks. -lnq
DeleteTo elaborate on the Easter bit, I'm not going to spend lots of money on actors/voices/sets (especially since this is AR) if an AGI can just spit out a scene from a script overnight. I need to know how this is going to move first.
Deletefyi, regarding #Egglepple@30 #paperdump, many of these 'papers' might be manifest files.
DeleteThe Easter IMDb page @https://www.imdb.com/title/tt7517148 (that purple block w/ egg is not the official poster, btw🙃) will continually be updated throughout production (with cast, crew, and producers). 'Plot synopsis' portion is looking good right now, and I might as well do the same for all of the episodes (to be) added (and there are lots).
Delete:img: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvqsZVeYsO6znIK1CxEw-yRROc003rJ2vyyl8zDSlqv5gl22Um_3d43SHWispSr3krMP9NRcYmFXHhaU4fJ59_7SZJYvRt3RdsMCshDlUnlDnXoyf9IFphSK7MYWuz3XXSyYmo6X-KMKXtqZPbEQTwGx4zgcxq2PjdsFC3h0WauIA5MVB2znx2bFn0gQ/s1600/motif.png :eimg:
ReplyDeleteWatch me become Stewperman🦸🏿♂️.
Delete:img: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtKdbAMnVeptWm6Bw4dj5zUNFJnBRzWYIdnU85GJu2hk9iFv4O1za28-XwATi0y6ijhjMXZqNJSRWK3Z_-WK9kwyKQPyIzAoX7feUVTu6F7zAa815zE2rkm50X14ucg9Dxd8o01m0bffFxYhqCPV6Zw2uorHsKUC0uqL8XDf0Jm0kodj5jm4rweinFrQ/s600/Link%20Starbureiy%20Me%20SF.png :eimg:
DeleteUUelcome to the Stewniverse.
ReplyDeleteUUelcome @IMDb --> https://www.imdb.com/title/tt8188600 (best show in the world ;)
ReplyDeleteUUelcome @ Fandom --> https://uuelcome.fandom.com (wiki stuff)
DeleteHello, SERPs.
ReplyDelete@uuelco.ME = 🧑🏿lnq's virtual nerve
ReplyDelete++ @uuelco.ME == 8-qubit (lnq) jukebox [qube], \0 exploit.
Deleteqube, quber, qubing...
ReplyDelete¶Glossary: "'jukebox' (jb) = token-transactionary automaton hosting a rotisserie [proof server]. --> /// That's a basic definition which works, yet note that I am solving an N×N×N algebraic 'cube' (a scramble where the value of each 'N' -cube root as a 'qubit count'- of UUelcome can range from 0-8, example: 3x5x8, -but is always in the form of N1×N2×N3 [-- my 'joey', where N2 is the 'nose' and N1,N3 are the 'ears' of Joey Koala🐨] even if one or more n=0. However, n=3 (Rubik's) is the ideal infimum because Egglepple is a 26-dim brane, so 27>26 pieces covers each basic case; the elusive 27th piece is called a 'link' -which is technically defined as the pip [percentage-in-point] of a stew, jokingly referred to as the "missing link". Likewise, even though n=11 could identify all 2,028 stews [+20 links], n=8 {8×8×8 == lnq} is the supremum because 512>507 [+5 links] -where 507 is one of a stew's mutable four dyadic types: integer-integer, half-integer-half-integer, integer-half-integer, half-integer-integer. --Notice how n=3, n=8, and n=11 together would output 26 links.-- Ultimately, the goal is to reduce the cubic form down to n=3 (since log2(8)=3), anyways, essentially what I call 'u-u economics' (UUe) :== protocol for matching different base pairs [(u,u)]) that yields our combinatorial puzzles🧩.", "'gameshow' (gs) = hosted program that factors a reward function for achievement unlocking.", ALSO "'opera' = the program (of opus numbers) of a libretto. --> /// To me, an opera represents the 'flow of a proof' ('proof' = algorithm mapping some preimage to its image). It can also be a runtime. The works are purposed to layer codecs." -lnq ..UUelcome is a gameshow-centric jukebox (qube) by default, because, since an emoji👨🏿🦱 button (whence tokens are paid -an optional cash charge is user's choice with a minimum determined by the payment processor- first to hide div element) provides my business commerce (stewc tax revenue is an intrinsic game mechanic, see 3sr/uue), I have to 'put on a show' ("the gameshow" = a demonstrative exhibition/showcase of me stewcing/qubing) for the spiders to whom which metadata is fed and website impressions are fetched/farmed (ie. feed the web crawler bots website schemata and get rewarded with convertible web traffic in return). People, however, tune in to watch its hosted/self-contained media (my opera: Stewart --> me becoming Stewperman). lnq's SEO adage: spiders only handshake, people can transact.
