+touch-and-go

Touch-and-go [H#H] refers to my toccata [style of cheironomy] which utilizes threading: [touch*](holography) plus [go](#hashtag) for juking Egglepple++as well as jukebox tuning.Emphasis more on "touch on/over" a topic/subject rather than haptics. // In composing The Origamic Symphony🎶, gameplay is used: patchwork (orchestrating subiteratives, such as prepatches) are contracted (pu$h/pull → deploy) to solve a 🧩puzzle; configs require signatures on stables. (see also joey, krayon, k-mode, gameplay)
/// Conduction is responsive in jukespace.

+ca$htag #$

A ca$htag is the transaction protocol of u-u economics that utilizes the syntax of a hashtag (#) with a username pointer. The value of the pointer is measured in ¢ents/dollars, and has no monetary value when null (value.0 = null). (see also hash, zero-bubble, UUallet, carrot🥕)
/// The ca$htag protocol (as it pertains to UUe) is an innovation from Link Starbureiy.🤓

+parimutuel

Parimutuel means ∃ an equivalence relation whose derivative statistics^~ are mutual (peer-to-peer).Tender is tax-intrinsic. Formula: round up to the next whole ¢ent [eg. 13.2¢ → 14¢, claim equals the difference (0.8¢)]. In terms of double-u economics, it is simply the relationship between fungible dyads (hyper and hypo).

In the twist economy (a p-algebraic system), currency comes at the cost-of-work. Whence juke-compliance instances are solitonous^! (ie. k-current), hypocurrency is basic.Non-dispersive. Unspent ¢ents are recycled♻ back into the jukebox* for redistribution upon token expiration (here high score wins the pool), becoming hypercurrency for the vendor, thus satisfying its feedback loop requirement.In this case, the house is a merchant, and its fees are the juker's ruin.

Formula: patch→token→coupon

Fitness manifests from statistical dispersion of token idempotence^{^} (juking-generated merchant.vendor responses via contract management^&).Appreciation/depreciation is null. ie. coupons. (see also rotisserie, BOT, double-u economics, carrots🥕 and peach🍑, multiplier. Compare quantum entanglement)
/// Here, compliancy comes courtesy of an auction.

"Parimutuelity is reliant upon conduction, which introduces the order of things." - 🧑🏿Link Starbureiy

Function map: parimutuel → double-u economics

+hash

A hash (#) is some declarable datum (eg. measurable in ¢ents), plus an operator* on that datum, mapped to an arbitrary function space.Each index is a specific hash. The act of hashing would be congruent to bifurcation at some limit. (see also patch, flageolet pencil, thread, UUhistlegrass, crypto, twistorspace, hash opera, ca$htag, juke notation)

+patch

In flowchart material, a patch is a morphism between separate categories that induces a categorical limit on fruut. Put another way, a patch [non-residue] initiates some recompute (resulting in a change of topology at an inflection point) of a walk. As combinatorial generators, patches create (a supply of) theoretical graphs which help calibrate stew choreography when mapping relational categories; hence, patches are (decorative) bundling objects (compare ribosome).

Included in the patchwork pipe (a-z) is the prepatch ('prep'), which is a pre-release of an official/actual compile. These usually will highlight new objects that need to be tested before committing to a stable (release). (see also toonage, bubblegum, coverage, improvise, γ-proof, cassette, signature sticker)

+port

As the determining factor in an opus' naming scheme [hashing], a port [uue/:] is the combinatoric of some twistorspace as defined by its leaves (u,u)* (ie. the starting point to a walk).Technically, as its leaf sorting parametric (ie. "in the key of"...).

+hash opera

Hash opera is a type of opera whose program (score/libretto) is hashed (#) inductively [ie. stream* = batch of threads]. Hashing ensures recycling of impressions generated by frame arrangement (ie. pay for itself).Continuity is assumed at inflection points. (for example Easter, see also soap opera, opera ludo)
/// +'Hash opera' was both coined and invented by 🐨Link Starbureiy🤓, as an organic movement of his recital.

+Hash operas tend to be unusually long due to the fact that streaming rewards quantity (duration).