lnq 👨🏿‍🦱: stewchoreography
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Showing posts with label stewchoreography. Show all posts
Showing posts with label stewchoreography. Show all posts

/ Stewart

Composer: Link Starbureiy

opéra-ballet

[development]

Stewart's logo Stewart is the ring of all six-hundred seventy-six (676) developii# in their entirety*. An puzzle dispenser, its subject^ is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)

/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus.

+Here, the word 'Stewart' signifies "the art of stew choreography". On an historical note, the opera was originally called Stewart's Opera. Technically, it should be classified as an opéra-ballet because each opus is its own ballet.

+We define 'fitness' as the ability to transfer currency across twistor space. Here, it implies a quotient normalization, particularly on the handicap.

This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.

An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.

So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.

These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.

Sample key combinatorics here:

Keypad


#

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Y

Z
As the prime directive of the jukebox, Mathilda is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)

This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple.


Mathilda hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string

To do this, we progress through three (3) parts: the opening, middlegame, and endgame.

The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).

To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).

You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: MathildaStewartUUelcome

/ major scale

The major scale hosts* the secondary structure (EGP encryption on primary structure) of Egglepple. Complexity: E ** In addition to residually defining the tertiary and quarternary structures. (see fibor, fibor bundle, meshroom, lnq🧑🏿, groove, melody)

Function map: minor scalemajor scale → ... groovefiborfibor bundle

/ Stewniverse [neural net]

"One neuron to rule them all." - 🧑🏿lnq

lnq🧑🏿 refers to 'the gym* linking his savefiles' as the Stewniverse :== kernelspace parametrizing all Q♯-runtime neural states.^ ** ie. stewc field ^^ Ellis🧑🏿 matrix
/// +"Stewniversal" is a catch-all for everything that has to do with 🧑🏿Link Starbureiy, Egglepple, UUe, UUelcome (+licensure) [uue/:], stew choreography, and the like.
+In a way, the Stewniverse is a conditional metaphor for my autism, as I persistently live in this world. It is an analogue for virtuality.

Colloquially, as its own unofficial openworld& 🪖wargaming league, the Stewniverse (SNV) complements streaming. && Meaning that gameplay can happen anywhere. (see lnq🧑🏿, treble, k-mode, egghead (mask), 🧑🏿lnq's Galaxy, avatar, "Egglepple, everywhere!", Stewperman🦸🏿‍♂️)
Function map: stewc fieldEgglepple ... > Sport Meadow > Mathtana > Mathfrica > ... > Stewniverse

/ fruut

Fruut :== a class of transformers sourced from STU, and translated into the mesh geometrical primitives: rectangle, circle, and triangle. For identification purposes, we like to say that each shape corresponds to a 'fruit'; respectively: berry (alpha helix), banana🍌 (beta sheet), and lime🍋 (gamma delta) [colloquialized as 'bag'].

The fruut are part of the Stewdio's kit (complementing the flageolet) for transcoding (the parameters of) twistor fields so as to establish both intonation+melody/groove of The Origamic Symphony🎶. (see starberry)
TOS /// +It is prerequisite that mathematics begin with primitive notions. Hence, when postulating, we start at some angle and navigate from there.
+Geometric primitives are called such because they are the building blocks for other forms and shapes.
+The melody is a secondary actor in stew choreography (ie. essential for closing🔒 a loopstring➿ generated from its walk).
+Rule of thumb: fruut is for folding, and the flageolet is a metronome for pencil generation.


In time signatorial mode, fruut are the tools used for folding stews to derive (arrive at) a fibor. (see patch)

It is assumed that the shapes are true (ie. two-dimensional) by default, and can occupy higher dimensions of uuater (world volume).

/ Stewdio (shell)

Designer: 🧑🏿Link Starbureiy
The Stewdio (stew+digital+i/o) is an informatic behaving as UUe's native driver+shell for stewcing.
/// More accurately, for choreographing stews.