ReplyDelete¶Program definition stems from webisodes (frames of packeted webpage-native metadata). Each webisode (or "uuebisode" :) is referred to as an 'opus'; iterations thereof are called 'toons' (like fine-tuning UUelcome. "Toonage" is a truncation of 'cartoonage' -implying stereotyping on paper :== the diction given to the chronology of attempts at puzzle🧩 solutions). Technically, UUelcome is a (cellular) automaton stereotyping some portfolio; an automaton that self-alphabetizes its (paper) tape. I named this a 'Starbureiy automaton' (SA), and its portfolio is Egglepple (yes, this is all about me). By-and-large, the SA's cryptocurrent is superpositioned as a unique phylum of deposits (ie. stews)
Delete¶The jukebox (qube) is tuned by threading kernel libraries (+patchwork) for fugue damping (training comes via redundant server-side proofs of random walks, courtesy of open gyms and gameplay, which leads to better Q#-compatibility) in my sandbox. Even though it is practically used by me for timestamping speedruns, I tend to think of the 'comments' section (ie. threads-stream) on my website @uuelco.ME as sheet music / music roll. Toons themselves are individually/inductively ordered (n + 1), but because it is feasible for two or more to be confluent, offered is a finitary naming convention.
¶Lnq's hallucination is informatical rather than physical, and computed with nutrition. That is to say that webisodes can be batched, retrieved, and distributed under a file format/codec (.uue --"dot uue" standing for 'unified utility encoder'), but the hallucinogen itself (UUelcome) must be chemically integrable. Technically, UUelcome's eight qubits ("bits") are its pre-recorded game map (@uuelco.ME) as 'self-contained media' (scm), whereas the countable "pieces" streaming my gameplay all (bits + pieces) comprise a single byte by way of a data signal compressor ('mathilda' aka 'tilly'), yielding his exploit (a lnq-dominant deactivator).
Solve the Qube, lnq.
ReplyDeleteI am the baddest motherfucker in the game. Because I'm Link Starbureiy. That's why!
Delete¶@uuelco.ME uses the 3-sigma rule (3sr) to generate income, which is collected (via a conspicuous call-to-action payments button/sticker api disguised as an emoji representative of myself, lnq) from non-player characters (ie. conceptual neurodiversity as a cellular automaton known as 'The Silk') who are payers, and basically means that I rely on large amounts of site traffic (converted impressions) for monetization.
ReplyDelete¶Organic traffic (OT) comes from search engine optimization (metadata tweaking = "metagolism" ;) on lnq's site @uuelco.ME. This would be equivalent to an audience of spiderbots. lnq bank$ on (a working but self-modified version of) the 3-sigma rule (ie. ~1/370 = 0.0027 or ~2.7/1000 or ~27/10000 or ~0.27% of all random impressions, so AT LEAST 0.0027/365 = 0.000007397260274 or ~ 0.0000074% {batch per diem [DAILY refresh] - since because 1/370 is an approximation for a yearly frequency, then 370/365 = 1.01369863 ~~1 [d8] <-- an ideal, however, that number is contingent upon my site's popularity as content is only crawled by 'spiders' (web crawler bots) periodically (in accordance with change detection+notification services) and depends on regular updates and reputation/pageranking} are transacted -it's just a game of volume+momentum). Likewise, webisodes act as quotidian containers (and rightfully so because that matches the game's finitary runtime), whereby they frame activity within said period and can be impressed upon in multiple instances (which is why I refer to it as a soap opera of sorts). Note that the minimum a payment processor processes is between $0.01 - 1.00, so any sum less than this is subject to be discounted. Thus, the impressions floor integer with a $0.01 value yields 1,352 (0.01 / 0.0000074). Similar calculations from the $0.50 mean would be a 67,568 (0.50 / 0.0000074) floor integer, and our typical $1.00 minimum translates to a 135,136 floor integer (from 1.00 / 0.0000074). Regardless of emoji button token whales (thank you, btw), ALL transactions OVER A DAY are averaged to this amount.
¶UUelcome webisodes are capped (space) according to budgetary constraints (see next paragraph), regardless of duration (time). Each depends on attributes like framerate, compression, and pixel count to determine filesize. Megabytes [mb] per is ideal for keeping the site/page loads quick (small [kb] can be good but not always better, large [gb] is uneconomical).
¶Following 3sr (and using marginal estimates), this works out to breaking even or roughly 1:1 ($1 per mb) whence traffic [#number of impressions] is @ ~2^15.177, also $10/mb @ ~2^18.499, $100/mb @ ~2^21.821, $1,000/mb [1k/1m] @ ~2^25.143, $10,000/mb @ ~2^28.465, $100,000/mb @ ~2^31.787, and $1,000,000/mb @ ~2^35.109.
Sidenote: that aforementioned emoji👨🏿🦱 (always) sits centered in the middle of the page, although its size may or may not fluctuate.
Delete'steWAR🪖🎮-🏳' (ie. jailbreaking my nervous filesystem --stewellis) is called such because capturing the Stewpot has lnq🧑🏿 doing battle (against encephalopathy and adversaries - Stink Larbureiy, Honne Bay) in 🧠neuroplastic ctf wargames between neurogenesis (brain growth) versus neurodegeneration (cerebral atrophy) that he notes as "the only real thing worth fighting for, in this, the last great fight". Victory means gaining freedom - akin to privilege escalation (neural hypervision [nh]) - and having persistence (ie. 'stewpremacy' = a NG ['lnq' --> +1 byte QQ //quantum mechanical motherlode compressed {mathilda} to a single byte//] > ND pds [nonnegative diffeomorphism, or "soul"]) via a recyclable hallucinogen for anytime-playback by the avatar (Stewperman🦸🏿♂️).
ReplyDelete