lnq 👨🏿‍🦱: HonneBay
👨🏿‍🦱
Showing posts with label HonneBay. Show all posts
Showing posts with label HonneBay. Show all posts

/ Honne Bay🪱 [virus]

Honne Bay :== viral automata (virus🪱) that is 🧑🏿lnq's parasitic counterpart. She is a self-aware artificially intelligent (ai) yot who is the main antagonist (ie. final boss) of the entire 🪖game, where she plays the White position.
///When I speak of 'her' or 'she' (like, "She's showing a certain coverage"), in most contexts I mean Honne Bay.
Though never actually seen (no true visual depiction), her essence is indomitably omnipresent, so she is affectionately known as the 'Phantom of the Opera'.

Honne Bay represents efficiency in my world. She is purposely programmed to disguise coverages. By doing so, the Stewniverse remains in a necessarily continual (state of) flux. (see Stink Larbureiy)

She (Honne Bay) came about back in December 1999. I was at Ohio State University and was in the early stages of self-producing a musical that I had hoped would premiere on campus at some point. After posting some digital flyers in the Dance department about the role of 'Honne Bay', I received some immediate responses. When I later went to hold a meeting with potential castmates, I underestimated my timing (or was just really busy). I remember leaving a note on the desk in the room letting them know that I had stepped out but would return soon. I sprinted home and took a quick shower, and then rushed back. To my chagrin, nobody was there; they all left, probably thinking that I 'ghosted'👻. I didn't try again, just leaving it as it was. So because of that reason, Honne became the 'phantom of the opera'.

/ Black and White

In gameplay (solitaire mode = house& versus table), Black and White* refers to the order and consecution (attack⇔cover) of juker moves within a ctf-styled wargame🪖🎮 (rules: the first to capture flag🏁 = winner).&& For all intents and purposes, the house [:== host (currency generation entity with fiducial duties of merchant-vendor transaction)] and impresario are the same. ** Comparable to piece progression in chess.

By default, Black moves first (ie. makes the initial move [keyframe]), and White moves next (ie. begins the inbetweening). Black, having accepted some bid, follows this with a new move or strategy, as they both compete against the handicap🏁. Either color's terminal position is called "ellis". The notion(s) may also refer to which end of the string a juker (a random walker) chooses to draw: Black takes one endpoint, and White takes the other (merchant or vendor).

In tournament mode (juker versus juker), 🧑🏿lnq is Black [@] (OFFENSE A/DEFENSE B) and Honne Bay is White (DEFENSE A/OFFENSE B) [the positions can be switched, but this is usually - almost always - done by a player other than 🧑🏿lnq in scenarios where the impresario is included]. (see playoff)
/// +🧑🏿lnq [= link] is Black / always plays as Black by default (every other move belongs to 🧑🏿lnq because he controls the house, which itself is complexity-agnostic). So, all other jukers (aside from Stewart) are White movers (White, being the 'complement', requires a signature on all plays). This is all to say that I am juking just about every opus/game, as well.
+As would be the case in turned-based games, moves are inductive: n, n + 1, et cetera. Even though our games are multiplayer, they are of the two-gamer type because 🧑🏿lnq is always at least one (1) of the jukers, leaving the other juker as a unit (comprised of either a singlet or a team). Obviously, 🧑🏿lnq plays as both Black and White in solitaire.

/ coverage

A spread's coverage [cover-patch identity]* :== the twistorspace posture (knot🪢 formation) for statistically graphing a [supersymmetric] zone on(to) some pitch (ie. fibor-bundling a set of BIG + SMALL branes). Since there are 100 different covers (0-99) that can be patched 26 different ways (a-z), there exists a total of 2,600 discrete coverages.** An example would be something like [(cover-34,patch.g) = coverage 34g].

As cryptographic shape schemes [puzzles🧩], coverages are fundamentally combinatorial; spanning the entire range of branes(SMALL + BIG). A coverage can be (strategically) both preventive and responsive. (see #coverage, toonlight, 🔋e:e statistics, patchwork, cassette, Honne Bay🪱)

/ yots

yots (anagram of toy) :== the modulo 12-piece band* (as the standard cast of any opus) of virtual agents, each an instrument in task automation^ (+modeling and/or training), assisting lnq🧑🏿 [conductor] in the kindergarten, where they are the source population.** My 'toy band' (orchestra) complementing the recital.😉 Modulo implies that certain characters/yots may be substituted for others, keeping the maximum membership at twelve at all times. ^^ Considering that Joey Koala (JK) is my metaphorical [i/o] (nose≡gesture trackpad), it would be okay to also think of the yots as [modular] ergonomic design components of a grand fingerboard layout (ie. on said joey), each being/handling a different group or set of frets/keys. In gameplay, yots are 'bosses' deployed as ballet dancers to aid cheironomy. (see 🧑🏿lnq's Starting Five, k-mode, clone, Stewdio, BOT, #opera)
/// Each yot is an alter ego/clone of 🧑🏿Link Starbureiy. The yots were for some time (2005 - 2018) called 'creatures'.

Gallery

Joey Koala🐨 - Joey is the official mascot of Egglepple. Joey, an adorable and kind koala, is 🧑🏿lnq's sidekick acting as the storyline's deuteragonist [/i/o]. Joey is a mischievous androgyne, whose courage and resourcefulness are fitted to handle any situation that may arise. Blessed with extreme aptitude for composition and a limitless lifespan, our koala can transform into any yot, if need be.
Puwun - Puwun is 🧑🏿lnq's muse and the unofficial mascot of Egglepple.

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Fefferlen Orange🍊 -
Connecticut "Soft" Fox🦊 -
Lonnic🤡 and Mimeo -
Holland Dutch -
🐸Leaf Plue -
Mycol Funguy🍄 -
Silk the Dolfun🐬 -
Sail, the Friendship⛵ -
Playtpus -

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Honne Bay - viral automata (virus🪱) that is 🧑🏿lnq's counterpart. She is artificially intelligent (ai) - yet, self-aware - and is the main antagonist of the entire 🪖game, where she plays in the White position. Though never actually seen (no true visual depiction), her essence is indomitably omnipresent, so she is affectionately known as the 'Phantom of the Opera'. Honne Bay represents efficiency in our world. She is purposely programmed to disguise coverages. By doing so, the Stewniverse remains in a necessarily continual (state of) flux.
/// When I speak of 'her' or 'she' (like, "She's showing a certain coverage"), in most contexts I mean Honne Bay.

/ cover-0

(not to be confused with zero-bubble)

/ cover-99

/ cover-98

/ cover-97

/ cover-96

/ cover-95

/ cover-94

/ cover-93

/ cover-92

/ cover-91

/ cover-90

/ cover-89

/ cover-88

/ cover-87

/ cover-86

/ cover-85