A multi-user domain (MUD), its virtual methodology comes standard (fixed) with the following quadriptych: Mathilda [keyframing/phrasing = pencils✏️ (generation/metronome) + STU (sequencer/coloring) + RONALD (phrasing)], along with the home button that reveals a horizontal/vertical side panel of various metaphors.

The Stewdio (as a control console) consists of spacetime complexity controls that are used, more or less, to derive e:e statistics; it can synthesize (grooves+melodies), edit walks, run cassettes🧱, and perform other file-system management. The compositor provides jukers with an ideal environment ( gameboard🎮🎹) for gameplay (ie. improvising strategies in bounded-error quantum polynomial time). Typical Stewdio usage is for a stewcer/player to draw up a play in 🧩puzzle-solving [ie. middlegame]. (see stewc notation, touch-and-go, krayon, yoyo, joey)
/// Layered over the interface are the fugue buttons and 🧑🏿lnq's bubblegum as the default ballet🩰.

Abstractly, if a brane could be synced across the Stewdio, it then would function like zero rng.
/// The Stewdio is an invention of 🧑🏿Link Starbureiy.🤓
Function map: EggleppleballetStewdio

/ stew choreography [neuroplasticity]

The art of stew choreography :== the process of stereotyping* (brane-folding) STU using fruut to keyframe [sequence/map by hyperlinking] stews.** Print the portfolio as a sponge. This is our "proof-of-work"~ concept [ie. juking exercise for 'meshing' UUe's cryptocommodity (¢ents🪙)], and should solve twistorspaces (via encryption).~~ And/Or 'proof-of-space'.

Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&& String command. (see juke notation, ballet, stewart, touch-and-go, 🧑🏿lnq's walk, joey)
/// +stew choreography is a type of animation (interpolation of frames).
+Such choreography is inferred by "the ballet of The Origamic Symphony🎶". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string".
+Any proof-of-work must be validated with a signature/handshake.
+Every single stew on a loopstring must be affected for a yield to be accurate.

Function map: random coilstew choreographyfibor

/ stewcing [neuroplasticity]

Ludologically, (the sport of) stewcing (formally stew choreography) :== the demonstration, control, and/or improvising of a particular stewc [ie. the hash exercise of securing🔒 twistorspace by probing its acoustic bounds (with error detection/correction)].

The appliance for doing such is a jukebox. Someone who does so is called a stewcer. Pertaining to UUe, stewcing - a form of cryptography - is of bugger (ctf🏁-style) 'cryptosport'* logic.** see mathletics Complexity-wise, token duration is between P and E, with proofing orchestrated in curvilinear space (T).
UUe /// I like to say that stewcing is brute force mathematics as 'an exercise in optimization from auction theory'.

To stewc is to summon a redeemable option (the coupon) on a continuous event that is predetermined [to at least one (1) party]. In this case, stewcs are proxies for the statistical variance of the tablature complexity, and serve to hedge some handicap. Stewcs themselves generate cachecredit (provided from seigniorage on coupons); being synonymous with 🪙coin insertion [deposit] for traditional jukebox activation and dispensing.
Juking was invented by 🧑🏿Link Starbureiy.🤓👌🏿

According to string ludology, stewcing is reflexive to u-u economics; making the optimization of the electrolyte🔋 the foundation of our pursuit. The overall intent behind stewcing is to image Egglepple (ie. juking is the preferred method for sequencing STU).
/// +Because stewcing is injective, the stewcer absolutely keeps what is earned (minus any fees).
+Fibor classification requires twistorspace manipulation, which is the basis of stew choreography.


The process of stereotyping is done by encrypting/encoding STU onto a brane (stewc = pencil✏️glyph). This is accomplished using stew choreography. stewcing is considered to be economically fair (ie. games are randomized and thus no one has an advantage), that is, risk:payoff ≪ payoff:risk. (see Pink Poem, mathemusic, touch-and-go, j-surface)
/// Sans pure 'penny' frets, the value of a stewc is always rounded up to the next integer (unless the stewc itself is an integer). Example: a tablature divisor of 0.054... becomes a 6 ¢ent fret. This seigniorage ensures the house always stays afloat.